LITMIR.BIZ

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you crazy, father?” demanded Jenny suddenly sitting up with a portentous switch of her yellow mane. Mr. McClosky rubbed one side of his beard, which already had the appearance of having been quite worn away by that process, and faintly dodged the question.

      “Jinny,” he said, tenderly stroking the bedclothes as he spoke, “this yer's what's the matter. Thar is a stranger down stairs—a stranger to you, lovey, but a man ez I've knowed a long time. He's been here about an hour; and he'll be here ontil fower o'clock, when the up-stage passes. Now I wants ye, Jinny dear, to get up and come down stairs, and kinder help me pass the time with him. It's no use, Jinny,” he went on, gently raising his hand to deprecate any interruption, “it's no use! He won't go to bed; he won't play keerds; whiskey don't take no effect on him. Ever since I knowed him, he was the most onsatisfactory critter to hev round”—

      “What do you have him round for, then?” interrupted Miss Jinny sharply.

      Mr. McClosky's eyes fell. “Ef he hedn't kem out of his way to-night to do me a good turn, I wouldn't ask ye, Jinny. I wouldn't, so help me! But I thought, ez I couldn't do any thing with him, you might come down, and sorter fetch him, Jinny, as you did the others.”

      Miss Jenny shrugged her pretty shoulders.

      “Is he old, or young?”

      “He's young enough, Jinny; but he knows a power of things.”

      “What does he do?”

      “Not much, I reckon. He's got money in the mill at Four Forks. He travels round a good deal. I've heard, Jinny that he's a poet—writes them rhymes, you know.” Mr. McClosky here appealed submissively but directly to his daughter. He remembered that she had frequently been in receipt of printed elegaic couplets known as “mottoes,” containing enclosures equally saccharine.

      Miss Jenny slightly curled her pretty lip. She had that fine contempt for the illusions of fancy which belongs to the perfectly healthy young animal.

      “Not,” continued Mr. McClosky, rubbing his head reflectively, “not ez I'd advise ye, Jinny, to say any thing to him about poetry. It ain't twenty minutes ago ez I did. I set the whiskey afore him in the parlor. I wound up the music-box, and set it goin'. Then I sez to him, sociable-like and free, 'Jest consider yourself in your own house, and repeat what you allow to be your finest production,' and he raged. That man, Jinny, jest raged! Thar's no end of the names he called me. You see, Jinny,” continued Mr. McClosky apologetically, “he's known me a long time.”

      But his daughter had already dismissed the question with her usual directness. “I'll be down in a few moments, father,” she said after a pause, “but don't say any thing to him about it—don't say I was abed.”

      Mr. McClosky's face beamed. “You was allers a good girl, Jinny,” he said, dropping on one knee the better to imprint a respectful kiss on her forehead. But Jenny caught him by the wrists, and for a moment held him captive. “Father,” said she, trying to fix his shy eyes with the clear, steady glance of her own, “all the girls that were there to-night had some one with them. Mame Robinson had her aunt; Lucy Rance had her mother; Kate Pierson had her sister—all, except me, had some other woman. Father dear,” her lip trembled just a little, “I wish mother hadn't died when I was so small. I wish there was some other woman in the family besides me. I ain't lonely with you, father dear; but if there was only some one, you know, when the time comes for John and me”—

      Her voice here suddenly gave out, but not her brave eyes, that were still fixed earnestly upon his face. Mr. McClosky, apparently tracing out a pattern on the bedquilt, essayed words of comfort.

      “Thar ain't one of them gals ez you've named, Jinny, ez could do what you've done with a whole Noah's ark of relations, at their backs! Thar ain't 'one ez wouldn't sacrifice her nearest relation to make the strike that you hev. Ez to mothers, maybe, my dear you're doin' better without one.” He rose suddenly, and walked toward the door. When he reached it, he turned, and, in his old deprecating manner, said, “Don't be long, Jinny,” smiled, and vanished from the head downward, his canvas slippers asserting themselves resolutely to the last.

