Through Spain to the Sahara - Matilda Betham-Edwards

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lace mantillas of the women, there was no costume at all. People seem to enjoy going to church in Spain. The ladies come in with their little dogs, drop on their knees on a mat, adjust their fans, and fall into a sort of quiet ecstasy of prayer, the dogs sitting demurely by. The men are equally devout; and every one, caballero or beggar, soldier or priest, comes in his turn, week-day and Sunday. The churches are beautifully kept, warm in cold weather, cool in summer, clean and dusky and quiet always. No wonder they are never empty.

      The Cathedral of Burgos is so rich in different sorts of beauty that it would be idle for me to try and particularise any, excepting perhaps the wonderful effect of it as a whole upon the accustomed eye. At first one is quite unable to take in the wonderful simplicity, and strength, and finish of the building, or rather mass of buildings, for it is a city in itself; but later you feel, as it were, a child of the place, loving and living in every part. The colour of the outside is of a soft deep grey, and is unspeakably rich when seen, as we saw it, against quite an Eastern sky. We never grew tired of wandering about the Cathedral, with Street’s Gothic Architecture in hand to help us through its history; and no one seemed to take offence at us for pursuing such studies within the sacred walls.

      I have called the building a city in itself, and if a census were made of its silent population, there might seem some reason in such a simile. Who can doubt that these sculptured saints, archangels, kings, apostles, and monks without, these bleeding Christs, Virgins, infants, and martyrs within, would equal in number the living, moving world of Burgos? And this multitude, stony, silent, dead, though it seems, is not without a power and force that stand in good stead of vitality. Every Christ has its special congregation, every martyr its believers, every saint its legend quickening thousands of devotees to this day.

      There is no trace of Moorish influence in the building, and despite many excrescences of bastard-Gothic and Renaissance work, the old Cathedral is still to be seen in all its beauty, reminding you of the purest thirteenth-century Gothic of France. All who have time to study it thoroughly will at the same time acquire a good deal of history, for there is hardly a portion of it which does not show the thought and work of many minds and periods. Spaniard, Gascon, Fleming, Englishman, Florentine, have all had a hand in this glorious work, which gradually increased in size and splendour, till nothing more remained to do except to disfigure it in these later times; which I am sorry to say has been done, within and without, by various means called “restoration.”

      The ecclesiologist will find plenty to admire at Burgos, but the ordinary traveller will content himself with seeing the Cathedral and the Convents of Miraflores and Las Huelgas. The latter is especially interesting on account of its history. It was founded by the husband of Alienor, daughter of our King Henry II., whose daughter Costanza became abbess. Here numbers of royal ladies took the veil; here kings were crowned and buried; and here a lady abbess still lives and rules, though no longer, as in former days, a princess palatinate, receiving princely revenues.

      But what makes Las Huelgas of peculiar value to students is the evidence of Angevine influence in the architecture. Queen Alienor, as Mr. Street justly observes, would naturally procure the help of some architect from her father’s dominion of Anjou in the abbey she induced him to found; and one finds here the early vaulting common to old churches in Anjou and Poitou. But these special objects of interest are less interesting than the general effect of the whole place.

      It was here, indeed, that we were bodily as well as spiritually transported back to the middle ages. The transformation happened in this wise. After wandering about the cloisters we came unexpectedly upon a scene that simply enchanted us. It was the nuns’ chapel. Looking through a screen of delicately wrought cast-iron, we saw two kneeling figures dressed in the black and cream-coloured robes of the Cistercian sisterhood. They were as motionless as statues; and we felt them to be a part of the place as much as the Gothic arches, the stained walls, and the marble altars. So mediæval and ideal was the picture, that, when we came away, we felt as if we of the nineteenth century were dreaming, and the life of those women kneeling in the coloured light the only reality after all!

      The roads are so bad around Burgos that it was with great ado we got to the celebrated Monastery of Miraflores, though it only lies two miles off the town. It is a dreary drive. The road winds around hills so bleak and desolate, as to give us an uneasy suspicion when a beggar in a long black cloak came to the carriage-door begging. He looked exactly like a bandit; and if it had not been for our sturdy coachman we should have trembled for the gold Isabelinoes we carried in our pockets.

      Coming home we saw a regiment at practice. The soldiers were the shabbiest set I ever saw, the music poor, and the whole thing spiritless enough; but all the people of Burgos seemed to have turned out for the sight.

      In Spain the railways are not made for travellers, but travellers for railways. The trains run so slowly and so seldom that a journey of any length always requires self-denial in the matter of sleep. No matter whither you are bound, to Alicant, to Cordova, to Saragossa, to Badajoz, you must rise early and not go to bed at all; and it is with very great management and disregard of comfort that one can contrive to travel by daylight through the most interesting tracts of scenery. To go to Madrid in the daytime we had to rise at four o’clock. It is true that the train did not start till nearly seven; but, whether you like it or not, in Spain you are always aroused an hour before you want to get up—always carried off to the station an hour before the train starts, and to the steamers at least a quarter of a day too soon. People seem in such terrible haste to be rid of you, agreeable as the acquaintance may seem to have been on both sides.

      This waiting about in the raw, cold air of an autumn morning is not without its compensations. Everything takes a supernatural shape in the ghastly lamplight; the horses that have brought us here seem, on a sudden, slim and spectral; the long lines of railway carriages have a funereal look; the men, waiting about in their long black cloaks, become brigand-like and terrible to look at; one’s own shadow is mysteriously long and dark; one’s own voice sounds hollow and unearthly. It is like reading a scene from Mrs. Radcliff’s novels. But when once the train moves slowly off, and the blessed sun warms you, it is the very poetry of railway-travelling. The carriage is so comfortable, the speed so easy, the quiet so delicious, that it is worth while coming to Spain to gain such an experience. No one seems impatient to arrive anywhere; if indeed, any one is bound anywhere. The train stops at every station, and at some so long that you might take photographs in the interval. If you alight to lunch or stretch your limbs a little, you are never hurried back into your carriage, but can loiter about in the pleasant assurance that the train is sure to wait for you. “The train is going to stop; now for a sketch,” we used to say when we approached a station; and there was always time.

      And then there is the ineffable sense of safety. A single gauge leads from the French frontier to the Spanish capital; the up-train waits for the down train half-way, and each goes its destination as lazily as Kentish farmers jogging to market. How can there be accidents or discomforts under such circumstances?

      Tourists are apt to complain of the incivility of officials in Spain. I can only say that we travelled from Biarritz to Gibraltar, and encountered nothing but courtesy and kindness. We spoke a little Spanish, it is true, and had left England with a solemn compact never to get out of temper, which may, perhaps, in some degree account for such experience. And we always travelled in the first-class carriage reserved for ladies. I do not think English ladies would find second and third-class travelling pleasant, on account of the smoking.

      Thus we travelled through the brown deserts of Old Castille to Madrid. Treeless, tawny, and interminable, anything more dreary than these same Spanish steppes cannot well be conceived. Yet there was contrast and colour for the artistic eye. There was mass after mass of cool, grey limestone against a bright blue sky; and when the sun set over the undulating table-lands, a weird, fiery, unimagined splendour not to be put into any words!

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