LITMIR.BIZ

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pieces, in a later volume apologises to the ladies for their gravity, and for their special delectation furnishes an appendix of songs that are simply dirty.

      A good many of the ditties in favour with our rural song-men, are, it must be admitted, of the D'Urfey type; and what is more some of the very worst are sung to the daintiest early melodies. Two courses lay open to us. One that adopted Dr. Barrett and Mr. Kidson to print the words exactly as given on the broadsides, with asterisks for the undesirable stanzas. But this would simply have killed the songs. No one would care to warble what was fragmentary. On the other hand, there is that adopted by the Scotch and Irish collectors, which consists in re-writing or modifying where objectionable or common-place. This has been the course we have pursued. It seemed a pity to consign the lovely old melodies to the antiquary's library, by publishing them with words which were fatal to the success of the songs in the drawing room or the concert hall. We resolved where the old words were good, or tolerable, to retain them. Where bad, to re-write, adhering as closely as possible to the original. Where the songs were mere broadside ballads, we have had no scruple in doing this, for we give reference to the press-mark in the British Museum, where the original text may be found. But the broadside itself is often a debased form of a fine early ballad. The broadside publishers were wont to pay a shilling to any ballad mongers who could furnish them with a new ditty. These men were destitute of the poetic faculty and illiterate, and they contented themselves with taking old ballads and recomposing them, so as to give to them a semblance of novelty, sufficient to qualify their authors to claim the usual fee. Here are some lines by one of the fraternity:

      "I'm Billy Nuts wot always cuts

       A dash through all the town, sir,

       With lit'rary men, my clever pen

       In grammar gains renown, sir,

       In song, and catch, and ditty.

       And then to each, with dying speech

       I do excite their pity.

       So all agree to welcome me,

       With drum and fife and whiols, (sic for viols) A cause my name stands fast in fame, The Bard of Seven Dials." (B.M., 11,621, K. 4)

      Our object was not to furnish a volume for consultation by the musical antiquary alone, but to resuscitate, and to popularise the traditional music of the English people. As, however, to the antiquary everything is important, exactly as obtained, uncleansed from rust and unpolished, I have deposited a copy of the songs and ballads with their music exactly as taken down, for reference, in the Municipal Free Library, Plymouth.

      The Rev. H.F. Sheppard, who worked with me for twelve years in rescuing these old songs, and in bringing them before the public, is now no more. A new edition has been called for, and in this some exclusions and some additions have been made. We do not think that the pieces we have removed are not good, but that we are able to supply their places with others that are better. Mr. Sheppard entertained a very strong objection to arranging any song he had not himself "pricked down" from the lips of the singers, and as Mr. Bussell had noted down hundreds as well, these, for the most part, had to be laid on one side. Mr. Sheppard was, doubtless, right in his assertion, that unless he had himself heard the song sung, he could not catch its special character, and so render it justly.

      Acting on the advice of Mr. Cecil Sharp, of the Conservatoire, Hampstead, who has kindly undertaken the musical editorship of this edition, I have introduced several interesting ballads and songs that, for the reason above given, were excluded from the first. Mr. F. Kidson has kindly afforded us information relative to such songs as he has come across in Yorkshire.

      In conclusion I give a few particulars relative to the Rev. H.F. Sheppard, my fellow-worker, and Mr. D. Radford, the instigator of the collection, both of whom have passed away.

      Henry Fleetwood Sheppard was a graduate of Trinity Hall, Cambridge, and had been appointed Travelling Batchelor to the University. Through the whole of his clerical career he was closely associated with sacred music, especially with Plain-song, of which he was an enthusiastic admirer. As precentor of the Doncaster Choral Union from 1864 to 1884, he became the pioneer of improved church music in that part of Yorkshire. In the year 1868 he was presented to the Rectory of Thurnscoe, which at that time was an agricultural village numbering about 180 inhabitants, where he remained until 1898, when he resigned his living on account of his advancing years which precluded his coping satisfactorily with the population swelling to 3,366 souls, owing to the opening of coal mines in the parish. In 1888, as already intimated, he was associated along with myself in the collection of Devon and Cornish folk songs.

      When he resigned the incumbency of Thurnscoe, he retired to Oxford, where, in his declining years, he might, at his leisure, dip into those store houses of classical and musical literature in which his soul delighted.

      Three days before Christmas, 1901, a slight stroke of paralysis gave warning of possibly serious mischief. A sudden and fatal collapse ensued on S. John's Day, without further warning. He was laid to rest at Oxford on New Year's Eve. An inscription in the Vestry wall at Thurnscoe, was cut by one who was in Mr. Sheppard's choir for nearly forty years before his death. "Pray for the peace of Henry Fleetwood Sheppard, Rector of this Parish Church, 1868–1898, who went to rest, December 27th, 1901, aged 77 years."

      Mr. Daniel Radford, of Mount Tavy, was an enthusiastic lover of all that pertained to his county. He knew that a number of traditional songs and ballads still floated about, and he saw clearly that unless these were at once collected, they would be lost irretrievably, and he pressed on me the advisability of making a collection, and of setting about it at once. I began to do so in 1888, and continued at it, working hard for twelve years, assisted by Mr. Sheppard and Mr. Bussell. Mr. Radford was one for whom I entertained the deepest affection, inspired by his high character; and I knew that what he judged to be advisable should be undertaken in no perfunctory way.

      Mr. Radford died January 3rd, 1900, at the age of seventy-two, and was buried in Lydford churchyard. The beautiful rood-screen in the church has been erected by his sons to his memory.

      In the collection, the music initialed H.F.S. has the accompaniment arranged for the piano by Mr. Sheppard, that initialed C.J.S. by Mr. C.J. Sharp; that F.W.B. by Dr. Bussell.

      No 1 BY CHANCE IT WAS

       Table of Contents

      H.F.S.

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      1

      By chance it was I met my love,

       It did me much surprise,

       Down by a shady myrtle grove,

       Just as the sun did rise.

       The birds they sang right gloriously,

       And pleasant was the air;

       And there was none, save she and I,

       Among the flowers fair.

      2

      In dewy grass and green we walk'd,

       She timid was and coy;

       "How can'st thou choose but pity me,

       My pretty pearl, my joy?

       How comes it that thou stroll'st this way?

       Sweet maiden, tell me true,

       Before bright Phœbus' glittering ray

       Has supped the morning dew?"

      3

      "I go to tend the flocks I love

       The ewes and tender lambs,

       That pasture by the myrtle grove,

       That gambol by their dams;

       There I enjoy a pure content

      

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