LITMIR.BIZ

Although he was an acute literary critic, a voluminous contributor to Blackwood's and other journals, and a perceptive writer on history, biography, and economics, Thomas de Quincey (1785–1859) is best known for his Confessions of an English Opium Eater.First published in installments in the London Magazine in 1821, the work recounts De Quincey's early years as a precocious student of Greek, his flight from grammar school and subsequent adventures among the outcasts and prostitutes of London, studies at Oxford University and his introduction to opium in 1804 (he hoped that taking the drug would relieve a severe headache). It was the beginning of a long-term addiction to opium, whose effects on his mind are revealed in remarkably vivid descriptions of the dreams and visions he experienced while under its influence.Describing the general style of the Confessions, an English critic of the period wrote in the London Monthly Review: «They have an air of reality and life; and they exhibit such strong graphic powers as to throw an interest and even a dignity round a subject which in less able hands might have been rendered a tissue of trifles and absurdities.»In later years, De Quincey revised and expanded the first edition of the Confessions into a much longer, more verbose work which lacked the readable intensity of the original. The present edition reprints the first version, generally considered more impressive, and admired for its introspective penetration and journalistic astuteness.

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One of the most famous literary works of the 20th century, the novella «Death in Venice» embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann's handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power. It is presented here in an excellent new translation with extensive commentary on many facets of the story.

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The great documents in this important collection helped form the foundation of American democratic government. Compelling, influential, and often inspirational, they range from Patrick Henry's dramatic «Give me liberty or give me death» speech at the start of the American Revolution to Abraham Lincoln's Second Inaugural Address, issued in the closing weeks of the Civil War. Also included are the Declaration of Independence, Thomas Jefferson's classic rationale for rejecting allegiance to the government of King George III; the Monroe Doctrine, the cornerstone of American foreign policy; and these other landmark statements: The Constitution of the United States; James Madison's The Federalist, No. 10; George Washington's First Inaugural Address and Farewell Address; Thomas Jefferson's First Inaugural Address; William Lloyd Garrison's Prospectus for The Liberator; Andrew Jackson's Veto of the Bank Bill; and Abraham Lincoln's First Inaugural Address, Emancipation Proclamation, and Gettysburg Address.An introductory note precedes the text of each document, providing fascinating background history and information about the author. An indispensable reference for students, this handy compendium will also serve as an invaluable introduction for general readers to American political writing.

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This concise anthology presents a broad selection of writings by the world’s leading revolutionary figures. Spanning three centuries, the works include such milestone documents as the Declaration of Independence (1776), the Declaration of the Rights of Man (1789), and the Communist Manifesto (1848). It also features writings by the Russian revolutionaries Lenin and Trotsky; Marat and Danton of the French Revolution; and selections by Jean-Jacques Rousseau, Emma Goldman, Mohandas Gandhi, Mao Zedong, and other leading figures in revolutionary thought.An essential collection for anyone interested in the issues, ideas, and history of the major revolutions of modern times, this book will prove an enlightening companion to students of this genre. Includes a selection from the Common Core State Standards Initiative: The Declaration of Independence.

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Daisy Miller is a fascinating portrait of a young woman from Schenectady, New York, who, traveling in Europe, runs afoul of the socially pretentious American expatriate community in Rome. First published in 1878, the novella brought American novelist Henry James (1843–1916), then living in London, his first international success. Like many of James' early works, it portrays a venturesome American girl in the treacherous waters of European society — a theme that would culminate in his 1881 masterpiece, The Portrait of a Lady.On the surface, Daisy Miller unfolds a simple story of a young American girl's willful yet innocent flirtation with a young Italian, and its unfortunate consequences. But throughout the narrative, James contrasts American customs and values with European manners and morals in a tale rich in psychological and social insight. A vivid portrayal of Americans abroad and a telling encounter between the values of the Old and New World, Daisy Miller is an ideal introduction to the work of one of America's greatest writers of fiction.

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The great Spanish mystic St. John of the Cross became a Carmelite monk in 1563 and helped St. Teresa of Avila to reform the Carmelite order — enduring persecution and imprisonment for his efforts. Both in his writing and in his life, he demonstrated eloquently his love for God. His written thoughts on man's relationship with God were literacy endeavors that placed him on an intellectual and philosophical level with such great writers as St. Augustine and Thomas Aquinas.In this work — a spiritual masterpiece and classic of Christian literature and mysticism — he addresses several subjects, among them pride, avarice, envy, and other human imperfections. His discussion of the «dark night of the spirit,» which considers afflictions and pain suffered by the soul, is followed by an extended explanation of divine love and the soul's exultant union with God.This fine translation by E. Allison Peers «is the most faithful that has appeared in any European language: it is, indeed, much more than a translation for [Peers] added his own valuable historical and [critically interpretive] notes.» — London Times.

