LITMIR.BIZ

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veins, derelicts swept up by the varying winds of adversity, adventure, injustice, lawlessness, fear and independence.

      Lords and ladies, dukes and duchesses, counts and countesses, swarm to the Metropolis in the course of the speeding year, heralded by every newspaper in the land, fêted and feasted and glorified by a capricious and easily impressed public; they pass with pomp and panoply and we let them go with reluctance and a vociferous invitation to come again. They come and they go, and we are informed each morning and evening of every move they have made during the day and night. We are told what they eat for breakfast, luncheon and dinner; what they wear and what they do not wear; where they are entertained and by whom; who they are and why; what they think of New York and—but why go on? We deny them privacy, and they think we are a wonderful, considerate and hospitable people. They go back to their homes in far-off lands,—and that is the end of them so far as we are concerned.

      They merely pause on the lip of the melting pot, briefly peer into its simmering depths, and then,—pass on.

      It is not with such as they that this narrative has to deal. It is not of the heralded, the glorified and the toasted that we tell, but of those who slip into the pot with the coarser ingredients, and who never, by any chance, become actually absorbed by the processes of integration but remain for ever as they were in the beginning: distinct foreign substances.

      From all quarters of the globe the drift comes to our shores. New York swallows the good with the bad, and thrives, like the cannibal, on the man-food it gulps down with ravenous disregard for consequences or effect. It rarely disgorges.

      It eats all flesh, foul or fair, and it drinks good red blood out of the same cup that offers a black and nauseous bile. It conceals its inward revulsion behind a bland, disdainful smile, and holds out its hands for more of the meat and poison that comes up from the sea in ships.

      It is the City of Masks.

      Its men and women hide behind a million masks; no man looks beneath the mask his neighbour wears, for he is interested only in that which he sees with the least possible effort: the surface. He sees his neighbour but he knows him not. He keeps his own mask in place and wanders among the millions, secure in the thought that all other men are as casual as he,—and as charitable.

      From time to time the newspapers come forward with stories that amaze and interest those of us who remain, and always will remain, romantic and impressionable. They tell of the royal princess living in squalor on the lower east side; of the heir to a baronetcy dying in poverty in a hospital somewhere up-town; of the countess who defies the wolf by dancing in the roof-gardens; of the lost arch-duke who has been recognized in a gang of stevedores; of the earl who lands in jail as an ordinary hobo; of the baroness who supports a shiftless husband and their offspring by giving music-lessons; of the retiring scholar who scorns a life of idleness and a coronet besides; of shifty ne'er-do-wells with titles at homes and aliases elsewhere; of fugitive lords and forgotten ladies; of thieves and bauds and wastrels who stand revealed in their extremity as the sons and daughters of noble houses.

      In this City of Masks there are hundreds of men and women in whose veins the blood of a sound aristocracy flows. By choice or necessity they have donned the mask of obscurity. They tread the paths of oblivion. They toil, beg or steal to keep pace with circumstance. But the blood will not be denied. In the breast of each of these drifters throbs the pride of birth, in the soul of each flickers the unquenchable flame of caste. The mask is for the man outside, not for the man inside.

      Recently there died in one of the municipal hospitals an old flower-woman, familiar for three decades to the thousands who thread their way through the maze of streets in the lower end of Manhattan. To them she was known as Old Peg. To herself she was the Princess Feododric, born to the purple, daughter of one of the greatest families in Russia. She was never anything but the Princess to herself, despite the squalor in which she lived. Her epitaph was written in the bold, black head-lines of the newspapers; but her history was laid away with her mask in a graveyard far from palaces—and flower-stands. Her headstone revealed the uncompromising pride that survived her after death. By her direction it bore the name of Feododric, eldest daughter of His Highness, Prince Michael Androvodski; born in St. Petersburgh, September 12, 1841; died Jan. 7, 1912; wife of James Lumley, of County Cork, Ireland.

      It is of the high-born who dwell in low places that this tale is told. It is of an aristocracy that serves and smiles and rarely sneers behind its mask.

      When Cricklewick announced the Princess Mariana Theresa the hush of deference fell upon the assembled company. In the presence of royalty no one remained seated.

      She advanced slowly, ponderously into the room, bowing right and left as she crossed to the great chair at the upper end. One by one the others presented themselves and kissed the coarse, unlovely hand she held out to them. It was not "make-believe." It was her due. The blood of a king and a queen coursed through her veins; she had been born a Princess Royal.

      She was sixty, but her hair was as black as the coat of the raven. Time, tribulation, and a harsh destiny had put each its own stamp upon her dark, almost sinister, face. The black eyes were sharp and calculating, and they did not smile with her thin lips. She wore a great amount of jewellery and a gown of blue velvet, lavishly bespangled and generously embellished with laces of many periods, values and, you could say, nativity.

      The Honourable Mrs. Priestly-Duff having been a militant suffragette before a sudden and enforced departure from England, was the only person there with the hardihood to proclaim, not altogether sotto voce, that the "get-up" was a fright.

      Restraint vanished the instant the last kiss of tribute fell upon her knuckles. The Princess put her hand to her side, caught her breath sharply, and remarked to the Marchioness, who stood near by, that it was dreadful the way she was putting on weight. She was afraid of splitting something if she took a long, natural breath.

      "I haven't weighed myself lately," she said, "but the last time I had this dress on it felt like a kimono. Look at it now! You could not stuff a piece of tissue paper between it and me to save your soul. I shall have to let it out a couple of—What were you about to say, Count Fogazario?"

      The little Count, at the Marchioness's elbow, repeated something he had already said, and added:

      "And if it continues there will not be a trolley-car running by midnight."

      The Princess eyed him coldly. "That is just like a man," she said. "Not the faintest idea of what we were talking about, Marchioness."

      The Count bowed. "You were speaking of tissue paper, Princess," said he, stiffly. "I understood perfectly."

      Once a week the Marchioness held her amazing salon. Strictly speaking, it was a co-operative affair. The so-called guests were in reality contributors to and supporters of an enterprise that had been going on for the matter of five years in the heart of unsuspecting New York. According to his or her means, each of these exiles paid the tithe or tax necessary, and became in fact a member of the inner circle.

      From nearly every walk in life they came to this common, converging point, and sat them down with their equals, for the moment laying aside the mask to take up a long-discarded and perhaps despised reality. They became lords and ladies all over again, and not for a single instant was there the slightest deviation from dignity or form.

      Moral integrity was the only requirement, and that, for obvious reasons, was sometimes overlooked,—as for example in the case of the Countess who eloped with the young artist and lived in complacent shame and happiness with him in a three-room flat in East Nineteenth street. The artist himself was barred from the salon, not because of his ignoble action, but for the sufficient reason that he was of ignoble birth. Outside the charmed conclave he was looked upon as a most engaging chap. And there was also the case of the appallingly amiable baron who had fired four shots at a Russian Grand-Duke and got away with his life in spite of the vaunted secret service. It was of no moment whatsoever that one of his bullets accidentally put an end to the life of a guardsman. That was merely proof of his earnestness and in no way reflected on his standing as a nobleman. Nor was it adequate cause for rejection that certain of these men and women were being sought by Imperial

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