      When Mr. McClosky reached his parlor again, his troublesome guest was not there. The decanter stood on the table untouched; three or four books lay upon the floor; a number of photographic views of the Sierras were scattered over the sofa; two sofa-pillows, a newspaper, and a Mexican blanket, lay on the carpet, as if the late occupant of the room had tried to read in a recumbent position. A French window opening upon a veranda, which never before in the history of the house had been unfastened, now betrayed by its waving lace curtain the way that the fugitive had escaped. Mr. McClosky heaved a sigh of despair. He looked at the gorgeous carpet purchased in Sacramento at a fabulous price, at the crimson satin and rosewood furniture unparalleled in the history of Tuolumne, at the massively-framed pictures on the walls, and looked beyond it, through the open window, to the reckless man, who, fleeing these sybaritic allurements, was smoking a cigar upon the moonlit road. This room, which had so often awed the youth of Tuolumne into filial respect, was evidently a failure. It remained to be seen if the “Rose” herself had lost her fragrance. “I reckon Jinny will fetch him yet,” said Mr. McClosky with parental faith.

      He stepped from the window upon the veranda; but he had scarcely done this, before his figure was detected by the stranger, who at once crossed the road. When within a few feet of McClosky, he stopped. “You persistent old plantigrade!” he said in a low voice, audible only to the person addressed, and a face full of affected anxiety, “why don't you go to bed? Didn't I tell you to go and leave me here alone? In the name of all that's idiotic and imbecile, why do you continue to shuffle about here? Or are you trying to drive me crazy with your presence, as you have with that wretched music-box that I've just dropped under yonder tree? It's an hour and a half yet before the stage passes: do you think, do you imagine for a single moment, that I can tolerate you until then, eh? Why don't you speak? Are you asleep? You don't mean to say that you have the audacity to add somnambulism to your other weaknesses? you're not low enough to repeat yourself under any such weak pretext as that, eh?”

      A fit of nervous coughing ended this extraordinary exordium; and half sitting, half leaning against the veranda, Mr. McClosky's guest turned his face, and part of a slight elegant figure, toward his host. The lower portion of this upturned face wore an habitual expression of fastidious discontent, with an occasional line of physical suffering. But the brow above was frank and critical; and a pair of dark, mirthful eyes, sat in playful judgment over the super-sensitive mouth and its suggestion.

      “I allowed to go to bed, Ridgeway,” said Mr. McClosky meekly; “but my girl Jinny's jist got back from a little tear up at Robinson's, and ain't inclined to turn in yet. You know what girls is. So I thought we three would jist have a social chat together to pass away the time.”

      “You mendacious old hypocrite! She got back an hour ago,” said Ridgeway, “as that savage-looking escort of hers, who has been haunting the house ever since, can testify. My belief is, that, like an enterprising idiot as you are, you've dragged that girl out of her bed, that we might mutually bore each other.”

      Mr. McClosky was too much stunned by this evidence of Ridgeway's apparently superhuman penetration to reply. After enjoying his host's confusion for a moment with his eyes, Ridgeway's mouth asked grimly—

      “And who is this girl, anyway?”

      “Nancy's.”

      “Your wife's?”

      “Yes. But look yar, Ridgeway,” said McClosky, laying one hand imploringly on Ridgeway's sleeve, “not a word about her to Jinny. She thinks her mother's dead—died in Missouri. Eh!”

      Ridgeway nearly rolled from the veranda in an excess of rage. “Good God! Do you mean to say that you have been concealing from her a fact that any day, any moment, may come to her ears? That you've been letting her grow up in ignorance of something that by this time she might have outgrown and forgotten? That you have been, like a besotted old ass, all these years slowly forging a thunderbolt that any one may crush her with? That”—but here Ridgeway's cough took possession of his voice, and even

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