LITMIR.BIZ

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      “I gratefully accept the proposal,” said Lady Lundie.

      “I beg you won’t mention it,” rejoined Sir Patrick.

      He quitted the room, leaving Jonathan under examination. He and his brother (the late Sir Thomas) had chosen widely different paths in life, and had seen but little of each other since the time when they had been boys. Sir Patrick’s recollections (on leaving Lady Lundie) appeared to have taken him back to that time, and to have inspired him with a certain tenderness for his brother’s memory. He shook his head, and sighed a sad little sigh. “Poor Tom!” he said to himself, softly, after he had shut the door on his brother’s widow. “Poor Tom!”

      On crossing the hall, he stopped the first servant he met, to inquire after Blanche. Miss Blanche was quiet, up stairs, closeted with her maid in her own room. “Quiet?” thought Sir Patrick. “That’s a bad sign. I shall hear more of my niece.”

      Pending that event, the next thing to do was to find the guests. Unerring instinct led Sir Patrick to the billiard-room. There he found them, in solemn conclave assembled, wondering what they had better do. Sir Patrick put them all at their ease in two minutes.

      “What do you say to a day’s shooting to-morrow?” he asked.

      Every man present—sportsman or not—said yes.

      “You can start from this house,” pursued Sir Patrick; “or you can start from a shooting-cottage which is on the Windygates property—among the woods, on the other side of the moor. The weather looks pretty well settled (for Scotland), and there are plenty of horses in the stables. It is useless to conceal from you, gentlemen, that events have taken a certain unexpected turn in my sister-in-law’s family circle. You will be equally Lady Lundie’s guests, whether you choose the cottage or the house. For the next twenty-four hours (let us say)—which shall it be?”

      Every body—with or without rheumatism—answered “the cottage.”

      “Very good,” pursued Sir Patrick, “It is arranged to ride over to the shooting-cottage this evening, and to try the moor, on that side, the first thing in the morning. If events here will allow me, I shall be delighted to accompany you, and do the honors as well as I can. If not, I am sure you will accept my apologies for to-night, and permit Lady Lundie’s steward to see to your comfort in my place.”

      Adopted unanimously. Sir Patrick left the guests to their billiards, and went out to give the necessary orders at the stables.

      In the mean time Blanche remained portentously quiet in the upper regions of the house; while Lady Lundie steadily pursued her inquiries down stairs. She got on from Jonathan (last of the males, indoors) to the coachman (first of the males, out-of-doors), and dug down, man by man, through that new stratum, until she struck the stable-boy at the bottom. Not an atom of information having been extracted in the house or out of the house, from man or boy, her ladyship fell back on the women next. She pulled the bell, and summoned the cook—Hester Dethridge.

      A very remarkable-looking person entered the room.

      Elderly and quiet; scrupulously clean; eminently respectable; her gray hair neat and smooth under her modest white cap; her eyes, set deep in their orbits, looking straight at any person who spoke to her—here, at a first view, was a steady, trust-worthy woman. Here also on closer inspection, was a woman with the seal of some terrible past suffering set on her for the rest of her life. You felt it, rather than saw it, in the look of immovable endurance which underlain her expression—in the deathlike tranquillity which never disappeared from her manner. Her story was a sad one—so far as it was known. She had entered Lady Lundie’s service at the period of Lady Lundie’s marriage to Sir Thomas. Her character (given by the clergyman of her parish) described her as having been married to an inveterate drunkard, and as having suffered unutterably during her husband’s lifetime. There were drawbacks to engaging her, now that she was a widow. On one of the many occasions on which her husband had personally ill-treated her, he had struck her a blow which had produced very remarkable nervous results. She had lain insensible many days together, and had recovered with the total loss of her speech. In addition to this objection, she was odd, at times, in her manner; and she made it a condition of accepting any situation, that she should be privileged to sleep in a room by herself As a set-off against all this, it was to be said, on the other side of the question, that she was sober; rigidly honest in all her dealings; and one of the best cooks in England. In consideration of this last merit, the late Sir Thomas had decided on giving her a trial, and had discovered that he had never dined in his life as he dined when Hester Dethridge was at the head of his kitchen. She remained after his death in his widow’s service. Lady Lundie was far from liking her. An unpleasant suspicion attached to the cook, which Sir Thomas had over-looked, but which persons less sensible of the immense importance of dining well could not fail to regard as a serious objection to her. Medical men, consulted about her case discovered certain physiological anomalies in it which led them to suspect the woman of feigning dumbness, for some reason best known to herself. She obstinately declined to learn the deaf and dumb alphabet—on the ground that dumbness was not associated with deafness in her case. Stratagems were invented (seeing that she really did possess the use of her ears) to entrap her into also using her speech, and failed. Efforts were made to induce her to answer questions relating to her past life in her husband’s time. She flatly declined to reply to them, one and all. At certain intervals, strange impulses to get a holiday away from the house appeared to seize her. If she was resisted, she passively declined to do her work. If she was threatened with dismissal, she impenetrably bowed her head, as much as to say, “Give me the word, and I go.” Over and over again, Lady Lundie had decided, naturally enough, on no longer keeping such a servant as this; but she had never yet carried the decision to execution. A cook who is a perfect mistress of her art, who asks for no perquisites, who allows no waste, who never quarrels with the other servants, who drinks nothing stronger than tea, who is to be trusted with untold gold—is not a cook easily replaced. In this mortal life we put up with many persons and things, as Lady Lundie put up with her cook. The woman lived, as it were, on the brink of dismissal—but thus far the woman kept her place—getting her holidays when she asked for them (which, to do her justice, was not often) and sleeping always (go where she might with the family) with a locked door, in a room by herself.

      Hester Dethridge advanced slowly to the table at which Lady Lundie was sitting. A slate and pencil hung at her side, which she used for making such replies as were not to be expressed by a gesture or by a motion of the head. She took up the slate and pencil, and waited with stony submission for her mistress to begin.

      Lady Lundie opened the proceedings with the regular formula of inquiry which she had used with all the other servants,

      “Do you know that Miss Silvester has left the house?”

      The cook nodded her head affirmatively.

      “Do you know at what time she left it?”

      Another affirmative reply. The first which Lady Lundie had received to that question yet. She eagerly went on to the next inquiry.

      “Have you seen her since she left the house?”

      A third affirmative reply.

      “Where?”

      Hester Dethridge wrote slowly on the slate, in singularly firm upright characters for a woman in her position of life, these words:

      “On the road that leads to the railway. Nigh to Mistress Chew’s Farm.”

      “What did you want at Chew’s Farm?”

      Hester Dethridge wrote: “I wanted eggs for the kitchen, and a breath of fresh air for myself.”

      “Did Miss Silvester see you?”

      A negative shake of the head.

      “Did she take the turning that leads to the railway?”

      Another negative shake of the head.

      “She went on, toward the moor?”

      An

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