ERNEST HEMINGWAY - Premium Edition - Ernest Hemingway

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the fireman bending to fling great shovelfuls of coal into the open furnace door. The engineer wore goggles. His face was lit up by the light from the open door of the engine. He was the engineer. It was he who had his hand on the throttle. Scripps thought of the Chicago anarchists who, when they were hanged, said: “Though you throttle us today, still you cannot something something our souls.” There was a monument where they were buried in Waldheim Cemetery, right beside the Forest Park Amusement Park, in Chicago. His father used to take Scripps out there on Sundays. The monument was all black and there was a black angel. That was when Scripps had been a little boy. He used often to ask his father: “Father, why if we come to look at the anarchists on Sunday why can’t we ride on the shoot the chutes?” He had never been satisfied with his father’s answer. He had been a little boy in knee pants then. His father had been a great composer. His mother was an Italian woman from the north of Italy. They are strange people, these north Italians.

      Scripps stood beside the track, and the long black segments of the train clicked by him in the snow. All the cars were Pullmans. The blinds were down. Light came in thin slits from the bottom of the dark windows as the cars went by. The train did not roar by as it might have if it had been going in the other direction, because it was climbing the Boyne Falls grade. It went slower than if it had been going down. Still it went too fast for Scripps to hitch on. He thought how he had been an expert at hitching on grocery wagons when he was a young boy in knee pants.

      The long black train of Pullman cars passed Scripps as he stood beside the tracks. Who were in those cars? Were they Americans, piling up money while they slept? Were they mothers? Were they fathers? Were there lovers among them? Or were they Europeans, members of a worn-out civilization world-weary from the war? Scripps wondered.

      The last car passed him and the train went on up the track. Scripps watched the red light at its stern disappearing into the blackness through which the snowflakes now came softly. The bird fluttered inside his shirt. Scripps started along the ties. He wanted to get to Chicago that night, if possible, to start work in the morning. The bird fluttered again. It was not so feeble now. Scripps put his hand on it to still its little bird flutterings. The bird was calmed. Scripps strode on up the track.

      After all, he did not need to go as far as Chicago. There were other places. What if that critic fellow Henry Mencken had called Chicago the Literary Capital of America? There was Grand Rapids. Once in Grand Rapids, he could start in in the furniture business. Fortunes had been made that way. Grand Rapids furniture was famous wherever young couples walked in the evening to talk of home-making. He remembered a sign he had seen in Chicago as a little boy. His mother had pointed it out to him as together they walked barefoot through what now is probably the Loop, begging from door to door. His mother loved the bright flashing of the electric lights in the sign.

      “They are like San Miniato in my native Florence,” she told Scripps. “Look at them, my son,” she said, “for some day your music will be played there by the Firenze Symphony Orchestra.”

      Scripps had often watched the sign for hours while his mother slept wrapped in an old shawl on what is now probably the Blackstone Hotel. The sign had made a great impression on him.

      LET HARTMAN FEATHER YOUR

       NEST

      it had said. It flashed in many different colors. First a pure, dazzling white. That was what Scripps loved best. Then it flashed a lovely green. Then it flashed red. One night as he lay crouched against his mother’s body warmth and watched the sign flash, a policeman came up. “You’ll have to move along,” he said.

      Ah, yes, there was big money to be made in the furniture business if you knew how to go about it. He, Scripps, knew all the wrinkles of that game. In his own mind it was settled. He would stop at Grand Rapids. The little bird fluttered, happily now.

      “Ah, what a beautiful gilded cage I’ll build for you, my pretty one,” Scripps said exultantly. The little bird pecked him confidently. Scripps strode on in the storm. The snow was beginning to drift across the track. Borne on the wind, there came to Scripps’s ears the sound of a far-off Indian war-whoop.

      CHAPTER FOUR

       Table of Contents

      Where was Scripps now? Walking in the night in the storm, he had become confused. He had started for Chicago after that dreadful night when he had found that his home was a home no longer. Why had Lucy left? What had become of Lousy? He, Scripps, did not know. Not that he cared. That was all behind him. There was none of that now. He was standing knee-deep in snow in front of a railway station. On the railway station was written in big letters:

      PETOSKEY

      There were a pile of deer shipped down by hunters from the Upper Peninsula of Michigan, lying piled the one on the other, dead and stiff and drifted half over with snow on the station platform. Scripps read the sign again. Could this be Petoskey?

      A man was inside the station, tapping something back of a wicketed window. He looked out at Scripps. Could he be a telegrapher? Something told Scripps that he was.

      He stepped out of the snow-drift and approached the window. Behind the window the man worked busily away at his telegrapher’s key.

      “Are you a telegrapher?” asked Scripps.

      “Yes, sir,” said the man. “I’m a telegrapher.”

      “How wonderful!”

      The telegrapher eyed him suspiciously. After all, what was this man to him?

      “Is it hard to be a telegrapher?” Scripps asked. He wanted to ask the man outright if this was Petoskey. He did not know this great northern section of America, though, and he wished to be polite.

      The telegrapher looked at him curiously.

      “Say,” he asked, “are you a fairy?”

      “No,” Scripps said. “I don’t know what being a fairy means.”

      “Well,” said the telegrapher, “what do you carry a bird around for?”

      “Bird?” asked Scripps. “What bird?”

      “That bird that’s sticking out of your shirt.” Scripps was at a loss. What sort of chap was this telegrapher? What sort of men went in for telegraphy? Were they like composers? Were they like artists? Were they like writers? Were they like the advertising men who write the ads in our national weeklies? Or were they like Europeans, drawn and wasted by the war, their best years behind them? Could he tell this telegrapher the whole story? Would he understand?

      “I started home,” he began. “I passed the Mancelona High School—”

      “I knew a girl in Mancelona,” the telegrapher said. “Maybe you knew her. Ethel Enright.”

      It was no good going on. He would cut the story short. He would give the bare essentials. Besides, it was beastly cold. It was cold standing there on the wind-swept station platform. Something told him it was useless to go on. He looked over at the deer lying there in a pile, stiff and cold. Perhaps they, too, had been lovers. Some were bucks and some were does. The bucks had horns. That was how you could tell. With cats it is more difficult. In France they geld the cats and do not geld the horses. France was a long way off.

      “My wife left me,” Scripps said abruptly.

      “I don’t wonder if you go around with a damn bird sticking out of your shirt,” the telegrapher said.

      “What town is this?” Scripps asked. The single moment of spiritual communion they had had, had been dissipated. They had never really had it. But they might have. It was no use now. It was no use trying to capture what had gone. What had fled.

      “Petoskey,” the telegrapher replied.

      “Thank you,” Scripps said. He turned and walked into the silent, deserted Northern town. Luckily, he had four hundred and fifty dollars in his pocket. He had sold

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