LITMIR.BIZ

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to our ankle-bone. Commend me, I say, to the robin for use of his ankles—he is, of all birds, the pre-eminent and characteristic Hopper; none other so light, so pert, or so swift.

      25. We must not, however, give too much credit to his legs in this matter. A robin's hop is half a flight; he hops, very essentially, with wings and tail, as well as with his feet, and the exquisitely rapid opening and quivering of the tail-feathers certainly give half the force to his leap. It is in this action that he is put among the motacillae, or wagtails; but the ornithologists have no real business to put him among them. The swing of the long tail feathers in the true wagtail is entirely consequent on its motion, not impulsive of it—the tremulous shake is after alighting. But the robin leaps with wing, tail, and foot, all in time, and all helping each other. Leaps, I say; and you check at the word; and ought to check: you look at a bird hopping, and the motion is so much a matter of course, you never think how it is done. But do you think you would find it easy to hop like a robin if you had two—all but wooden—legs, like this?

      26. I have looked wholly in vain through all my books on birds, to find some account of the muscles it uses in hopping, and of the part of the toes with which the spring is given. I must leave you to find out that for yourselves; it is a little bit of anatomy which I think it highly desirable for you to know, but which it is not my business to teach you. Only observe, this is the point to be made out. You leap yourselves, with the toe and ball of the foot; but, in that power of leaping, you lose the faculty of grasp; on the contrary, with your hands, you grasp as a bird with its feet. But you cannot hop on your hands. A cat, a leopard, and a monkey, leap or grasp with equal ease; but the action of their paws in leaping is, I imagine, from the fleshy ball of the foot; while in the bird, characteristically γαμφωνυξ [Greek: gampsônux], this fleshy ball is reduced to a boss or series of bosses, and the nails are elongated into sickles or horns; nor does the springing power seem to depend on the development of the bosses. They are far more developed in an eagle than a robin; but you know how unpardonably and preposterously awkward an eagle is when he hops. When they are most of all developed, the bird walks, runs, and digs well, but leaps badly.

      27. I have no time to speak of the various forms of the ankle itself, or of the scales of armor, more apparent than real, by which the foot and ankle are protected. The use of this lecture is not either to describe or to exhibit these varieties to you, but so to awaken your attention to the real points of character, that, when you have a bird's foot to draw, you may do so with intelligence and pleasure, knowing whether you want to express force, grasp, or firm ground pressure, or dexterity and tact in motion. And as the actions of the foot and the hand in man are made by every great painter perfectly expressive of the character of mind, so the expressions of rapacity, cruelty, or force of seizure, in the harpy, the gryphon, and the hooked and clawed evil spirits of early religious art, can only be felt by extreme attention to the original form.

      28. And now I return to our main question, for the robin's breast to answer, "What is a feather?" You know something about it already; that it is composed of a quill, with its lateral filaments terminating generally, more or less, in a point; that these extremities of the quills, lying over each other like the tiles of a house, allow the wind and rain to pass over them with the least possible resistance, and form a protection alike from the heat and the cold; which, in structure much resembling the scale-armor assumed by man for very different objects, is, in fact, intermediate, exactly, between the fur of beasts and the scales of fishes; having the minute division of the one, and the armor-like symmetry and succession of the other.

      29. Not merely symmetry, observe, but extreme flatness. Feathers are smoothed down, as a field of corn by wind with rain; only the swathes laid in beautiful order. They are fur, so structurally placed as to imply, and submit to, the perpetually swift forward motion. In fact, I have no doubt the Darwinian theory on the subject is that the feathers of birds once stuck up all erect, like the bristles of a brush, and have only been blown flat by continual flying.

      Nay, we might even sufficiently represent the general manner of conclusion in the Darwinian system by the statement that if you fasten a hair-brush to a mill-wheel, with the handle forward, so as to develop itself into a neck by moving always in the same direction, and within continual hearing of a steam-whistle, after a certain number of revolutions the hair-brush will fall in love with the whistle; they will marry, lay an egg, and the produce will be a nightingale.

      30. Whether, however, a hog's bristle can turn into a feather or not, it is vital that you should know the present difference between them.

      The scientific people will tell you that a feather is composed of three parts—the down, the laminæ, and the shaft.

      But the common-sense method of stating the matter is that a feather is composed of two parts, a shaft with lateral filaments. For the greater part of the shaft's length, these filaments are strong and nearly straight, forming, by their attachment, a finely warped sail, like that of a wind-mill. But towards the root of the feather they suddenly become weak, and confusedly flexible, and form the close down which immediately protects the bird's body.

      To show you the typical arrangement of these parts, I choose, as I have said, the robin; because, both in his power of flying, and in his color, he is a moderate and balanced bird;—not turned into nothing but wings, like a swallow, or nothing but neck and tail, like a peacock. And first for his flying power. There is one of the long feathers of robin's wing, and here (Fig. 1) the analysis of its form.

      31. First, in pure outline (A), seen from above, it is very nearly a long oval, but with this peculiarity, that it has, as it were, projecting shoulders at a 1 and a 2. I merely desire you to observe this, in passing, because one usually thinks of the contour as sweeping unbroken from the root to the point. I have not time to-day to enter on any discussion of the reason for it, which will appear when we examine the placing of the wing feathers for their stroke.

      Now, I hope you are getting accustomed to the general method in which I give you the analysis of all forms—leaf, or feather, or shell, or limb. First, the plan; then the profile; then the cross-section.

      I take next, the profile of my feather (B, Fig. 1), and find that it is twisted as the sail of a windmill is, but more distinctly, so that you can always see the upper surface of the feather at its root, and the under at its end. Every primary wing-feather, in the fine flyers, is thus twisted; and is best described as a sail striking with the power of a cimeter, but with the flat instead of the edge.

      Fig. 1.

       (Twice the size of reality.)

      32. Further, you remember that on the edges of the broad side of feathers you find always a series of undulations, irregularly sequent, and lapping over each other like waves on sand. You might at first imagine that this appearance was owing to a slight ruffling or disorder of the filaments; but it is entirely normal, and, I doubt not, so constructed, in order to insure a redundance of material in the plume, so that no accident or pressure from wind may leave a gap anywhere. How this redundance is obtained you will see in a moment by bending any feather the wrong way. Bend, for instance, this plume, B, Fig. 2, into the reversed curve, A, Fig. 2; then all the filaments of the plume become perfectly even, and there are no waves at the edge. But let the plume return into its proper form, B, and the tissue being now contracted into a smaller space, the edge waves are formed in it instantly.

      Fig. 2.

      Hitherto, I have been speaking only of the filaments arranged for the strength and continuity of the energetic plume; they are entirely different when they are set together for decoration instead of force. After the feather of the robin's wing, let us examine one from his breast.

      33. I said, just now, he might be at once outshone by a brickbat. Indeed, the day before yesterday, sleeping at Lichfield, and seeing, the first thing when I woke in the morning, (for I never put down the blinds of my bedroom windows,) the not uncommon sight in an English country town of an entire house-front of very neat, and very flat, and very red bricks, with very

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