LITMIR.BIZ

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days sometimes passed without their seeing each other.

      M. Dubois, completely absorbed in the intricate combinations of politics, often passed the day in long and serious conferences with the chiefs of the executive power. He had been charged with a very difficult work on the election of the deputies to the general congress, which was about to be held at San Miguel de Tucuman, and in which the independence of the provinces of the ancient vice-royalty of Buenos Aires was about to be proclaimed.

      So that, spite of the lively interest which he had in his young countryman, the diplomatist was obliged to neglect him—of which the latter by no means complained; on the contrary, profiting conscientiously by the agreeable leisure which politics gave to him, he gave himself up with delight to the contemplative life so dear to artists, and lounged whole days about the town and country, in quest of picturesque points of view, and of fine landscapes.

      This search was by no means unprofitable in a country such as that in which he was accidently living, where nature, yet but little spoiled or marred by the unintelligent hand of man, possessed that seal of majesty and of grandeur which God alone knows how to impress so royally alike upon the most vast and the meanest works which spring from His all-powerful hands.

      The inhabitants, accustomed to see the young man among them, attracted by his handsome and frank countenance, by his gentle manners and his careless air, were, by degrees, familiarised with him; and, notwithstanding that he was a European, and especially a Frenchman—that is to say, a gringo or heretic—had at last come to be very friendly to him, and allowed him to go wherever fancy led him, without following him with an uneasy curiosity, or worrying him with indiscreet questions.

      Moreover, in the state of political excitement in which the country was at this time, when every passion was in ebullition, and revolutionary ideas turned every head, it appeared so strange to see a man walking about continually with an unconcerned air, carelessly looking about him with a smile on his lips, and his hands in his pockets, without regret for yesterday or care for tomorrow, that this man justly passed for a kind of phenomenon. Everyone envied him, and felt constrained to love him, by reason even of his placid indifference. He alone, perhaps, did not perceive the effect produced by his presence, when he rambled about the square or the most populous streets of the town; and he continued his promenade without even considering that he was for those whose path he crossed a walking enigma, of which they vainly sought the key. Some even, quite astounded by this magnificent indifference, which they could not comprehend, went so far as to believe that if he were not completely mad, at least he had some tendencies that way.

      Emile occupied himself neither with one nor the other. He continued his careless open air life, following with his eyes the birds in their flight, listening for hours together to the mysterious murmur of a cascade, or in rapture with a splendid sunset in the Cordillera. Then, in the evening, he philosophically re-entered his lodging, murmuring between his teeth:

      "Is not all this admirable! How much better this than politics! Parbleu! He must be an idiot who does not see it. Positively, people are absurd, they are asses! They would be so happy if they would only consent to live carelessly, without seeking to free themselves from their masters. As if, when some masters are gone, others will not immediately come! Positively they are animals fit to eat hay!"

      The next day he resumed his walks, and so day after day, without worrying himself about a mode of life so agreeable and happy; and in this he was perfectly right.

      The young painter, as we have already said, lived in a house placed at the disposal of M. Dubois by the Buenos Airean Government, and situated on the Plaza Mayor, under the gates. The young man, on stepping out of his house, found himself in face of a wide street, furnished with shops, which led out of the square. This street was the Calle de las Mercaderes. Now, the painter had been in the habit of going straight on, of following the Calle Mercaderes, at the end of which was the Callejón de las Cruces; he then entered the Callejón, and arrived, without any turning, at the river. Thus, twice a day—in the morning in going out, and in the evening in returning from his promenade—Emile Gagnepain passed the entire length of the Callejón de las Cruces.

      He stopped sometimes for a considerable time to admire the graceful outline of some gable ends, dating from the earlier years of the conquest, and preferred to traverse this silent and solitary street, where he could freely give himself up to his thoughts without fear of being interrupted, rather than to take the streets of the higher quarters, where it was impossible to take a step without meeting some acquaintance whom he could not have passed without exchanging a few words, or at least without a bow—things which annoyed him much, as they broke the thread of his thoughts.

      One morning when, according to custom, Emile Gagnepain had begun his walk, and was pensively traversing the Callejón de las Cruces, at the moment when he was passing the house of which we have spoken, he felt a slight tap on the crown of his hat, as if some light object had struck it, and a flower immediately fell at his feet.

      The young man stopped with astonishment. His first movement was to raise his head, but he saw nothing; the old house had still its accustomed mournful and sombre aspect.

      "Hum!" murmured he; "What does that mean? This flower, at all events, has not fallen from the sky."

      He stooped down, picked it up delicately, and examined it with care.

      It was a white rose, scarcely half opened, and still fresh and damp with dew.

      Emile remained an instant wrapped in thought.

      "Well, that is odd," said he; "this flower has only been gathered a few minutes; is it not to me that it has been thrown? Nay," added he, looking around him, "it would be very difficult to have thrown it to another, for I am alone. This deserves reflection. I must not be carried away by vanity. I'll wait till the evening."

      And he continued his walk, after having vainly explored, with an anxious look, all the windows of this solitary house.

      This incident, slight as it was, was sufficient to trouble the artist during the remainder of his promenade.

      He was young, he believed himself good-looking; and, moreover, he had more than a reasonable share of vanity. His imagination soon carried him away. He called to mind all the love stories he had heard related in relation to Spain; and, putting this and that together, he soon arrived at this conclusion, excessively flattering to his self-love—that a beautiful Señora, held prisoner by some jealous husband, had seen him pass under her windows, had felt herself drawn towards him by an irresistible passion, and had thrown him this flower to attract his attention.

      This conclusion was absurd, it was true but it immensely pleased the painter, whose self-love, as we have said, it flattered.

      During the whole day the young man was burning with anxiety; twenty times he thought of returning, but, happily, reflection came to his aid, and he came to the conclusion that too much haste would compromise the success of his adventure, and that it would be better not again to pass the house till the hour when he was in the habit of returning home.

      "In this way," said he, with a knowing air—questioning himself to avoid a disillusion, if, which was possible, he was deceived—"if she expects me, she will throw me another flower; then I will buy a guitar, a mantle the colour of the wall, and I will come like a lover of the time of the Cid Campeador, by starlight, to tell her my love."

      But, notwithstanding this mockery, which he addressed to himself as he wandered about, he was much more concerned in the matter than he was ready to confess, and every moment he was consulting his watch to see if the hour for his return was near.

      Although we may not be in love—and certainly the painter only felt at this moment a curiosity which he could not explain; for it was impossible for him to entertain any other feeling for a person whom he did not know: nevertheless the unknown—the unforeseen, if you will—has an indefinable charm, and exerts a powerful attraction on certain excitable organisations, which induces them in a moment to build up suppositions which they are not slow to consider as realities, until the truth suddenly comes, as a drop of cold water thrown into a boiling fluid will in a moment stop the evaporation of steam.

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