The Lady of the Lake - Walter Scott

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       III

       IV

       V SOLDIER'S SONG

       VI

       VII

       VIII

       IX

       X

       XI

       XII

       XIII

       XIV

       XV BATTLE OF BEAL' AN DUINE

       XVI

       XVII

       XVIII

       XIX

       XX

       XXI

       XXII LAMENT

       XXIII

       XXIV LAY OF THE IMPRISONED HUNTSMAN

       XXV

       XXVI

       XXVII

       XXVIII

       XXIX

       NOTES

       CANTO FIRST

       CANTO SECOND

       CANTO THIRD

       CANTO FOURTH

       CANTO FIFTH

       CANTO SIXTH

       APPENDIX

       HELPS TO STUDY

       THEME SUBJECTS

       SELECTIONS FOR CLASS READING

       CLASSES OF POETRY

       Table of Contents

       Table of Contents

      Walter Scott was born in Edinburgh, August 15, 1771, of an ancient Scotch clan numbering in its time many a hard rider and good fighter, and more than one of these petty chieftains, half-shepherd and half-robber, who made good the winter inroads into their stock of beeves by spring forays and cattle drives across the English Border. Scott's great-grandfather was the famous "Beardie" of Harden, so called because after the exile of the Stuart sovereigns he swore never to cut his beard until they were reinstated; and several degrees farther back he could point to a still more famous figure, "Auld Wat of Harden," who with his fair dame, the "Flower of Yarrow," is mentioned in The Lay of the Last Minstrel. The first member of the clan to abandon country life and take up a sedentary profession, was Scott's father, who settled in Edinburgh as Writer to the Signet, a position corresponding in Scotland to that of attorney or solicitor in England. The character of this father, stern, scrupulous, Calvinistic, with a high sense of ceremonial dignity and a punctilious regard for the honorable conventions of life, united with the wilder ancestral strain to make Scott what he was. From "Auld Wat" and "Beardie" came his high spirit, his rugged manliness, his chivalric ideals; from the Writer to the Signet came that power of methodical labor which made him a giant among the literary workers of his day, and that delicate sense of responsibility which gave his private life its remarkable sweetness and beauty.

      At the age of eighteen months, Scott was seized with a teething fever which settled in his right leg and retarded its growth to such an extent that he was slightly lame for the rest of his life. Possibly this affliction was a blessing in disguise, since it is not improbable that Scott's love of active adventure would have led him into the army or the navy, if he had not been deterred by a bodily impediment; in which case English history might have been a gainer, but English literature would certainly have been immeasurably a loser. In spite of his lameness, the child grew strong enough to be sent on a long visit to his grandfather's farm at Sandyknowe; and here, lying among the sheep on the windy downs, playing about the romantic ruins of Smailholm Tower,[1] scampering through the heather on a tiny Shetland pony, or listening to stories of the thrilling past told by the old women of the farm, he drank in sensations which strengthened both the hardiness and the romanticism of his nature. A story is told of his being found in the fields during a thunder storm, clapping his hands at each flash of lightning, and shouting "Bonny! Bonny!"—a bit of infantile intrepidity which makes more acceptable a story of another sort illustrative of his mental precocity. A lady entering his mother's room found him reading aloud a description of a shipwreck, accompanying the words with excited comments and gestures. "There's the mast gone," he cried, "crash it goes; they will all perish!" The lady entered into his

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