LITMIR.BIZ

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world could be as he was, in love. And there he was, this fortunate man, himself, reflected in the plate-glass window of a motor-car manufacturer in Victoria Street. All India lay behind him; plains, mountains; epidemics of cholera; a district twice as big as Ireland; decisions he had come to alone—he, Peter Walsh; who was now really for the first time in his life, in love. Clarissa had grown hard, he thought; and a trifle sentimental into the bargain, he suspected, looking at the great motor-cars capable of doing—how many miles on how many gallons? For he had a turn for mechanics; had invented a plough in his district, had ordered wheel-barrows from England, but the coolies wouldn’t use them, all of which Clarissa knew nothing whatever about.

      The way she said “Here is my Elizabeth!”—that annoyed him. Why not “Here’s Elizabeth” simply? It was insincere. And Elizabeth didn’t like it either. (Still the last tremors of the great booming voice shook the air round him; the half-hour; still early; only half-past eleven still.) For he understood young people; he liked them. There was always something cold in Clarissa, he thought. She had always, even as a girl, a sort of timidity, which in middle age becomes conventionality, and then it’s all up, it’s all up, he thought, looking rather drearily into the glassy depths, and wondering whether by calling at that hour he had annoyed her; overcome with shame suddenly at having been a fool; wept; been emotional; told her everything, as usual, as usual.

      As a cloud crosses the sun, silence falls on London; and falls on the mind. Effort ceases. Time flaps on the mast. There we stop; there we stand. Rigid, the skeleton of habit alone upholds the human frame. Where there is nothing, Peter Walsh said to himself; feeling hollowed out, utterly empty within. Clarissa refused me, he thought. He stood there thinking, Clarissa refused me.

      Ah, said St. Margaret’s, like a hostess who comes into her drawing-room on the very stroke of the hour and finds her guests there already. I am not late. No, it is precisely half-past eleven, she says. Yet, though she is perfectly right, her voice, being the voice of the hostess, is reluctant to inflict its individuality. Some grief for the past holds it back; some concern for the present. It is half-past eleven, she says, and the sound of St. Margaret’s glides into the recesses of the heart and buries itself in ring after ring of sound, like something alive which wants to confide itself, to disperse itself, to be, with a tremor of delight, at rest—like Clarissa herself, thought Peter Walsh, coming down the stairs on the stroke of the hour in white. It is Clarissa herself, he thought, with a deep emotion, and an extraordinarily clear, yet puzzling, recollection of her, as if this bell had come into the room years ago, where they sat at some moment of great intimacy, and had gone from one to the other and had left, like a bee with honey, laden with the moment. But what room? What moment? And why had he been so profoundly happy when the clock was striking? Then, as the sound of St. Margaret’s languished, he thought, She has been ill, and the sound expressed languor and suffering. It was her heart, he remembered; and the sudden loudness of the final stroke tolled for death that surprised in the midst of life, Clarissa falling where she stood, in her drawing-room. No! No! he cried. She is not dead! I am not old, he cried, and marched up Whitehall, as if there rolled down to him, vigorous, unending, his future.

      He was not old, or set, or dried in the least. As for caring what they said of him—the Dalloways, the Whitbreads, and their set, he cared not a straw—not a straw (though it was true he would have, some time or other, to see whether Richard couldn’t help him to some job). Striding, staring, he glared at the statue of the Duke of Cambridge. He had been sent down from Oxford—true. He had been a Socialist, in some sense a failure—true. Still the future of civilisation lies, he thought, in the hands of young men like that; of young men such as he was, thirty years ago; with their love of abstract principles; getting books sent out to them all the way from London to a peak in the Himalayas; reading science; reading philosophy. The future lies in the hands of young men like that, he thought.

      A patter like the patter of leaves in a wood came from behind, and with it a rustling, regular thudding sound, which as it overtook him drummed his thoughts, strict in step, up Whitehall, without his doing. Boys in uniform, carrying guns, marched with their eyes ahead of them, marched, their arms stiff, and on their faces an expression like the letters of a legend written round the base of a statue praising duty, gratitude, fidelity, love of England.

