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The Greatest Works of D. H. Lawrence. D. H. Lawrence
Читать онлайн.Название The Greatest Works of D. H. Lawrence
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isbn 4064066052171
Автор произведения D. H. Lawrence
Жанр Языкознание
Издательство Bookwire
“He earns a lot,” said Paul.
“He earns a hundred and thirty pounds. But they're all alike. They're large in promises, but it's precious little fulfilment you get.”
“He spends over fifty shillings a week on himself,” said Paul.
“And I keep this house on less than thirty,” she replied; “and am supposed to find money for extras. But they don't care about helping you, once they've gone. He'd rather spend it on that dressed-up creature.”
“She should have her own money if she's so grand,” said Paul.
“She should, but she hasn't. I asked him. And I know he doesn't buy her a gold bangle for nothing. I wonder whoever bought ME a gold bangle.”
William was succeeding with his “Gipsy”, as he called her. He asked the girl—her name was Louisa Lily Denys Western—for a photograph to send to his mother. The photo came—a handsome brunette, taken in profile, smirking slightly—and, it might be, quite naked, for on the photograph not a scrap of clothing was to be seen, only a naked bust.
“Yes,” wrote Mrs. Morel to her son, “the photograph of Louie is very striking, and I can see she must be attractive. But do you think, my boy, it was very good taste of a girl to give her young man that photo to send to his mother—the first? Certainly the shoulders are beautiful, as you say. But I hardly expected to see so much of them at the first view.”
Morel found the photograph standing on the chiffonier in the parlour. He came out with it between his thick thumb and finger.
“Who dost reckon this is?” he asked of his wife.
“It's the girl our William is going with,” replied Mrs. Morel.
“H'm! 'Er's a bright spark, from th' look on 'er, an' one as wunna do him owermuch good neither. Who is she?”
“Her name is Louisa Lily Denys Western.”
“An' come again to-morrer!” exclaimed the miner. “An' is 'er an actress?”
“She is not. She's supposed to be a lady.”
“I'll bet!” he exclaimed, still staring at the photo. “A lady, is she? An' how much does she reckon ter keep up this sort o' game on?”
“On nothing. She lives with an old aunt, whom she hates, and takes what bit of money's given her.”
“H'm!” said Morel, laying down the photograph. “Then he's a fool to ha' ta'en up wi' such a one as that.”
“Dear Mater,” William replied. “I'm sorry you didn't like the photograph. It never occurred to me when I sent it, that you mightn't think it decent. However, I told Gyp that it didn't quite suit your prim and proper notions, so she's going to send you another, that I hope will please you better. She's always being photographed; in fact, the photographers ask her if they may take her for nothing.”
Presently the new photograph came, with a little silly note from the girl. This time the young lady was seen in a black satin evening bodice, cut square, with little puff sleeves, and black lace hanging down her beautiful arms.
“I wonder if she ever wears anything except evening clothes,” said Mrs. Morel sarcastically. “I'm sure I ought to be impressed.”
“You are disagreeable, mother,” said Paul. “I think the first one with bare shoulders is lovely.”
“Do you?” answered his mother. “Well, I don't.”
On the Monday morning the boy got up at six to start work. He had the season-ticket, which had cost such bitterness, in his waistcoat pocket. He loved it with its bars of yellow across. His mother packed his dinner in a small, shut-up basket, and he set off at a quarter to seven to catch the 7.15 train. Mrs. Morel came to the entry-end to see him off.
It was a perfect morning. From the ash tree the slender green fruits that the children call “pigeons” were twinkling gaily down on a little breeze, into the front gardens of the houses. The valley was full of a lustrous dark haze, through which the ripe corn shimmered, and in which the steam from Minton pit melted swiftly. Puffs of wind came. Paul looked over the high woods of Aldersley, where the country gleamed, and home had never pulled at him so powerfully.
“Good-morning, mother,” he said, smiling, but feeling very unhappy.
“Good-morning,” she replied cheerfully and tenderly.
She stood in her white apron on the open road, watching him as he crossed the field. He had a small, compact body that looked full of life. She felt, as she saw him trudging over the field, that where he determined to go he would get. She thought of William. He would have leaped the fence instead of going round the stile. He was away in London, doing well. Paul would be working in Nottingham. Now she had two sons in the world. She could think of two places, great centres of industry, and feel that she had put a man into each of them, that these men would work out what SHE wanted; they were derived from her, they were of her, and their works also would be hers. All the morning long she thought of Paul.
At eight o'clock he climbed the dismal stairs of Jordan's Surgical Appliance Factory, and stood helplessly against the first great parcel-rack, waiting for somebody to pick him up. The place was still not awake. Over the counters were great dust sheets. Two men only had arrived, and were heard talking in a corner, as they took off their coats and rolled up their shirt-sleeves. It was ten past eight. Evidently there was no rush of punctuality. Paul listened to the voices of the two clerks. Then he heard someone cough, and saw in the office at the end of the room an old, decaying clerk, in a round smoking-cap of black velvet embroidered with red and green, opening letters. He waited and waited. One of the junior clerks went to the old man, greeted him cheerily and loudly. Evidently the old “chief” was deaf. Then the young fellow came striding importantly down to his counter. He spied Paul.
“Hello!” he said. “You the new lad?”
“Yes,” said Paul.
“H'm! What's your name?”
“Paul Morel.”
“Paul Morel? All right, you come on round here.”
Paul followed him round the rectangle of counters. The room was second storey. It had a great hole in the middle of the floor, fenced as with a wall of counters, and down this wide shaft the lifts went, and the light for the bottom storey. Also there was a corresponding big, oblong hole in the ceiling, and one could see above, over the fence of the top floor, some machinery; and right away overhead was the glass roof, and all light for the three storeys came downwards, getting dimmer, so that it was always night on the ground floor and rather gloomy on the second floor. The factory was the top floor, the warehouse the second, the storehouse the ground floor. It was an insanitary, ancient place.
Paul was led round to a very dark corner.
“This is the 'Spiral' corner,” said the clerk. “You're Spiral, with Pappleworth. He's your boss, but he's not come yet. He doesn't get here till half-past eight. So you can fetch the letters, if you like, from Mr. Melling down there.”
The young man pointed to the old clerk in the office.
“All right,” said Paul.
“Here's a peg to hang your cap on. Here are your entry ledgers. Mr. Pappleworth won't be long.”
And the thin young man stalked away with long, busy strides over the hollow wooden floor.
After a minute or two Paul went down and stood in the door of the glass office. The old clerk in the smoking-cap looked down over the rim of his spectacles.
“Good-morning,” he said, kindly and impressively. “You want the letters for the