LITMIR.BIZ

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proprietors of the town, though not of any particular house there; dwelling, presumably, out of doors, in the street, between heaven and earth, like that Gilbert de Guermantes, of whom I could see, in the stained glass of the apse of Saint-Hilaire, only the ‘other side’ in dull black lacquer, if I raised my eyes to look for him, when I was going to Camus’s for a packet of salt.

      And then it happened that, going the ‘Guermantes way,’ I passed occasionally by a row of well-watered little gardens, over whose hedges rose clusters of dark blossom. I would stop before them, hoping to gain some precious addition to my experience, for I seemed to have before my eyes a fragment of that riverside country which I had longed so much to see and know since coming upon a description of it by one of my favourite authors. And it was with that story-book land, with its imagined soil intersected by a hundred bubbling watercourses, that Guermantes, changing its form in my mind, became identified, after I heard Dr. Percepied speak of the flowers and the charming rivulets and fountains that were to be seen there in the ducal park. I used to dream that Mme. de Guermantes, taking a sudden capricious fancy for myself, invited me there, that all day long she stood fishing for trout by my side. And when evening came, holding my hand in her own, as we passed by the little gardens of her vassals, she would point out to me the flowers that leaned their red and purple spikes along the tops of the low walls, and would teach me all their names. She would make me tell her, too, all about the poems that I meant to compose. And these dreams reminded me that, since I wished, some day, to become a writer, it was high time to decide what sort of books I was going to write. But as soon as I asked myself the question, and tried to discover some subjects to which I could impart a philosophical significance of infinite value, my mind would stop like a clock, I would see before me vacuity, nothing, would feel either that I was wholly devoid of talent, or that, perhaps, a malady of the brain was hindering its development. Sometimes I would depend upon my father’s arranging everything for me. He was so powerful, in such favour with the people who ‘really counted,’ that he made it possible for us to transgress laws which Françoise had taught me to regard as more ineluctable than the laws of life and death, as when we were allowed to postpone for a year the compulsory repainting of the walls of our house, alone among all the houses in that part of Paris, or when he obtained permission from the Minister for Mme. Sazerat’s son, who had been ordered to some watering-place, to take his degree two months before the proper time, among the candidates whose surnames began with ‘A,’ instead of having to wait his turn as an ‘S.’ If I had fallen seriously ill, if I had been captured by brigands, convinced that my father’s understanding with the supreme powers was too complete, that his letters of introduction to the Almighty were too irresistible for my illness or captivity to turn out anything but vain illusions, in which there was no danger actually threatening me, I should have awaited with perfect composure the inevitable hour of my return to comfortable realities, of my deliverance from bondage or restoration to health. Perhaps this want of talent, this black cavity which gaped in my mind when I ransacked it for the theme of my future writings, was itself no more, either, than an unsubstantial illusion, and would be brought to an end by the intervention of my father, who would arrange with the Government and with Providence that I should be the first writer of my day. But at other times, while my parents were growing impatient at seeing me loiter behind instead of following them, my actual life, instead of seeming an artificial creation by my father, and one which he could modify as he chose, appeared, on the contrary, to be comprised in a larger reality which had not been created for my benefit, from whose judgments there was no appeal, in the heart of which I was bound, helpless, without friend or ally, and beyond which no further possibilities lay concealed. It was evident to me then that I existed in the same manner as all other men, that I must grow old, that I must die like them, and that among them I was to be distinguished merely as one of those who have no aptitude for writing. And so, utterly despondent, I renounced literature for ever, despite the encouragements that had been given me by Bloch. This intimate, spontaneous feeling, this sense of the nullity of my intellect, prevailed against all the flattering speeches that might be lavished upon me, as a wicked man, when everyone is loud in the praise of his good deeds, is gnawed by the secret remorse of conscience.

      One day my mother said: “You are always talking about Mme. de Guermantes. Well, Dr. Percepied did a great deal for her when she was ill, four years ago, and so she is coming to Combray for his daughter’s wedding. You will be able to see her in church.” It was from Dr. Percepied, as it happened, that I had heard most about Mme. de Guermantes, and he had even shewn us the number of an illustrated paper in which she was depicted in the costume which she had worn at a fancy dress ball given by the Princesse de Léon.

      Suddenly, during the nuptial mass, the beadle, by moving to one side, enabled me to see, sitting in a chapel, a lady with fair hair and a large nose, piercing blue eyes, a billowy scarf of mauve silk, glossy and new and brilliant, and a little spot at the corner of her nose. And because on the surface of her face, which was red, as though she had been very warm, I could make out, diluted and barely perceptible, details which resembled the portrait that had been shewn to me; because, more especially, the particular features which I remarked in this lady, if I attempted to catalogue them, formulated themselves in precisely the same terms:—a large nose, blue eyes, as Dr. Percepied had used when describing in my presence the Duchesse de Guermantes, I said to myself: “This lady is like the Duchesse de Guermantes.” Now the chapel from which she was following the service was that of Gilbert the Bad; beneath its flat tombstones, yellowed and bulging like cells of honey in a comb, rested the bones of the old Counts of Brabant; and I remembered having heard it said that this chapel was reserved for the Guermantes family, whenever any of its members came to attend a ceremony at Combray; there was, indeed, but one woman resembling the portrait of Mme. de Guermantes who on that day, the very day on which she was expected to come there, could be sitting in that chapel: it was she! My disappointment was immense. It arose from my not having borne in mind, when I thought of Mme. de Guermantes, that I was picturing her to myself in the colours of a tapestry or a painted window, as living in another century, as being of another substance than the rest of the human race. Never had I taken into account that she might have a red face, a mauve scarf like Mme. Sazerat; and the oval curve of her cheeks reminded me so strongly of people whom I had seen at home that the suspicion brushed against my mind (though it was immediately banished) that this lady in her creative principle, in the molecules of her physical composition, was perhaps not substantially the Duchesse de Guermantes, but that her body, in ignorance of the name that people had given it, belonged to a certain type of femininity which included, also, the wives of doctors and tradesmen. “It is, it must be Mme. de Guermantes, and no one else!” were the words underlying the attentive and astonished expression with which I was gazing upon this image, which, naturally enough, bore no resemblance to those that had so often, under the same title of ‘Mme. de Guermantes,’ appeared to me in dreams, since this one had not been, like the others, formed arbitrarily by myself, but had sprung into sight for the first time, only a moment ago, here in church; an image which was not of the same nature, was not colourable at will, like those others that allowed themselves to imbibe the orange tint of a sonorous syllable, but which was so real that everything, even to the fiery little spot at the corner of her nose, gave an assurance of her subjection to the laws of life, as in a transformation scene on the stage a crease in the dress of a fairy, a quivering of her tiny finger, indicate the material presence of a living actress before our eyes, whereas we were uncertain, till then, whether we were not looking merely at a projection of limelight from a lantern.

      Meanwhile I was endeavouring to apply to this image, which the prominent nose, the piercing eyes pinned down and fixed in my field of vision (perhaps because it was they that had first struck it, that had made the first impression on its surface, before I had had time to wonder whether the woman who thus appeared before me might possibly be Mme. de Guermantes), to this fresh and unchanging image the idea: “It is Mme. de Guermantes”; but I succeeded only in making the idea pass between me and the image, as though they were two discs moving in separate planes, with a space between. But this Mme. de Guermantes of whom I had so often dreamed, now that I could see that she had a real existence independent of myself, acquired a fresh increase of power over my imagination, which, paralysed for a moment by contact with a reality so different from anything that it had expected, began to react and to say within me: “Great and glorious before the days of Charlemagne, the Guermantes had the right of life and death over

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