LITMIR.BIZ

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use it. Rozaine was already passing the detective. An American officer, standing behind Ganimard, leaned forward and whispered in his ear. The French detective shrugged his shoulders and Rozaine passed on. Then, my God, who was Arsène Lupin?

      "Yes," said Miss Nelly, aloud, "who can it be?"

      Not more than twenty people now remained on board. She scrutinized them one by one, fearful that Arsène Lupin was not amongst them.

      "We cannot wait much longer," I said to her.

      She started toward the gangway. I followed. But we had not taken ten steps when Ganimard barred our passage.

      "Well, what is it?" I exclaimed.

      "One moment, monsieur. What's your hurry?"

      "I am escorting mademoiselle."

      "One moment," he repeated, in a tone of authority. Then, gazing into my eyes, he said:

      "Arsène Lupin, is it not?"

      I laughed, and replied: "No, simply Bernard d'Andrézy."

      "Bernard d'Andrézy died in Macedonia three years ago."

      "If Bernard d'Andrézy were dead, I should not be here. But you are mistaken. Here are my papers."

      "They are his; and I can tell you exactly how they came into your possession."

      "You are a fool!" I exclaimed. "Arsène Lupin sailed under the name of R—-"

      "Yes, another of your tricks; a false scent that deceived them at Havre. You play a good game, my boy, but this time luck is against you."

      I hesitated a moment. Then he hit me a sharp blow on the right arm, which caused me to utter a cry of pain. He had struck the wound, yet unhealed, referred to in the telegram.

      I was obliged to surrender. There was no alternative. I turned to Miss Nelly, who had heard everything. Our eyes met; then she glanced at the Kodak I had placed in her hands, and made a gesture that conveyed to me the impression that she understood everything. Yes, there, between the narrow folds of black leather, in the hollow centre of the small object that I had taken the precaution to place in her hands before Ganimard arrested me, it was there I had deposited Rozaine's twenty thousand francs and Lady Jerland's pearls and diamonds.

      Oh! I pledge my oath that, at that solemn moment, when I was in the grasp of Ganimard and his two assistants, I was perfectly indifferent to everything, to my arrest, the hostility of the people, everything except this one question: what will Miss Nelly do with the things I had confided to her?

      In the absence of that material and conclusive proof, I had nothing to fear; but would Miss Nelly decide to furnish that proof? Would she betray me? Would she act the part of an enemy who cannot forgive, or that of a woman whose scorn is softened by feelings of indulgence and involuntary sympathy?

      She passed in front of me. I said nothing, but bowed very low. Mingled with the other passengers, she advanced to the gangway with my Kodak in her hand. It occurred to me that she would not dare to expose me publicly, but she might do so when she reached a more private place. However, when she had passed only a few feet down the gangway, with a movement of simulated awkwardness, she let the camera fall into the water between the vessel and the pier. Then she walked down the gangway, and was quickly lost to sight in the crowd. She had passed out of my life forever.

      For a moment, I stood motionless. Then, to Ganimard's great astonishment, I muttered:

      "What a pity that I am not an honest man!"

      Such was the story of his arrest as narrated to me by Arsène Lupin himself. The various incidents, which I shall record in writing at a later day, have established between us certain ties.... shall I say of friendship? Yes, I venture to believe that Arsène Lupin honors me with his friendship, and that it is through friendship that he occasionally calls on me, and brings, into the silence of my library, his youthful exuberance of spirits, the contagion of his enthusiasm, and the mirth of a man for whom destiny has naught but favors and smiles.

      His portrait? How can I describe him? I have seen him twenty times and each time he was a different person; even he himself said to me on one occasion: "I no longer know who I am. I cannot recognize myself in the mirror." Certainly, he was a great actor, and possessed a marvelous faculty for disguising himself. Without the slightest effort, he could adopt the voice, gestures and mannerisms of another person.

      "Why," said he, "why should I retain a definite form and feature? Why not avoid the danger of a personality that is ever the same? My actions will serve to identify me."

      Then he added, with a touch of pride:

      "So much the better if no one can ever say with absolute certainty: There is Arsène Lupin! The essential point is that the public may be able to refer to my work and say, without fear of mistake: Arsène Lupin did that!"

      II. Arsène Lupin in Prison

       Table of Contents

      There is no tourist worthy of the name who does not know the banks of the Seine, and has not noticed, in passing, the little feudal castle of the Malaquis, built upon a rock in the centre of the river. An arched bridge connects it with the shore. All around it, the calm waters of the great river play peacefully amongst the reeds, and the wagtails flutter over the moist crests of the stones.

      The history of the Malaquis castle is stormy like its name, harsh like its outlines. It has passed through a long series of combats, sieges, assaults, rapines and massacres. A recital of the crimes that have been committed there would cause the stoutest heart to tremble. There are many mysterious legends connected with the castle, and they tell us of a famous subterranean tunnel that formerly led to the abbey of Jumieges and to the manor of Agnes Sorel, mistress of Charles VII.

      In that ancient habitation of heroes and brigands, the Baron Nathan Cahorn now lived; or Baron Satan as he was formerly called on the Bourse, where he had acquired a fortune with incredible rapidity. The lords of Malaquis, absolutely ruined, had been obliged to sell the ancient castle at a great sacrifice. It contained an admirable collection of furniture, pictures, wood carvings, and faience. The Baron lived there alone, attended by three old servants. No one ever enters the place. No one had ever beheld the three Rubens that he possessed, his two Watteau, his Jean Goujon pulpit, and the many other treasures that he had acquired by a vast expenditure of money at public sales.

      Baron Satan lived in constant fear, not for himself, but for the treasures that he had accumulated with such an earnest devotion and with so much perspicacity that the shrewdest merchant could not say that the Baron had ever erred in his taste or judgment. He loved them—his bibelots. He loved them intensely, like a miser; jealously, like a lover. Every day, at sunset, the iron gates at either end of the bridge and at the entrance to the court of honor are closed and barred. At the least touch on these gates, electric bells will ring throughout the castle.

      One Thursday in September, a letter-carrier presented himself at the gate at the head of the bridge, and, as usual, it was the Baron himself who partially opened the heavy portal. He scrutinized the man as minutely as if he were a stranger, although the honest face and twinkling eyes of the postman had been familiar to the Baron for many years. The man laughed, as he said:

      "It is only I, Monsieur le Baron. It is not another man wearing my cap and blouse."

      "One can never tell," muttered the Baron.

      The man handed him a number of newspapers, and then said:

      "And now, Monsieur le Baron, here is something new."

      "Something new?"

      "Yes, a letter. A registered letter."

      Living as a recluse, without friends or business relations, the baron never received any letters, and the one now presented to him immediately aroused within him a feeling of suspicion and distrust. It was like an evil omen. Who was this mysterious correspondent

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