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for some days."

      Warner looked surprised.

      "I thought you and she were inseparable. You haven't quarreled, have you?"

      The girl laughed.

      "Quarreled—no. Laura's too sweet a girl to quarrel with. Only you know how it is. We're both so busy, with our eye on the main chance, that there isn't much time for anything else. Besides, she's been playing more or less ever since the season opened. I didn't see her in that last piece, but they say she was fine. Of course, it was Brockton's influence that got her the part. I expect to see her here to-night."

      "So she's still stuck on Willard Brockton, eh?"

      With a light laugh, she replied quickly:

      "Laura's not the kind of girl to be 'stuck' on anybody—at least I hope she isn't. She used to be inclined to get sentimental at times—she thought she was in love and all that sort of thing. I soon knocked that nonsense out of her head. 'Laura' I said—'you've no time to fool. You won't be fresh and pretty all your life. Make hay while the sun shines. It's time to fall in love when you get old and faded and wrinkled. Business before pleasure every time.' You know, Brockton has been very good to her. She was lucky to find such a steady. She has money to burn, a luxurious apartment, automobiles, influence with the managers. What more could she want? She'd be a fool to give up all that." Raising her glass to her lips, she looked with a smile towards Madison.

      "Here's how!" she said with mock courtesy.

      But the big Westerner was paying no attention to them. Silent, engrossed, he was intent watching the gay crowd around him, studying with deep interest the faces of these painted courtesans, who brazenly came to this place to offer themselves. He wondered what their childhood had been, to what disastrous home influences they had been subjected to bring them to such degradation as this. Most of them were coarse and vulgar-looking wantons, with rouged cheeks and pencilled eyebrows, but others seemed to be modest girls, refined and well bred. These were plainly in their novitiate. Surely, he pondered, such a shameless calling must be revolting to them; the better instincts of their womanhood must rebel at the very shame of it. He believed that here and there, behind the rouge and forced hilarity, he could detect signs of an aching heart, a woman secretly filled with anguish. It gave him a sickening feeling of repulsion. Others saw only the outward gaiety of the scene; but he saw still deeper. He realized its tragic significance and it filled him with disgust and horror.

      Suddenly his attention was attracted to a young girl who had just entered the restaurant. She was gowned magnificently enough even to be conspicuous among that crowd of well-dressed women, and she wore a large picture hat, crowned by expensive plumes. Close behind was her escort, a middle-aged, stockily built man, with iron-gray hair, also immaculately dressed. As the couple passed, the people at the tables turned and whispered. When the newcomer drew nearer, Madison could see that she was very young, and he was struck by her laughing, dimpled beauty. She appeared little more than a child, and the manner in which she was dressed—girlish fashion, with her wealth of blonde hair caught back by a ribbon band—carried out the illusion completely. Her complexion was so fair and fresh, her sensitive lips so red and full, and delicately chiseled, such a look of childish innocence was in her light blue eyes, that he wondered what she could be doing among such questionable company. He concluded that the couple had wandered in by mistake, not knowing the true character of the place. Turning to Warner, he said in an undertone.

      "Look at that young girl—the blonde with white plumes—coming this way escorted by the man with the smooth face and gray hair! Surely she is not an habitué of this joint!"

      The lawyer laughed as he quickly drew Elfie's attention to the new arrivals.

      "Really, old chap—you're so green you're funny! Don't you know who she is? Why—that's Laura Murdock—the cleverest of them all!"

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      If Laura Murdock was not quite so young as she looked, she was far from appearing her real age, which was twenty-five. A casual observer at most, would have accorded her twenty. In her case Nature had been unusually kind. Her skin was soft as a new-born infant's, her complexion fresh as the unplucked rose, her expression innocent and unsophisticated. A priest unhesitatingly would have given her absolution without confession. Her baby face, her childish prettiness and air of unaffected ingenuousness, her good taste in dress, her natural refinement, and cleverness in keeping men guessing had been, indeed, the chief keystones of her success. And, most remarkable of all, perhaps, was that she had been able to retain this prettiness and girlishness after what she had gone through, for, at the time this narrative opens, Laura Murdock had already lived a career which would have made a wreck of most women.

      Born in Melbourne, of English parents, she came at an early age from Australia to San Francisco. Her father was connected in a business capacity with one of the local theatrical companies, and the young girl naturally drifted to the stage. She had only a mediocre histrionic talent, but what was perhaps more important, she had uncommon good looks, and she soon found that beauty was not only a valuable asset, but a sure lever to success. The critics praised her, not because she acted well, but because she dressed exquisitely, and pleased the eye. Managers and authors flattered her. Soon she found, to her amazement, that she was the success of the hour. Stage Johnnies raved about her; sent her flowers and invited her to supper; women envied her, and said spiteful things. Portraits of her in various attitudes appeared in the newspapers and magazines. In a single night she was carried high on the top wave of sensational popularity.

      The outcome was only logical. Even a virtuous woman could not stand the strain, and Laura was not virtuous. Of neurotic temperament, inherently weak, if not actually vicious in character, with the spirit of the courtesan strong within her from an early age, fond of luxury and personal adornment she could not legitimately afford, it was not surprising that she listened to the flatterers and went to the devil quicker than any woman before her in the whole history of gallantry. At the end of her first season, her reputation was completely in tatters. Accepting the situation philosophically, she did not pretend to be better than she was, but she was clever enough not to cheapen herself by entangling herself too promiscuously. She had lovers by the score, yet none could boast of having really won her heart. A woman of superficial emotions, she was entirely without depth, yet so long as it suited her purpose, she was able to conceal this shallowness and profess for the admirer of the moment the greatest affection and devotion. This is an art and she was an adept at it. Sensually she quickly attracted men, and it was not long before she became a prime favorite in the select circles that made such resorts as "The Yellow Poodle" and "Moreland's" famous, yet in her dissipations she was always careful not in any way to indulge in excesses which would jeopardize her physical attractiveness, or for one moment diminish her keen sense of worldly calculation.

      One day, obeying a foolish impulse, she married. The venture was, of course, a failure. Her selfish vacillating nature was such that she could not remain true to the poor fool who had given her his name. To provide the luxuries she incessantly demanded, he embezzled the funds of the bank where he was employed, and when exposure came, and he was confronted with a jail sentence, she was horrified to see him kill himself in front of her. There was a momentary spasm of grief, a tidal wave of remorse, followed in a few brief weeks by the peculiar recuperation of spirits, beauty and attractiveness that so marks this type of woman. Gradually she became hardened and indifferent. She began to view life as a hunting field, in which the trophy went to the hardest rider. Deceived herself by men, she finally arrived at that stage of life known in theatrical circles as "wised up."

      Coming to New York, she attracted the attention of a prominent theatrical manager, and was given a part, in which she happened to make a hit. This was enough to immediately establish her reputation on the metropolitan stage. The fact that before reaching the age of womanhood, she had had more escapades than most women have in their entire lives, was not generally known in Manhattan, nor was there a mark upon her face or a single coarse mannerism to betray it. She was soft voiced, very pretty,

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