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And all would be frustrated.

       HE LOOKED AT OSWALD'S BOOTS.

      "Yes," said the Editor; "that chapter seems to have had a great success—a wonderful success. I had no fewer than sixteen letters about it, all praising it in unmeasured terms." He looked at Oswald's boots, which Oswald had neglected to cover over with his petticoats. He now did this.

      "It is a nice story, you know," said Alice timidly.

      "So it seems," the gentleman went on. "Fourteen of the sixteen letters bear the Blackheath postmark. The enthusiasm for the chapter would seem to be mainly local."

      Oswald would not look at Alice. He could not trust himself, with her looking like she did. He knew at once that only the piano-tuner and the electric bell man had been faithful to their trust. The others had all posted their letters in the pillar-box just outside our gate. They wanted to get rid of them as quickly as they could, I suppose. Selfishness is a vile quality.

      The author cannot deny that Oswald now wished he hadn't. The elastic was certainly moving, slowly, but too surely. Oswald tried to check its career by swelling out the bump on the back of his head, but he could not think of the right way to do this.

      "I am very pleased to see you," the Editor went on slowly, and there was something about the way he spoke that made Oswald think of a cat playing with a mouse. "Perhaps you can tell me. Are there many spiritualists in Blackheath? Many clairvoyants?"

      "Eh?" said Alice, forgetting that that is not the way to behave.

      "People who foretell the future?" he said.

      "I don't think so," said Alice. "Why?"

      His eye twinkled. Oswald saw he had wanted her to ask this.

      "Because," said the Editor, more slowly than ever, "I think there must be. How otherwise can we account for that chapter about the 'Doge's Home' being read and admired by sixteen different people before it is even printed. That chapter has not been printed, it has not been published; it will not be published till the May number of the People's Pageant. Yet in Blackheath sixteen people already appreciate its subtlety and its realism and all the rest of it. How do you account for this, Miss Daisy Dolman?"

      "I am the Right Honourable Etheltruda," said Alice. "At least—oh, it's no use going on. We are not what we seem."

      "Oddly enough, I inferred that at the very beginning of our interview," said the Editor.

      Then the elastic finished slipping up Oswald's head at the back, and the hat leapt from his head exactly as he had known it would. He fielded it deftly, however, and it did not touch the ground.

      "Concealment," said Oswald, "is at an end."

      "So it appears," said the Editor. "Well, I hope next time the author of the 'Golden Gondola' will choose his instruments more carefully."

      "He didn't! We aren't!" cried Alice, and she instantly told the Editor everything.

      Concealment being at an end, Oswald was able to get at his trousers pocket—it did not matter now how many boots he showed—and to get out Albert's uncle's letter.

      Alice was quite eloquent, especially when the Editor had made her take off the hat with the blue bird, and the transformation and the tail, so that he could see what she really looked like. He was quite decent when he really understood how Albert's uncle's threatened marriage must have upset his brain while he was writing that chapter, and pondering on the dark future.

      He began to laugh then, and kept it up till the hour of parting.

      He advised Alice not to put on the transformation and the tail again to go home in, and she didn't.

      Then he said to me: "Are you in a finished state under Miss Daisy Dolman?" and when Oswald said, "Yes," the Editor helped him to take off all the womanly accoutrements, and to do them up in brown paper. And he lent him a cap to go home in.

      I never saw a man laugh more. He is an excellent sort.

      But no slow passage of years, however many, can ever weaken Oswald's memory of what those petticoats were like to walk in, and how ripping it was to get out of them, and have your own natural legs again.

      We parted from that Editor without a strain on anybody's character.

      He must have written to Albert's uncle, and told him all, for we got a letter next week. It said—

      "My dear Kiddies,—Art cannot be forced. Nor can Fame. May I beg you for the future to confine your exertions to blowing my trumpet—or Fame's—with your natural voices? Editors may be led, but they won't be druv. The Right Honourable Miss Etheltruda Bustler seems to have aroused a deep pity for me in my Editor's heart. Let that suffice. And for the future permit me, as firmly as affectionately, to reiterate the assurance and the advice which I have so often breathed in your long young ears, 'I am not ungrateful; but I do wish you would mind your own business.'"

      "That's just because we were found out," said Alice. "If we'd succeeded he'd have been sitting on the top of the pinnacle of Fame, and he would have owed it all to us. That would have been making him something like a wedding present."

      What we had really done was to make something very like——but the author is sure he has said enough.

      The Flying Lodger

       Table of Contents

      Father knows a man called Eustace Sandal. I do not know how to express his inside soul, but I have heard Father say he means well. He is a vegetarian and a Primitive Social Something, and an all-wooler, and things like that, and he is really as good as he can stick, only most awfully dull. I believe he eats bread and milk from choice. Well, he has great magnificent dreams about all the things you can do for other people, and he wants to distill cultivatedness into the sort of people who live in Model Workmen's Dwellings, and teach them to live up to better things. This is what he says. So he gives concerts in Camberwell, and places like that, and curates come from far and near, to sing about Bold Bandaleros and the Song of the Bow, and people who have escaped being curates give comic recitings, and he is sure that it does every one good, and "gives them glimpses of the Life Beautiful." He said that. Oswald heard him with his own trustworthy ears. Anyway the people enjoy the concerts no end, and that's the great thing.

      Well, he came one night, with a lot of tickets he wanted to sell, and Father bought some for the servants, and Dora happened to go in to get the gum for a kite we were making, and Mr. Sandal said, "Well, my little maiden, would you not like to come on Thursday evening, and share in the task of raising our poor brothers and sisters to the higher levels of culture?" So of course Dora said she would, very much. Then he explained about the concert, calling her "My little one," and "dear child," which Alice never would have borne, but Dora is not of a sensitive nature, and hardly minds what she is called, so long as it is not names, which she does not deem "dear child" and cetera to be, though Oswald would.

      Dora was quite excited about it, and the stranger so worked upon her feelings that she accepted the deep responsibility of selling tickets, and for a week there was no bearing her. I believe she did sell nine, to people in Lewisham and New Cross who knew no better. And Father bought tickets for all of us, and when the eventful evening dawned we went to Camberwell by train and tram viâ Miss Blake (that means we shouldn't have been allowed to go without her).

      The tram ride was rather jolly, but when we got out and walked we felt like "Alone in London," or "Jessica's First Prayer," because Camberwell is a devastating region that makes you think of rickety attics with the wind whistling through them, or miserable cellars where forsaken children do wonders by pawning their relations' clothes and looking after the baby. It was a dampish night, and we walked on greasy mud. And as we walked along Alice kicked against something on the pavement, and it chinked, and when she picked it up it was five bob rolled up in newspaper.

      "I

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