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he spoke to his father and asked if pain should be avoided. This conversation has been already sufficiently recorded; but he asked other things as well. From being so long on the level he had made a sudden jump that his father had foretold; he grew up; his mind began to think; he had peered into certain books; he analysed. Out of the nonsense of his speculative reflections the doctor pounced on certain points that puzzled him completely. Probing for the repressed elements in the boy's psychic life that caused the triple complex of Wave and Eyes and Whiff, he only saw the cause receding further and further from his grasp until it finally lost itself in ultimate obscurity. The disciple of Freud was baffled hopelessly. …

      Tom, meanwhile, bathed in a sea of new sensations. Distance held meaning for him, separation was a kind of keen starvation. He made discoveries—watched the moon rise, heard the wind, and knew the stars shone over the meadows below the house, things that before had been merely commonplace. He pictured these details as they might occur in France, and once when he saw a Swallow Tail butterfly, knowing that the few English specimens were said to have crossed the Channel, he had a touch of ecstasy, as though the proud insect brought him a message from the fields below the Finishing School. Also he read French books and found the language difficult but exquisite. All sweet and lovely things came from France, and at school he attempted violent friendships with three French boys and the Foreign Language masters, friendships that were not appreciated because they were not understood. But he made progress with the language, and it stood him in good stead in his examinations. He was aiming now at an Engineering College. He passed in—eventually—brilliantly enough.

      Before that satisfactory moment, however, he knew difficult times. His inner life was in a splendid tumult. From the books he purloined he read a good many facts concerning waves and wave-formation. He learned, among other things, that all sensory impressions reached the nerves by impact of force in various wave-lengths; heat, light and sound broke upon the skin and eyes and ears in vibrations of æther or air that advanced in steady series of wavy formations which, though not quite similar to his dream-wave, were akin to it. Sensation, which is life, was thus linked on to his deepest, earliest memory.

      A wave, however, instantly rejoined the parent stock and formed again. And perhaps it was the repetition of the wave—its forming again and breaking again—that impressed him most. For he imagined his impulses, emotions, tendencies all taking this wave-form, sweeping his moods up to a certain point, then dropping back into his centre—the Sea, he called it—which held steady below all temporary fluctuations—only to form once more and happen all over again.

      With his moral and spiritual life it was similar: a wind came, wind of desire, wind of yearning, wind of hope, and he felt his strength accumulating, rising, bending with power upon the object that he had in view. To take that object exactly at the top of the wave was to achieve success; to miss that moment was to act with a receding and diminishing power, to dissipate himself in foam and spray before he could retire for a second rise. He saw existence as a wave. Life itself was a wave that rose, swept, curved, and finally—must break.

      He merely visualised these feelings into pictures; he did not think them out, nor get them into words. The wave became symbolic to him of all life's energies. It was the way in which all sensation expressed itself. Lettice was the high-water mark on shore he longed to reach and sweep back into his own tumultuous being. In that great underneath, the Sea, they belonged eternally together. …

      One thing, however, troubled him exceedingly: he read that a wave was a segment of a circle, the perfect form, yet that it never completed itself. The ground on which it broke prevented the achievement of the circle. That, he felt, was a pity, and might be serious; there was always that sinister retirement for another effort that yet never did, and never could, result in complete achievement. He watched the waves a good deal on the shore, when occasion offered in the holidays—they came from France!—and made a discovery on his own account that was not mentioned in any of the books. And it was this: that the top of the wave, owing to its curve, was reflected in the under part. Its end, that is, was foretold in its beginning.

      There was a want of scientific accuracy here, a confusion of time and space, perhaps, yet he noticed the idea and registered the thrill. At the moment when the wave was poised to fall its crest shone reflected in the base from which it rose.

      But the more he watched the waves on the shore, the more puzzled he became. They seemed merely a movement of the sea itself. They endlessly repeated themselves. They had no true, separate existence until they—broke. Nor could he determine whether the crest or the base was the beginning, for the two ran along together, and what was above one minute was below the minute after. Which part started first he never could decide. The head kept chasing the tail in an effort to join up. Only when a wave broke and fell was it really—a wave. It had to 'happen' to earn its name.

      There were ripples too. These indicated the direction of the parent wave upon whose side they happened, but not its purpose. Moods were ripples: they varied the surface of life but did not influence its general direction.

      His own life followed a similar behaviour; he was full of ripples that were for ever trying to complete themselves by happening in acts. But the main Wave was the thing—end and beginning sweeping along together, both at the same time somehow. That is, he knew the end and could foretell it. It rose from the great 'beneath' which was the sea in him. It must topple over in the end and complete itself. He knew it would; he knew it would hurt; he knew also that he would not shirk it when it came. For it was a repetition somehow.

      'I jolly well mean to enjoy the smash,' he felt. 'I know one pair of Eyes already; there's only the Whiff and the other Eyes to come. The moment I find them, I'll go bang into it.' He experienced a delicious shiver at the prospect.

      One thing, however, remained uncertain: the stuff the Wave was made of. Once he discovered that, he would discover also—where the smash would come.

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      'Can a chap feel things coming?' he asked his father. He was perhaps fifteen or sixteen then. 'I mean, when you feel them coming, does that mean they must come?'

      His father listened warily. There had been many similar questions lately.

      'You can feel ordinary things coming,' he replied; 'things due to association of ideas.'

      Tom looked up. 'Association?' he queried uncertainly.

      'If you feel hungry,' explained the doctor, 'you know that dinner's coming; you associate the hunger with the idea of eating. You recognise them because you've felt them both together before.'

      'They ought to come, then?'

      'Dinner does come—ordinarily speaking. You've learned to expect it from the hunger. You could, of course, prevent it coming,' he added dryly, 'only that would be bad for you. You need it.'

      Tom reflected a moment with a puckered face. His father waited for him to ask more, hoping he would. The boy felt the sympathy and invitation.

      'Before,' he repeated, picking out the word with sudden emphasis, his mind evidently breaking against a problem. 'But if I felt hungry for something I hadn't had before——?'

      'In that case you wouldn't call it hunger. You wouldn't know what to call it. You'd feel a longing of some kind and would wonder what it meant.'

      Tom's next words surprised him considerably. They came promptly, but with slow and thoughtful emphasis.

      'So that if I know what I want, and call it dinner, or pain, or—love, or something,' he exclaimed, 'it means that I've had it before? And that's why I know it.' The last five words were not a question but a statement of fact apparently.

      The doctor pretended not to notice the variants of dinner. At least he did not draw attention to them.

      'Not necessarily,' he answered. 'The things

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