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and then with precise and calm gestures carefully shut the door.

      "The fact is," said he, "I wanted to tell you something. I told Mr. Enwright this afternoon, as I thought was proper, and it seems to me that you are the next person who ought to be informed."

      "Oh yes?"

      "I am going to be married."

      "The deuce you are!"

      The light words had scarcely escaped from young George before he perceived that his tone was a mistake, and that Mr. Haim was in a state of considerable emotion, which would have to be treated very carefully. And George too now suddenly partook of the emotion. He felt himself to be astonished and even shaken by Mr. Haim's news. The atmosphere of the interview changed in an instant. Mr. Haim moved silently on slippered feet to the mantelpiece, out of the circle of lamplight, and dropped some ash into the empty fire-place.

      "I congratulate you," said George.

      "Thank you!" said Mr. Haim brightly, seizing gratefully on the fustian phrase, eager to hall-mark it as genuine and put it among his treasures. Without doubt he was flattered. "Yes," he proceeded, as it were reflectively, "I have asked Mrs. Lobley to be my wife, and she has done me the honour to consent." He had the air of having invented the words specially to indicate that Mrs. Lobley was descending from a throne in order to espouse him. It could not have occurred to him that they had ever been used before and that the formula was classic. He smiled again, and went on: "Of course I've known and admired Mrs. Lobley for a long time. What we should have done without her valuable help in this house I don't like to think. I really don't."

      "'Her help in this house,'" thought the ruthless George, behind cigarette smoke. "Why doesn't he say right out she's the charwoman? If I was marrying a charwoman, I should say I was marrying a charwoman." And then he had a misgiving: "Should I? I wonder whether I should." And he remembered that ultimately the charwoman was going to be his own mother-in-law. He was aware of a serious qualm.

      "Mrs. Lobley has had an uphill fight since her first husband's death," said Mr. Haim. "He was an insurance agent—the Prudential. She's come out of it splendidly. She's always kept up her little home, though it was only two rooms, and she'll only leave it because I can offer her a better one. I have always admired her, and I'm sure the more you know her the more you'll like her. She's a woman in a thousand, Mr. Cannon."

      "I expect she is," George agreed feebly. He could not think of anything to say.

      "And I'm thankful I can offer her a better home. I don't mind telling you now that at one time I began to fear I shouldn't have a home. I've had my ambitions, Mr. Cannon. I was meant for a quantity surveyor. I was one—you may say. But it was not to be. I came down in the world, but I kept my head above water. And then in the end, with a little money I had I bought this house. £575. It needed some negotiation. Ground-rent £10 per annum, and seventy years to run. You see, all along I had had the idea of building a studio in the garden. I was one of the first to see the commercial possibilities of studios in Chelsea. But of course I know Chelsea. I made the drawings for the studio myself. Mr. Enwright kindly suggested a few improvements. With all my experience I was in a position to get it put up as cheaply as possible. You'd be surprised at the number of people in the building line anxious to oblige me. It cost under £300. I had to borrow most of it. But I've paid it off. What's the consequence? The consequence is that the rent of the studio and the top rooms brings me in over eight per cent on all I spent on the house and the studio together. And I'm living rent free myself."

      "Jolly good!"

      "Yes. … If I'd had capital, Mr. Cannon, I could have made thousands out of studios. Thousands. I fancy I've the gift. But I've never had the capital. And that's all there is to it." He smacked his lips, and leaned back against the mantelpiece. "You may tell me I've realized my ambitions. Not all of them, Mr. Cannon. Not all of them. If I'd had money I should have had leisure, and I should have improved myself. Reading, I mean. Study. Literature. Music. Painting. History of architecture. All that sort of thing. I've got the taste for it. I know I've got the taste for it. But what could I do? I gave it up. You'll never know how lucky you are, Mr. Cannon. I gave it up. However, I've nothing to be ashamed of. At any rate I hope not."

      George nodded appreciatively. He was touched. He was even impressed. He admitted the naiveté of the ageing man, his vanity, his sentimentality. But he saw himself to be in the presence of an achievement. And though the crown of Mr. Haim's achievement was to marry a charwoman, still the achievement impressed. And the shabby man with the lined, common face was looking back at the whole of his life—there was something positively formidable in that alone. He was at the end; George was at the beginning, and George felt callow and deferential. The sensation of callowness at once heightened his resolve to succeed. All George's sensations seemed mysteriously to transform themselves into food for this great resolve.

      "And what does Miss Haim say to all this?" he asked, rather timidly and wildly. It was a venturesome remark; it might well have been called an impertinence; but the image of Marguerite was involved in all the workings of his mind, and it would not be denied expression.

      Mr. Haim lifted his back from the mantelpiece sharply. Then he hesitated, moving forward a little.

      "Mr. Cannon," he said, "it's curious you should ask that." His voice trembled, and at the vibration George was suddenly apprehensive. Mr. Haim had soon recovered from his original emotion, but now he seemed to be in danger of losing control of himself.

      George nervously cleared his throat and apologized.

      "I didn't mean——"

      "I'd better tell you," Mr. Haim interrupted him, rather loudly. "We've just had a terrible scene with my daughter, a terrible scene!" He seldom referred to Marguerite by her Christian name, "Mr. Cannon, I had hoped to get through my life without a scandal, and especially an open scandal. But it seems as if I shouldn't—if I know my daughter! It was not my intention to say anything. Far from it. Outsiders ought not to be troubled. … I—I like you, Mr. Cannon. She left us a few minutes ago And as she didn't put her hat on she must be either at the studio or at Agg's. … "

      "She went out of the house?" George questioned awkwardly.

      Mr. Haim nodded, and then without warning he dropped like an inert lump on to a chair and let his head fall on to his hand.

      George was frightened as well as mystified. The spectacle of the old man—at one moment boasting ingenuously of his career, and at the next almost hysterical with woe—roused his pity in a very disconcerting manner, and from his sight the Lucas & Enwright factotum vanished utterly, and was supplanted by a tragic human being. But he had no idea how to handle the unexampled situation with dignity; he realized painfully his own lack of experience, and his over-mastering impulse was to get away while it was still possible to get away. Moreover, he desired intensely to see and hear Marguerite.

      "Perhaps I had better find out where she is," he absurdly suggested, and departed from the room feeling like a criminal reprieved.

      The old man did not stir.

      II

      "Can I come in?" said George, hatless, pushing open the door of the studio, which was ajar.

      There were people in the bright and rather chilly studio, and none of them moved until the figure arriving out of the darkness was identified. Mr. Prince, who in the far corner was apparently cleaning or adjusting his press, then came forward with a quiet, shy, urbane welcome. Marguerite herself stood nearly under the central lamp, talking to Agg, who was seated. The somewhat celebrated Agg immediately rose and said in her somewhat deep voice to Marguerite:

      "I must go."

      Agg was the eldest daughter of the Agg family, a broad-minded and turbulent tribe who acknowledged the nominal headship of a hard-working and successful barrister. She was a painter, and lived and slept in semi-independence in a studio of her own in Manresa Road, but maintained close and constant relations with the rest of the tribe. In shape and proportions fairly tall and fairly thin, she counted in

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