LITMIR.BIZ

CHAPTER VII

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THE LADY ON THE STAIRS

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      Whitewebs, Frances Millingham's house in Leicestershire, was a long white building with many level windows. The square main block of the building rose in the centre two storeys high, and on each side a wing of one storey projected. Behind the house a broad lawn sloped to the bank of a clear and shallow trout stream, with an avenue of old elms upon its left, and a rose garden upon its right. In front of the house a paddock made a ring of green, and round this ring the carriage drive circled from a white five-barred gate. Whitewebs stood in a flat grass country. From the upper windows you looked over a wide plain of meadows and old trees, so level that you had on a misty day almost an illusion of a smooth sea and the masts of ships; from the lower, you saw just as far as the nearest hedgerow, except in one quarter of the compass. For to the south-west the ground rose very far away, and at the limit of view three tall poplars, set in a tiny garden on the hill's crest, stood clearly out against the sky like sentinels upon a frontier. These three landmarks were visible for many miles around. Pamela, however, saw nothing of them as she was driven over the three miles from the station to Whitewebs.

      It was late on a February evening, and already dark. The snow had fallen heavily during the last week, and as Pamela looked out through the carriage windows she saw that the ground glimmered white on every side; above the ground a mist thickened the night air, and the cold was piercing. When she reached the house she found that Frances Millingham was waiting for her alone in the big inner hall, with tea ready; and the first question which she asked of her hostess was--

      "Is Millie Stretton here?"

      "Yes," replied Frances Millingham. "She has been here a week."

      "I couldn't come before," said Pamela, rather remorsefully. "My father was at home alone. How is Millie? I have not seen her for a long time. Is she enjoying herself?"

      Pamela's conscience had been reproaching her all that afternoon. She could plead in her own behalf that after the arrival of Tony's letter with its message of failure, she had deferred her visit into the country and had stayed in London for a week. But she had not returned to London since, and consequently she had not seen her friend. She had heard regularly from her, it is true; she also knew that there was yet no likelihood of the hoped-for change in the life of that isolated household in Berkeley Square. But there had been certain omissions of late in Millicent's letters which began to make Pamela anxious.

      "Yes," Frances Millingham replied; "she seems to be happy enough."

      Lady Millingham related the names of her guests. There were twelve in all, but the first ten may be omitted, for they are in no way concerned with Pamela's history. The eleventh name, however, was that of a friend.

      "John Mudge is here, too," said Frances Millingham; and Pamela said, with a smile--

      "I like him."

      John Mudge was that elderly man whom Allan Warrisden had seen with Pamela at Lady Millingham's dance, the man with no pleasure in his face. "And Mr. Lionel Callon," said Frances; "you know him."

      "Do I?" asked Pamela.

      "At all events, he knows you."

      It was no doubt a consequence of Pamela's deliberate plan never to be more than an onlooker, that people who did not arouse her active interest passed in and out of her acquaintanceship like shadows upon a mirror. It might be that she had met Lionel Callon. She could not remember.

      "A quarter past seven," said Frances Millingham, glancing at the clock. "We dine at eight."

      Pamela dressed quickly in the hope that she might gain a few minutes before dinner wherein to talk to Millicent. She came down the stairs with this object a good quarter of an hour before eight, but she was to be disappointed. The stairs descended into the big inner hall of the house, and just below the roof of the hall they took a bend. As Pamela came round this bend the hall was exposed to her eyes, and she saw, below her, not Millicent at all, but the figure of a man. He was standing by the fireplace, on her left hand as she descended, looking into the fire indeed, so that his back was towards her. But at the rustle of her frock he swung round quickly and looked up. He now moved a few steps towards the foot of the stairs with a particular eagerness. Pamela at that moment had just come round the bend, and was on the small platform from which the final flight of steps began. The staircase was dimly lit, and the panelling of the wall against which it rested dark. Pamela took a step or two downwards, and the light of the hall struck upon her face. The man came instantly to a dead stop, and a passing disappointment was visible upon his upturned face. It was evident that he was expecting some one else. Pamela on her side was disappointed, too, for she had hoped to find Millicent. She went down the stairs and stopped on the third step from the bottom.

      "How do you do, Miss Mardale?" said the man. "You have arrived at last."

      The man was Lionel Callon. Pamela recognised him now that they stood face to face; she had met him, but she had retained no impression of him in her memory. For the future, however, she would retain a very distinct impression. For her instincts told her at once and clearly that she thoroughly disliked the man. He was thirty-three in years, and looked a trifle younger, although his hair was turning grey. He was clean shaven, handsome beyond most men, and while his features were of a classical regularity and of an almost feminine delicacy, they were still not without character. There was determination in his face, and his eyes were naturally watchful. It was his manner which prompted Pamela's instinct of dislike. Assurance gave to it a hint of arrogance; familiarity made it distasteful. He might have been her host from the warmth of his welcome. Pamela put on her sedatest air.

      "I am quite

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