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Lady Charlotte invented and pressed to renew. But a wife, while letting him be seen, would have insisted on appropriating the thought of him—all his days, past as well as present. An impassioned sister's jealousy preferred that it should not be a wife reigning to dispute her share of her brother in imagination.

      Then came a rumour, telling of him as engaged upon the composition of his Memoirs.

      Lady Charlotte's impulsive outcry: “Writing them?” signified her grounds for alarm.

      Happily, Memoirs are not among the silly deeds done in a moment; they were somewhere ahead and over the hills: a band of brigands rather than a homely shining mansion, it was true; but distant; and a principal question shrieked to know whether he was composing them for publication. She could look forward with a girl's pleasure to the perusal of them in manuscript, in a woody nook, in a fervour of partizanship, easily avoiding sight of errors, grammatical or moral. She chafed at the possible printing and publishing of them. That would be equivalent to an exhibition of him clean-stripped for a run across London—brilliant in himself, spotty in the offence. Published Memoirs indicate the end of a man's activity, and that he acknowledges the end; and at a period of Lord Ormont's life when the denial of it should thunder. They are his final chapter, making mummy of the grand figure they wrap in the printed stuff. They are virtually his apology. Can those knowing Lord Ormont hear him apologize? But it is a craven apology if we stoop to expound: we are seen as pleading our case before the public. Call it by any name you please, and under any attitude, it is that. And set aside the writing: it may be perfect; the act is the degradation. It is a rousing of swarms. His friends and the public will see the proudest nobleman of his day, pleading his case in mangled English, in the headlong of an out-poured, undrilled, rabble vocabulary, doubling the ridicule by his imperturbability over the ridicule he excites: he who is no more ridiculous, cried the partizan sister, conjuring up the scene, not an ace more ridiculous, than a judge of assize calling himself miserable sinner on Sunday before the parson, after he has very properly condemned half a score of weekday miserable sinners to penal servitude or the rope. Nobody laughs at the judge. Everybody will be laughing at the scornful man down half-way to his knee-cape with a stutter of an apology for having done his duty to his country, after stigmatizing numbers for inability or ill-will to do it. But Ormont's weapon is the sword, not a pen! Lady Charlotte hunted her simile till the dogs had it or it ran to earth.

      She struck at the conclusion, that the young woman had been persuading him. An adoring young woman is the person to imagine and induce to the commission of such folly. “What do you think? You have seen her, you say?” she asked of a man she welcomed for his flavour of the worldling's fine bile.

      Lord Adderwood made answer: “She may be having a hand in it. She worships, and that is your way of pulling gods to the ground.”

      “Does she understand good English?”

      “Speaks it.”

      “Can she write?”

      “I have never had a letter from her.”

      “You tell me Morsfield admires the woman—would marry her to-morrow, if he could get her.”

      “He would go through the ceremony Ormont has performed, I do not doubt.”

      “I don't doubt all of you are ready. She doesn't encourage one?”

      “On the contrary, all.”

      “She's clever. This has been going on for now seven years, and, as far as I know, she has my brother fast.”

      “She may have done the clever trick of having him fast from the beginning.”

      “She'd like people to think it.”

      “She has an aunt to advertise it.”

      “Ormont can't swallow the woman, I'm told.”

      “Trying, if one is bound to get her down!”

      “Boasts of the connection everywhere she's admitted, Randeller says.”

      “Randeller procures the admission to various parti-coloured places.”

      “She must be a blinking moll-owl! And I ask any sane Christian or Pagan—proof enough!—would my brother Rowsley let his wife visit those places, those people? Monstrous to have the suspicion that he would, you know him! Mrs. Lawrence Finchley, for example. I say nothing to hurt the poor woman; I back her against her imbecile of a husband. He brings a charge he can't support; she punishes him by taking three years' lease of independence and kicks up the grass all over the paddock, and then comes cuckoo, barking his name abroad to have her home again. You can win the shyest filly to corn at last. She goes, and he digests ruefully the hotch-potch of a dish the woman brings him. Only the world spies a side-head at her, husbanded or not, though the main fault was his, and she had a right to insist that he should be sure of his charge before he smacked her in the face with it before the world. In dealing with a woman, a man commonly prudent—put aside chivalry, justice, and the rest—should bind himself to disbelieve what he can't prove. Otherwise, let him expect his whipping, with or without ornament. My opinion is, Lawrence Finchley had no solid foundation for his charge, except his being an imbecile. She wasn't one of the adventurous women to jump the bars—the gate had to be pushed open, and he did it. There she is; and I ask you, would my brother Rowsley let his wife be intimate with her? And there are others. And, sauf votre respect, the men—Morsfield for one, Randeller another!”

      “They have a wholesome dread of the lion.”

      “If they smell a chance with the lion's bone—it's the sweeter for being the lion's. These metaphors carry us off our ground. I must let these Ormont Memoirs run and upset him, if they get to print. I've only to oppose, printed they'll be. The same if I say a word of this woman, he marries her to-morrow morning. You speak of my driving men. Why can't I drive Ormont? Because I'm too fond of him. There you have the secret of the subjection of women: they can hold their own, and a bit more, when they've no enemy beating inside.”

      “Hearts!—ah, well, it's possible. I don't say no; I've not discovered them,” Lord Adderwood observed.

      They are rarely discovered in the haunts he frequented.

      Her allusion to Mrs. Lawrence Finchley rapped him smartly, and she admired his impassiveness under the stroke. Such a spectacle was one of her pleasures.

      Lady Charlotte mentioned incidentally her want of a tutor for her grandson Leo during the winter holidays. He suggested an application to the clergyman of her parish. She was at feud with the Rev. Stephen Hampton-Evey, and would not take, she said, a man to be a bootblack in her backyard or a woman a scullery-wench in her kitchen upon his recommendation. She described the person of Mr. Hampton-Evey, his manner of speech, general opinions, professional doctrines; rolled him into a ball and bowled him, with a shrug for lamentation, over the decay of the good old order of manly English Protestant clergymen, who drank their port, bothered nobody about belief, abstained from preaching their sermon, if requested; were capital fellows in the hunting-field, too; for if they came, they had the spur to hunt in the devil's despite. Now we are going to have a kind of bitter, clawed, forked female, in vestments over breeches. “How do you like that bundling of the sexes?”

      Lord Adderwood liked the lines of division to be strictly and invitingly definite. He was thinking, as he reviewed the frittered appearance of the Rev. Stephen Hampton-Evey in Lady Charlotte's hinds, of the possibility that Lord Ormont, who was reputed to fear nobody, feared her. In which case, the handsome young woman passing among his associates as the pseudo Lady Ormont might be the real one after all, and Isabella Lawrence Finchley prove right in the warning she gave to dogs of chase.

      The tutor required by Lady Charlotte was found for her by Mr. Abner. Their correspondence on the subject filled the space of a week, and then the gentleman hired to drive a creaky wheel came down from London to Olmer, arriving late in the evening.

      Lady Charlotte's blunt “Oh!” when he entered her room and bowed upon the announcement of his name, was caused by an instantaneous perception and refection that it would be prudent to keep her grand-daughter

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