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More than an autobiography, The Confessions of St. Augustine is one of the most influential religious books in the Christian tradition. A great work of Western literature, it recalls crucial events and episodes in the author's life, in particular, life with his devoutly Christian mother and his origins in rural Algeria in the mid-fourth century A.D.; the rise to a lavish life at the imperial court in Milan; his struggle with sexual desires; eventual renunciation of secular ambitions and marriage; and recovery of his Catholic faith.This intensely personal narrative — among the first in which self-analysis was used to describe spiritual and emotional experiences — provides a detailed, classic recounting of one man's internal struggles and religious conversion. The book will be useful to anyone interested in the impact made by one of the foremost leaders in the development of Christian thought.

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A tribute to the first great age of fictional sleuthing, this delightful collection of 13 mystery classics is devoted to the genuine tale of ratiocination, in which the detective solves the crime by investigation and observation, by using his or her wits.Included among these gems, written between 1841 and 1920, are Edgar Allan Poe's «The Murders in the Rue Morgue,» widely acknowledged as the first detective story; Charles Dickens' «Three Detective Anecdotes,» in which a policeman is the detective-hero; Jack London's «The Leopard Man's Story,» featuring an unusually grisly but thoroughly plausible murder method; «The Phantom Motor,» by Jacques Futrelle; as well as tales by Wilkie Collins, Gelett Burgess, Susan Glaspell, E. C. Bentley, Rodrigues Ottolengui, Baroness Orczy, Samuel Hopkins Adams, Meville Davisson Post, and H. C. Bailey.Douglas G. Green, a widely recognized authority in the field of mystery fiction, provides an Introduction and informative headnotes for the stories.

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The two years before he wrote Crime and Punishment (1866) had been bad ones for Dostoyevsky. His wife and brother had died; the magazine he and his brother had started, Epoch, collapsed under its load of debt; and he was threatened with debtor's prison. With an advance that he managed to wangle for an unwritten novel, he fled to Wiesbaden, hoping to win enough at the roulette table to get himself out of debt. Instead, he lost all his money; he had to pawn his clothes and beg friends for loans to pay his hotel bill and get back to Russia. One of his begging letters went to a magazine editor, asking for an advance on yet another unwritten novel — which he described as Crime and Punishment. One of the supreme masterpieces of world literature, Crime and Punishment catapulted Dostoyevsky to the forefront of Russian writers and into the ranks of the world's greatest novelists. Drawing upon experiences from his own prison days, the author recounts in feverish, compelling tones the story of Raskolnikov, an impoverished student tormented by his own nihilism, and the struggle between good and evil. Believing that he is above the law, and convinced that humanitarian ends justify vile means, he brutally murders an old woman — a pawnbroker whom he regards as «stupid, ailing, greedy…good for nothing.» Overwhelmed afterwards by feelings of guilt and terror, Raskolnikov confesses to the crime and goes to prison. There he realizes that happiness and redemption can only be achieved through suffering. Infused with forceful religious, social, and philosophical elements, the novel was an immediate success. This extraordinary, unforgettable work is reprinted here in the authoritative Constance Garnett translation.A selection of the Common Core State Standards Initiative.

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"Like many fond parents, I have in my heart of hearts a favourite child," confessed Charles Dickens in the preface of this novel, «and his name is David Copperfield.» Millions of readers have taken young David into their hearts as well, weeping over his misfortunes and exulting in his triumphs. Dickens' seventh novel, David Copperfield, appeared in 1850, by which time he was a British national institution. Based on the author's own tumultuous journey from boy to man, this epic traces David's progress from his mother's sheltering arms to the miseries of boarding-school and sweatshop, and the rewards of friendship, romance, and self-discovery in his vocation as a writer.In addition to its compelling narrative, the great appeal of David Copperfield lies in its memorable cast of characters. From Mr. Murdstone, the brutal stepfather, to the scheming clerk Uriah Heep, the novel is peopled by vividly observed characters. Nursemaid Peggoty, bursting with vitality, leaves a trail of flying buttons in her wake. Grandiloquent Mr. Micawber is ever-confident that something will turn up to save his large brood from penury. Kind by wildly eccentric, Aunt Betsey Trotwood accepts counsel from the wise fool, Mr. Dick, and provides a heated reception for trespassing donkeys. Dickens' genius was comic, and David Copperfield reflects his view of existence as a mixture of laughter and tears — with laughter uppermost.

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