LITMIR.BIZ

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word of ambition at the present day is Culture. Whilst all the world is in pursuit of power, and of wealth as a means of power, culture corrects the theory of success. A man is the prisoner of his power. A topical memory makes him an almanac; a talent for debate, a disputant; skill to get money makes him a miser, that is, a beggar. Culture reduces these inflammations by invoking the aid of other powers against the dominant talent, and by appealing to the rank of powers. It watches success. For performance, Nature has no mercy, and sacrifices the performer to get it done; makes a dropsy or a tympany of him. If she wants a thumb, she makes one at the cost of arms and legs, and any excess of power in one part is usually paid for at once by some defect in a contiguous part.

      Our efficiency depends so much on our concentration, that Nature usually in the instances where a marked man is sent into the world, overloads him with bias, sacrificing his symmetry to his working power. It is said, no man can write but one book; and if a man have a defect, it is apt to leave its impression on all his performances. If she creates a policeman like Fouche, he is made up of suspicions and of plots to circumvent them. “The air,” said Fouche, “is full of poniards.” The physician Sanctorius spent his life in a pair of scales, weighing his food. Lord Coke valued Chaucer highly, because the Canon Yeman’s Tale illustrates the statute Hen. V. Chap. 4, against alchemy. I saw a man who believed the principal mischiefs in the English state were derived from the devotion to musical concerts. A freemason, not long since, set out to explain to this country, that the principal cause of the success of General Washington, was, the aid he derived from the freemasons.

      But worse than the harping on one string, Nature has secured individualism, by giving the private person a high conceit of his weight in the system. The pest of society is egotists. There are dull and bright, sacred and profane, coarse and fine egotists. ‘Tis a disease that, like influenza, falls on all constitutions. In the distemper known to physicians as chorea, the patient sometimes turns round, and continues to spin slowly on one spot. Is egotism a metaphysical varioloid of this malady? The man runs round a ring formed by his own talent, falls into an admiration of it, and loses relation to the world. It is a tendency in all minds. One of its annoying forms, is a craving for sympathy. The sufferers parade their miseries, tear the lint from their bruises, reveal their indictable crimes, that you may pity them. They like sickness, because physical pain will extort some show of interest from the bystanders, as we have seen children, who, finding themselves of no account when grown people come in, will cough till they choke, to draw attention.

      This distemper is the scourge of talent, — of artists, inventors, and philosophers. Eminent spiritualists shall have an incapacity of putting their act or word aloof from them, and seeing it bravely for the nothing it is. Beware of the man who says, “I am on the eve of a revelation.” It is speedily punished, inasmuch as this habit invites men to humor it, and by treating the patient tenderly, to shut him up in a narrower selfism, and exclude him from the great world of God’s cheerful fallible men and women. Let us rather be insulted, whilst we are insultable. Religious literature has eminent examples, and if we run over our private list of poets, critics, philanthropists, and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.

      This goitre of egotism is so frequent among notable persons, that we must infer some strong necessity in nature which it subserves; such as we see in the sexual attraction. The preservation of the species was a point of such necessity, that Nature has secured it at all hazards by immensely overloading the passion, at the risk of perpetual crime and disorder. So egotism has its root in the cardinal necessity by which each individual persists to be what he is.

      This individuality is not only not inconsistent with culture, but is the basis of it. Every valuable nature is there in its own right, and the student we speak to must have a motherwit invincible by his culture, which uses all books, arts, facilities, and elegancies of intercourse, but is never subdued and lost in them. He only is a well-made man who has a good determination. And the end of culture is not to destroy this, God forbid! but to train away all impediment and mixture, and leave nothing but pure power. Our student must have a style and determination, and be a master in his own specialty. But, having this, he must put it behind him. He must have a catholicity, a power to see with a free and disengaged look every object. Yet is this private interest and self so overcharged, that, if a man seeks a companion who can look at objects for their own sake, and without affection or self-reference, he will find the fewest who will give him that satisfaction; whilst most men are afflicted with a coldness, an incuriosity, as soon as any object does not connect with their self-love. Though they talk of the object before them, they are thinking of themselves, and their vanity is laying little traps for your admiration.

      But after a man has discovered that there are limits to the interest which his private history has for mankind, he still converses with his family, or a few companions, — perhaps with half a dozen personalities that are famous in his neighborhood. In Boston, the question of life is the names of some eight or ten men. Have you seen Mr. Allston, Doctor Channing, Mr. Adams, Mr. Webster, Mr. Greenough? Have you heard Everett, Garrison, Father Taylor, Theodore Parker? Have you talked with Messieurs Turbinewheel, Summitlevel, and Lacofrupees? Then you may as well die. In New York, the question is of some other eight, or ten, or twenty. Have you seen a few lawyers, merchants, and brokers, — two or three scholars, two or three capitalists, two or three editors of newspapers? New York is a sucked orange. All conversation is at an end, when we have discharged ourselves of a dozen personalities, domestic or imported, which make up our American existence. Nor do we expect anybody to be other than a faint copy of these heroes.

      Life is very narrow. Bring any club or company of intelligent men together again after ten years, and if the presence of some penetrating and calming genius could dispose them to frankness, what a confession of insanities would come up! The “causes” to which we have sacrificed, Tariff or Democracy, Whigism or Abolition, Temperance or Socialism, would show like roots of bitterness and dragons of wrath: and our talents are as mischievous as if each had been seized upon by some bird of prey, which had whisked him away from fortune, from truth, from the dear society of the poets, some zeal, some bias, and only when he was now gray and nerveless, was it relaxing its claws, and he awaking to sober perceptions.

      Culture is the suggestion from certain best thoughts, that a man has a range of affinities, through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses his balance, puts him among his equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.

      ‘Tis not a compliment but a disparagement to consult a man only on horses, or on steam, or on theatres, or on eating, or on books, and, whenever he appears, considerately to turn the conversation to the bantling he is known to fondle. In the Norse heaven of our forefathers, Thor’s house had five hundred and forty floors; and man’s house has five hundred and forty floors. His excellence is facility of adaptation and of transition through many related points, to wide contrasts and extremes. Culture kills his exaggeration, his conceit of his village or his city. We must leave our pets at home, when we go into the street, and meet men on broad grounds of good meaning and good sense. No performance is worth loss of geniality. ‘Tis a cruel price we pay for certain fancy goods called fine arts and philosophy. In the Norse legend, Allfadir did not get a drink of Mimir’s spring, (the fountain of wisdom,) until he left his eye in pledge. And here is a pedant that cannot unfold his wrinkles, nor conceal his wrath at interruption by the best, if their conversation do not fit his impertinency, — here is he to afflict us with his personalities. ‘Tis incident to scholars, that each of them fancies he is pointedly odious in his community. Draw him out of this limbo of irritability. Cleanse with healthy blood his parchment skin. You restore to him his eyes which he left in pledge at Mimir’s spring. If you are the victim of your doing, who cares what you do? We can spare your opera, your gazetteer, your chemic analysis, your history, your syllogisms. Your man of genius pays dear for his distinction. His head runs up into a spire, and instead of a healthy man, merry and wise, he is some mad dominie. Nature is reckless of the individual. When she has points to carry, she carries them. To wade in marshes and sea-margins is the destiny of certain birds, and they are so accurately made for this, that they are imprisoned in those places. Each animal out of its habitat would starve. To the

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