Salammbo - Gustave Flaubert

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the sound of the golden bells which Schahabarim wore at the hem of his garment.

      He ascended the staircases; then at the threshold of the terrace he stopped and folded his arms.

      His sunken eyes shone like the lamps of a sepulchre; his long thin body floated in its linen robe which was weighted by the bells, the latter alternating with balls of emeralds at his heels. He had feeble limbs, an oblique skull and a pointed chin; his skin seemed cold to the touch, and his yellow face, which was deeply furrowed with wrinkles, was as if it contracted in a longing, in an everlasting grief.

      He was the high priest of Tanith, and it was he who had educated Salammbô.

      “Speak!” he said. “What will you?”

      “I hoped—you had almost promised me—” She stammered and was confused; then suddenly: “Why do you despise me? what have I forgotten in the rites? You are my master, and you told me that no one was so accomplished in the things pertaining to the goddess as I; but there are some of which you will not speak. Is it so, O father?”

      Schahabarim remembered Hamilcar’s orders, and replied:

      “No, I have nothing more to teach you!”

      “A genius,” she resumed, “impels me to this love. I have climbed the steps of Eschmoun, god of the planets and intelligences; I have slept beneath the golden olive of Melkarth, patron of the Tyrian colonies; I have pushed open the doors of Baal-Khamon, the enlightener and fertiliser; I have sacrificed to the subterranean Kabiri, to the gods of woods, winds, rivers and mountains; but, can you understand? they are all too far away, too high, too insensible, while she—I feel her mingled in my life; she fills my soul, and I quiver with inward startings, as though she were leaping in order to escape. Methinks I am about to hear her voice, and see her face, lightnings dazzle me and then I sink back again into the darkness.”

      Schahabarim was silent. She entreated him with suppliant looks. At last he made a sign for the dismissal of the slave, who was not of Chanaanitish race. Taanach disappeared, and Schahabarim, raising one arm in the air, began:

      “Before the gods darkness alone was, and a breathing stirred dull and indistinct as the conscience of a man in a dream. It contracted, creating Desire and Cloud, and from Desire and Cloud there issued primitive Matter. This was a water, muddy, black, icy and deep. It contained senseless monsters, incoherent portions of the forms to be born, which are painted on the walls of the sanctuaries.

      “Then Matter condensed. It became an egg. It burst. One half formed the earth and the other the firmament. Sun, moon, winds and clouds appeared, and at the crash of the thunder intelligent creatures awoke. Then Eschmoun spread himself in the starry sphere; Khamon beamed in the sun; Melkarth thrust him with his arms behind Gades; the Kabiri descended beneath the volcanoes, and Rabetna like a nurse bent over the world pouring out her light like milk, and her night like a mantle.”

      “And then?” she said.

      He had related the secret of the origins to her, to divert her from sublimer prospects; but the maiden’s desire kindled again at his last words, and Schahabarim, half yielding resumed:

      “She inspires and governs the loves of men.”

      “The loves of men!” repeated Salammbô dreamily.

      “She is the soul of Carthage,” continued the priest; “and although she is everywhere diffused, it is here that she dwells, beneath the sacred veil.”

      “O father!” cried Salammbô, “I shall see her, shall I not? you will bring me to her! I had long been hesitating; I am devoured with curiosity to see her form. Pity! help me! let us go?”

      He repulsed her with a vehement gesture that was full of pride.

      “Never! Do you not know that it means death? The hermaphrodite Baals are unveiled to us alone who are men in understanding and women in weakness. Your desire is sacrilege; be satisfied with the knowledge that you possess!”

      She fell upon her knees placing two fingers against her ears in token of repentance; and crushed by the priest’s words, and filled at once with anger against him, with terror and humiliation, she burst into sobs. Schahabarim remained erect, and more insensible than the stones of the terrace. He looked down upon her quivering at his feet, and felt a kind of joy on seeing her suffer for his divinity whom he himself could not wholly embrace. The birds were already singing, a cold wind was blowing, and little clouds were drifting in the paling sky.

      Suddenly he perceived on the horizon, behind Tunis, what looked like slight mists trailing along the ground; then these became a great curtain of dust extending perpendicularly, and, amid the whirlwinds of the thronging mass, dromedaries’ heads, lances and shields appeared. It was the army of the Barbarians advancing upon Carthage.

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      Some country people, riding on asses or running on foot, arrived in the town, pale, breathless, and mad with fear. They were flying before the army. It had accomplished the journey from Sicca in three days, in order to reach Carthage and wholly exterminate it.

      The gates were shut. The Barbarians appeared almost immediately; but they stopped in the middle of the isthmus, on the edge of the lake.

      At first they made no hostile announcement. Several approached with palm branches in their hands. They were driven back with arrows, so great was the terror.

      In the morning and at nightfall prowlers would sometimes wander along the walls. A little man carefully wrapped in a cloak, and with his face concealed beneath a very low visor, was especially noticed. He would remain whole hours gazing at the aqueduct, and so persistently that he doubtless wished to mislead the Carthaginians as to his real designs. Another man, a sort of giant who walked bareheaded, used to accompany him.

      But Carthage was defended throughout the whole breadth of the isthmus: first by a trench, then by a grassy rampart, and lastly by a wall thirty cubits high, built of freestone, and in two storys. It contained stables for three hundred elephants with stores for their caparisons, shackles, and food; other stables again for four thousand horses with supplies of barley and harness, and barracks for twenty thousand soldiers with armour and all materials of war. Towers rose from the second story, all provided with battlements, and having bronze bucklers hung on cramps on the outside.

      This first line of wall gave immediate shelter to Malqua, the sailors’ and dyers’ quarter. Masts might be seen whereon purple sails were drying, and on the highest terraces clay furnaces for heating the pickle were visible.

      Behind, the lofty houses of the city rose in an ampitheatre of cubical form. They were built of stone, planks, shingle, reeds, shells, and beaten earth. The woods belonging to the temples were like lakes of verdure in this mountain of diversely-coloured blocks. It was levelled at unequal distances by the public squares, and was cut from top to bottom by countless intersecting lanes. The enclosures of the three old quarters which are now lost might be distinguished; they rose here and there like great reefs, or extended in enormous fronts, blackened, half-covered with flowers, and broadly striped by the casting of filth, while streets passed through their yawning apertures like rivers beneath bridges.

      The hill of the Acropolis, in the centre of Byrsa, was hidden beneath a disordered array of monuments. There were temples with wreathed columns bearing bronze capitals and metal chains, cones of dry stones with bands of azure, copper cupolas, marble architraves, Babylonian buttresses, obelisks poised on their points like inverted torches. Peristyles reached to pediments; volutes were displayed through colonnades; granite walls supported tile partitions;

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