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other girls don't with their mothers."

      Often Sard had been troubled by the guilty feeling that had her mother lived—well, there might not have been so much comradeship between them. Sard, clad in her crisp, clean linen, with white low-cut shoes and the plain little pin at her trim collar, remembered with a sense of tender wonder all her mother's little fripperies and gewgaws, the chains, the laces, and little sets of jewelry and pins and dewdabs—how quickly two years of camp and college had taught one of how small account were these things!

      It needed tenderness and humor, even that of a very young girl, to get any real human life into a home like the Bogart home. It had a stodgy gloom of its own, a solemn, gloomy importance like the Judge's step, his way of entering a room. The hall was dark, the wainscoting was dark, the ceilings were gummy with queer medallions and heavy, gemmy Georgian ornaments. Of late years there had been extra electric lights put in the hall and a fireplace added to the living-room. These things gave a little cheer, as did the brass candlesticks with the soft tawny or mellow colored candles of Sard's own choosing. There was distinguished silver in the dining-room and rows of heavenly blue and pink willow plates in the cupboards, just as there were graceful pieces of Majolica that burned their hot color into the dull respectability of the living and tea rooms, but these didn't help much. Sard often shook her head over it all. She would turn away from her mother's portrait to that of her father when a young man. The then unbearded face had a cold kind of virtue and strength, the uncovered mouth was prim and uncompromising. Could it be that Sard's home had somehow taken its color from that prim mouth, those hard gooseberry colored eyes? The girl went slowly to a mirror over the large fireplace in the living-room. She pushed into the sunlight a vase full of daffodils, the better to see her own face.

      "Funny! Where did you come from?" she asked the girl in the mirror, then softly, as if it were almost shameful to ask this question, "What are your laws?"

      The dark brown eyes looked wistfully at Sard; the forehead, a little high but square and harmonious, was swept with a wave of golden brown hair that crisped with vitality. The face seemed not interesting to the girl who questioned it. "If I had more of Mother I could do things with Father," she thought; "if I had little curls and earrings that shook, and dimples and queer little pudgy, patting hands. These do things to men—and women, too. I've seen it happen."

      Sard thought of girls she knew, girls grown up with the new law, girls who finished at college, graduated into doctors, lawyers, landscape gardeners, statisticians, economists. She looked at her own hands, long, thin, strong in the wrists, broadened and browned from tennis, boating and golf and driving of machines. Sard, however, did not see in the mirror the thing that held the mystery of her life, the gift that would bring all that was rightfully hers to her. Do people ever think of this one gift of personality—for instance, the mouth that your pirate uncle sent down to you, that brought you the husband whom you had to leave to save your children; there is the shrug of your shoulders that came from your father's side—they did that, those people back of your father, and thus were able to throw off whole loads of care; that curved little finger goes with the sensitiveness of your mother's family. You will be hurt and raw from things all your life with that finger! Yes, but you will be also exultant, drunken, wild with the quintessence of beauty, of the mystery and wonder that is all through the dull, daily grind. Sard's unique gift was the poise of her head. Here was an imperious quality like that of a princess, here a curve of chin and backset of the shoulders which was at the same time elastic and defiant and challenging. A girl like this, of indomitable pride, curious nerve, wonders at some of the insults she receives from the thing this pride and nerve bring to life in others; also she is sometimes touched and wondering to find how others believe in and trust her.

      Oh! our ancestors!—brave, struggling, dreaming, pathetic ancestors! How you struggled, how you prayed and agonized, or were wild and wanton to send your strange gifts down to us! Here's to you, Ancestors, all of you! May we send you the best and bravest of you on and as far as we can, we will do the best we can with your gifts!

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      FOR LIFE

      The kitchen of the Bogart House was a pleasant room whose two doors opened out into a tidy latticed vegetable garden and whose outer arrangement of entry and drying yard were of the "save steps" description. Sard and her mother had worked these things out together, for at college, under one of the few strong souls and true brains that are still left unmartyred in American colleges, the girl had learned practical ideals of what should be the attitude of the employer to those who toil for his comfort. It was Sard who had the kitchen walls painted a sunshiny yellow, selected pretty rag rugs and placed bookshelves and good reading lights in the room; it was she who had insisted upon the lattices and ladyslippers and morning-glory vines. All with the sense of her own pleasure in them, though none of the people the Bogarts employed seemed to care much for these things. The young daughter of the house soon began to realize that any bright sport-hat she herself wore, the set of her skirts, the make of her shoes, interested Dora and Maggie better than the books she tried to discuss with them. The name of Edith Cavell did not thrill them as did the name of the most recent screen actress. They cared only, it seemed, to catch up with the joy and pleasure of the life ahead of them. They seemed always to feel that the very stuff of life was arrayed against them—and sometimes they had reason.

      Now as the girl pushed aside the swinging door of the old-fashioned "butler's pantry," she was half prepared for the interrupted Irish sentences, the hot questions and answers.

      "Is it justice, I ask you; is it justice? To take him now—only nineteen. When he's sort of wild and notional by nature and traps set for him? Maybe he dunnit—maybe he dunnit, but he keeps saying he ain't done it. Oh, my God, my God, I don't know."

      The girl stood before the two women in the kitchen, the cook who, like Sard, wiped her hands and silently handed her the ordering list.

      "Thank you, Maggie," said Sard; then, her forehead drawing together, "Dora, is there anything new?"

      The waitress with a gesture of dumb inability to answer, turned away, and Sard, no asperity in her voice, saw that it was to a resolutely turned back that she was speaking.

      "She blames me, somehow," the girl sighed, "as if I could help it!"

      "Please put the north room to air. Miss Gerould arrives late in the afternoon—I think there isn't a waste-paper basket in the room, so, Dora, will you hunt one up, and see to all the electric bulbs, won't you? And towels, the little embroidered ones——" Sard waited, half contemplating, thinking of reproof for the back turned so rudely and obstinately toward her direction, then she looked at the slight, slender figure in its gray gown, the apron tied so carefully and delicately, the capless, pretty hair, and was conscious suddenly of someone young like herself. Through this veil of youth she saw what kind of sorrow it was that bowed the head of the woman standing there; something that she did not know was the most glorious passion in the world beat up through Sard's heart into her brain; it was the passion for humanity, for justice and fairness for all. "Why should I be giving orders to her when she is suffering? Supposing Dunstan were in trouble and—and shame, and I had to take orders from the very people that——Dora—Dora," the girl persisted, "is there nothing I can do?"

      There was no answer, only dry coughing sobs. The cook turned. "Ah, don't bother your head with it all, dear. It ain't nothing to you—only, Gawd help the poor thing! Er course," said the cook somewhat bitterly, "we're all under this law; the boy done wrong; he done awful, and they'll be able to prove it against him, and your papa—well," the cook sighed, "only he's young, a rill smart curly-headed young feller and his chanst is gorn."

      Then cook, with a curious rising howl, turned away herself.

      Wiping her eyes, the young waitress stonily piling up the silver on the tray, let drop a fork. The girl stood there looking at it. Sard tried to comfort her.

      "It—it is Human Sorrow," she said awkwardly. "I think we—we don't understand sorrow as well as we ought to and

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