The Essential Works of George Eliot - George Eliot

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with a little of anything. That is why it is better for me to do without earthly happiness altogether. I never felt that I had enough music,—I wanted more instruments playing together; I wanted voices to be fuller and deeper. Do you ever sing now, Philip?” she added abruptly, as if she had forgotten what went before.

      “Yes,” he said, “every day, almost. But my voice is only middling, like everything else in me.”

      “Oh, sing me something,—just one song. I may listen to that before I go,—something you used to sing at Lorton on a Saturday afternoon, when we had the drawing-room all to ourselves, and I put my apron over my head to listen.”

      “I know,” said Philip; and Maggie buried her face in her hands while he sang sotto voce, “Love in her eyes sits playing,” and then said, “That’s it, isn’t it?”

      “Oh no, I won’t stay,” said Maggie, starting up. “It will only haunt me. Let us walk, Philip. I must go home.”

      She moved away, so that he was obliged to rise and follow her.

      “Maggie,” he said, in a tone of remonstrance, “don’t persist in this wilful, senseless privation. It makes me wretched to see you benumbing and cramping your nature in this way. You were so full of life when you were a child; I thought you would be a brilliant woman,—all wit and bright imagination. And it flashes out in your face still, until you draw that veil of dull quiescence over it.”

      “Why do you speak so bitterly to me, Philip?” said Maggie.

      “Because I foresee it will not end well; you can never carry on this self-torture.”

      “I shall have strength given me,” said Maggie, tremulously.

      “No, you will not, Maggie; no one has strength given to do what is unnatural. It is mere cowardice to seek safety in negations. No character becomes strong in that way. You will be thrown into the world some day, and then every rational satisfaction of your nature that you deny now will assault you like a savage appetite.”

      Maggie started and paused, looking at Philip with alarm in her face.

      “Philip, how dare you shake me in this way? You are a tempter.”

      “No, I am not; but love gives insight, Maggie, and insight often gives foreboding. Listen to me,—let me supply you with books; do let me see you sometimes,—be your brother and teacher, as you said at Lorton. It is less wrong that you should see me than that you should be committing this long suicide.”

      Maggie felt unable to speak. She shook her head and walked on in silence, till they came to the end of the Scotch firs, and she put out her hand in sign of parting.

      “Do you banish me from this place forever, then, Maggie? Surely I may come and walk in it sometimes? If I meet you by chance, there is no concealment in that?”

      It is the moment when our resolution seems about to become irrevocable—when the fatal iron gates are about to close upon us—that tests our strength. Then, after hours of clear reasoning and firm conviction, we snatch at any sophistry that will nullify our long struggles, and bring us the defeat that we love better than victory.

      Maggie felt her heart leap at this subterfuge of Philip’s, and there passed over her face that almost imperceptible shock which accompanies any relief. He saw it, and they parted in silence.

      Philip’s sense of the situation was too complete for him not to be visited with glancing fears lest he had been intervening too presumptuously in the action of Maggie’s conscience, perhaps for a selfish end. But no!—he persuaded himself his end was not selfish. He had little hope that Maggie would ever return the strong feeling he had for her; and it must be better for Maggie’s future life, when these petty family obstacles to her freedom had disappeared, that the present should not be entirely sacrificed, and that she should have some opportunity of culture,—some interchange with a mind above the vulgar level of those she was now condemned to live with. If we only look far enough off for the consequence of our actions, we can always find some point in the combination of results by which those actions can be justified; by adopting the point of view of a Providence who arranges results, or of a philosopher who traces them, we shall find it possible to obtain perfect complacency in choosing to do what is most agreeable to us in the present moment. And it was in this way that Philip justified his subtle efforts to overcome Maggie’s true prompting against a concealment that would introduce doubleness into her own mind, and might cause new misery to those who had the primary natural claim on her. But there was a surplus of passion in him that made him half independent of justifying motives. His longing to see Maggie, and make an element in her life, had in it some of that savage impulse to snatch an offered joy which springs from a life in which the mental and bodily constitution have made pain predominate. He had not his full share in the common good of men; he could not even pass muster with the insignificant, but must be singled out for pity, and excepted from what was a matter of course with others. Even to Maggie he was an exception; it was clear that the thought of his being her lover had never entered her mind.

      Do not think too hardly of Philip. Ugly and deformed people have great need of unusual virtues, because they are likely to be extremely uncomfortable without them; but the theory that unusual virtues spring by a direct consequence out of personal disadvantages, as animals get thicker wool in severe climates, is perhaps a little overstrained. The temptations of beauty are much dwelt upon, but I fancy they only bear the same relation to those of ugliness, as the temptation to excess at a feast, where the delights are varied for eye and ear as well as palate, bears to the temptations that assail the desperation of hunger. Does not the Hunger Tower stand as the type of the utmost trial to what is human in us?

      Philip had never been soothed by that mother’s love which flows out to us in the greater abundance because our need is greater, which clings to us the more tenderly because we are the less likely to be winners in the game of life; and the sense of his father’s affection and indulgence toward him was marred by the keener perception of his father’s faults. Kept aloof from all practical life as Philip had been, and by nature half feminine in sensitiveness, he had some of the woman’s intolerant repulsion toward worldliness and the deliberate pursuit of sensual enjoyment; and this one strong natural tie in his life,—his relation as a son,—was like an aching limb to him. Perhaps there is inevitably something morbid in a human being who is in any way unfavorably excepted from ordinary conditions, until the good force has had time to triumph; and it has rarely had time for that at two-and-twenty. That force was present in Philip in much strength, but the sun himself looks feeble through the morning mists.

       Another Love-Scene.

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      Early in the following April, nearly a year after that dubious parting you have just witnessed, you may, if you like, again see Maggie entering the Red Deeps through the group of Scotch firs. But it is early afternoon and not evening, and the edge of sharpness in the spring air makes her draw her large shawl close about her and trip along rather quickly; though she looks round, as usual, that she may take in the sight of her beloved trees. There is a more eager, inquiring look in her eyes than there was last June, and a smile is hovering about her lips, as if some playful speech were awaiting the right hearer. The hearer was not long in appearing.

      “Take back your Corinne,” said Maggie, drawing a book from under her shawl. “You were right in telling me she would do me no good; but you were wrong in thinking I should wish to be like her.”

      “Wouldn’t you really like to be a tenth Muse, then, Maggie?” said Philip looking up in her face as we look at a first parting in the clouds that promises us a bright heaven once more.

      “Not at all,” said Maggie, laughing. “The Muses were uncomfortable goddesses, I think,—obliged always to carry rolls and musical instruments about with them. If I carried a harp in this climate, you know, I must have a green baize cover for it; and I should be sure to leave

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