LITMIR.BIZ

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to hunt for his bride in a darkened room. This lasts a good while if she is shy. In South Africa, the bridegroom may not see his bride till the whole of the marriage ceremonies have been performed. In Persia, a husband never sees his wife till he has consummated the marriage. At marriages in South Arabia, the bride and bridegroom have to sit immovable in the same position from noon till midnight, fasting, in separate rooms. The bride is attended by ladies, and the groom by men. They may not see each other till the night of the fourth day. In Egypt, the groom cannot see the face of his bride, even by a surreptitious glance, till she is in his absolute possession. Then comes the ceremony, which he performs, of uncovering her face. In Egypt, of course, this has been accentuated by the seclusion and veiling of women. In Morocco, at the feast before the marriage, the bride and groom sit together on a sort of throne; all the time, the poor bride's eyes are firmly closed, and she sits amidst the revelry as immovable as a statue. On the next day is the marriage. She is conducted after dark to her future home, accompanied by a crowd with lanterns and candles. She is led with closed eyes along the street by two relatives, each holding one of her hands. The bride's head is held in its proper position by a female relative, who walks behind her. She wears a veil, and is not allowed to open her eyes until she is set on the bridal bed, with a girl friend beside her. Amongst the Zulus, the bridal party proceeds to the house of the groom, having the bride hidden amongst them. They stand facing the groom, while the bride sings a song. Her companions then suddenly break away, and she is discovered standing in the middle, with a fringe of beads covering her face. Amongst the people of Kumaun, the husband sees his wife first after the joining of hands. Amongst the Bedui of North East Africa, the bride is brought on the evening of the wedding-day by her girl friends, to the groom's house. She is closely muffled up. Amongst the Jews of Jerusalem, the bride, at the marriage ceremony, stands under the nuptial canopy, her eyes being closed, that she may not behold the face of her future husband before she reaches the bridal chamber. In Melanesia, the bride is carried to her new home on some one's back, wrapped in many mats, with palm-fans held about her face, because she is supposed to be modest and shy. Among the Damaras, the groom cannot see his bride for four days after marriage. When a Damara woman is asked in marriage, she covers her face for a time with the flap of a headdress made for this purpose. At the Thlinkeet marriage ceremony, the bride must look down, and keep her head bowed all the time; during the wedding-day, she remains hiding in a corner of the house, and the groom is forbidden to enter. At a Yezedee marriage, the bride is covered from head to foot with a thick veil, and when arrived at her new home, she retires behind a curtain in the corner of a darkened room, where she remains for three days before her husband is permitted to see her. In Corea, the bride has to cover her face with her long sleeves, when meeting the bridegroom at the wedding. The Manchurian bride uncovers her face for the first time when she descends from the nuptial couch. It is dangerous even to see dangerous persons. Sight is a method of contagion in primitive science, and the idea coincides with the psychological aversion to see dangerous things, and with sexual shyness and timidity. In the customs noticed, we can distinguish the feeling that it is dangerous to the bride for her husband's eyes to be upon her, and the feeling of bashfulness in her which induces her neither to see him nor to be seen by him. These ideas explain the origin of the bridal veil and similar concealments. The bridal veil is used, to take a few instances, in China, Burmah, Corea, Russia, Bulgaria, Manchuria, and Persia, and in all these cases it conceals the face entirely." (E. Crawley, The Mystic Rose, pp. 328 et seq.)

      Alexander Walker, writing in 1846, remarks: "Among old-fashioned people, of whom a good example may be found in old country people of the middle class in England, it is indecent to be seen with the head unclothed; such a woman is terrified at the chance of being seen In that condition, and if intruded on at that time, she shrieks with terror, and flies to conceal herself." (A. Walker, Beauty, p. 15.) This fear of being seen with the head uncovered exists still, M. Van Gennep informs me, in some regions of France, as in Brittany.

So far it has only been necessary to refer incidentally to the connection of modesty with clothing. I have sought to emphasize the unquestionable, but often forgotten, fact that modesty is in its origin independent of clothing, that physiological modesty takes precedence of anatomical modesty, and that the primary factors of modesty were certainly developed long before the discovery of either ornament or garments. The rise of clothing probably had its first psychical basis on an emotion of modesty already compositely formed of the elements we have traced. Both the main elementary factors, it must be noted, must naturally tend to develop and unite in a more complex, though—it may well be—much less intense, emotion. The impulse which leads the female animal, as it leads some African women when found without their girdles, to squat firmly down on the earth, becomes a more refined and extended play of gesture and ornament and garment. A very notable advance, I may remark, is made when this primary attitude of defence against the action of the male becomes a defence against his eyes. We may thus explain the spread of modesty to various parts of the body, even when we exclude the more special influence of the evil eye. The breasts very early become a focus of modesty in women; this may be observed among many naked, or nearly naked, negro races; the tendency of the nates to become the chief seat of modesty in many parts of Africa may probably be, in large part, thus explained, since the full development of the gluteal regions is often the greatest attraction an African woman can possess.^[47] The same cause contributes, doubtless, to the face becoming, in some races, the centre of modesty. We see the influence of this defence against strange eyes in the special precautions in gesture or clothing taken by the women in various parts of the world, against the more offensive eyes of civilized Europeans.

      But in thus becoming directed only against sight, and not against action, the gestures of modesty are at once free to become merely those of coquetry. When there is no real danger of offensive action, there is no need for more than playful defence, and no serious anxiety should that defence be taken as a disguised invitation. Thus the road is at once fully open toward the most civilized manifestations of the comedy of courtship.

      In the same way the social fear of arousing disgust combines easily and perfectly with any new development in the invention of ornament or clothing as sexual lures. Even among the most civilized races it has often been noted that the fashion of feminine garments (as also sometimes the use of scents) has the double object of concealing and attracting. It is so with the little apron of the young savage belle. The heightening of the attraction is, indeed, a logical outcome of the fear of evoking disgust.

It is possible, as some ethnographists have observed,^[48] that intercrural cords and other primitive garments have a physical ground, inasmuch as they protect the most sensitive and unprotected part of the body, especially in women. We may note in this connection the significant remarks of K. von den Steinen, who argues that among Brazilian tribes the object of the uluri, etc., is to obtain a maximum of protection for the mucous membrane with a minimum of concealment. Among the Eskimo, as Nansen noted, the corresponding intercrural cord is so thin as to be often practically invisible; this may be noted, I may add, in the excellent photographs of Eskimo women given by Holm.

But it is evident that, in the beginning, protection is to little or no extent the motive for attaching foreign substances to the body. Thus the tribes of Central Australia wear no clothes, although they often suffer from the cold. But, in addition to armlets, neck-bands and head-bands, they have string or hair girdles, with, for the women, a very small apron and, for the men, a pubic tassel. The latter does not conceal the organs, being no larger than a coin, and often brilliantly coated with white pipeclay, especially during the progress of corrobborees, when a large number of men and women meet together; it serves the purpose of drawing attention to the organs.^[49] When Forster visited the unspoilt islanders of the Pacific early in the eighteenth century, he tells us that, though they wore no clothes, they found it necessary to cover themselves with various ornaments, especially on, the sexual parts. "But though their males," he remarks, "were to all appearances equally anxious in this respect with their females, this part of their dress served only to make that more conspicuous which it intended to hide."^[50]

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