      It is, thought Peter Walsh, beginning to keep step with them, a very fine training. But they did not look robust. They were weedy for the most part, boys of sixteen, who might, tomorrow, stand behind bowls of rice, cakes of soap on counters. Now they wore on them unmixed with sensual pleasure or daily preoccupations the solemnity of the wreath which they had fetched from Finsbury Pavement to the empty tomb. They had taken their vow. The traffic respected it; vans were stopped.

      I can’t keep up with them, Peter Walsh thought, as they marched up Whitehall, and sure enough, on they marched, past him, past every one, in their steady way, as if one will worked legs and arms uniformly, and life, with its varieties, its irreticences, had been laid under a pavement of monuments and wreaths and drugged into a stiff yet staring corpse by discipline. One had to respect it; one might laugh; but one had to respect it, he thought. There they go, thought Peter Walsh, pausing at the edge of the pavement; and all the exalted statues, Nelson, Gordon, Havelock, the black, the spectacular images of great soldiers stood looking ahead of them, as if they too had made the same renunciation (Peter Walsh felt he too had made it, the great renunciation), trampled under the same temptations, and achieved at length a marble stare. But the stare Peter Walsh did not want for himself in the least; though he could respect it in others. He could respect it in boys. They don’t know the troubles of the flesh yet, he thought, as the marching boys disappeared in the direction of the Strand—all that I’ve been through, he thought, crossing the road, and standing under Gordon’s statue, Gordon whom as a boy he had worshipped; Gordon standing lonely with one leg raised and his arms crossed,—poor Gordon, he thought.

      And just because nobody yet knew he was in London, except Clarissa, and the earth, after the voyage, still seemed an island to him, the strangeness of standing alone, alive, unknown, at half-past eleven in Trafalgar Square overcame him. What is it? Where am I? And why, after all, does one do it? he thought, the divorce seeming all moonshine. And down his mind went flat as a marsh, and three great emotions bowled over him; understanding; a vast philanthropy; and finally, as if the result of the others, an irrepressible, exquisite delight; as if inside his brain by another hand strings were pulled, shutters moved, and he, having nothing to do with it, yet stood at the opening of endless avenues, down which if he chose he might wander. He had not felt so young for years.

      He had escaped! was utterly free—as happens in the downfall of habit when the mind, like an unguarded flame, bows and bends and seems about to blow from its holding. I haven’t felt so young for years! thought Peter, escaping (only of course for an hour or so) from being precisely what he was, and feeling like a child who runs out of doors, and sees, as he runs, his old nurse waving at the wrong window. But she’s extraordinarily attractive, he thought, as, walking across Trafalgar Square in the direction of the Haymarket, came a young woman who, as she passed Gordon’s statue, seemed, Peter Walsh thought (susceptible as he was), to shed veil after veil, until she became the very woman he had always had in mind; young, but stately; merry, but discreet; black, but enchanting.

      Straightening himself and stealthily fingering his pocket-knife he started after her to follow this woman, this excitement, which seemed even with its back turned to shed on him a light which connected them, which singled him out, as if the random uproar of the traffic had whispered through hollowed hands his name, not Peter, but his private name which he called himself in his own thoughts. “You,” she said, only “you,” saying it with her white gloves and her shoulders. Then the thin long cloak which the wind stirred as she walked past Dent’s shop in Cockspur Street blew out with an enveloping kindness, a mournful tenderness, as of arms that would open and take the tired—

      But she’s not married; she’s young; quite young, thought Peter, the red carnation he had seen her wear as she came across Trafalgar Square burning again in his eyes and making her lips red. But she waited at the kerbstone. There was a dignity about her. She was not worldly, like Clarissa; not rich, like Clarissa. Was she, he wondered as she moved, respectable? Witty, with a lizard’s flickering tongue, he thought (for one must invent, must allow oneself a little diversion), a cool waiting wit,

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