The Collected Works of Olaf Stapledon - Olaf Stapledon

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systematic thought, their minds were often concerned with matters outside the fields of private and social economy. They experienced not only aesthetic but mystical cravings. And though they were without any appreciation of those finer beauties of human personality, which their predecessors had admired as the highest attainment of life on the planet, the Third Men themselves, in their own way, sought to make the best of human nature, and indeed of animal nature. Man they regarded in two aspects. In the first place he was the noblest of all animals, gifted with unique aptitudes. He was, as was sometimes said, God’s chief work of art. But secondly, since his special virtues were his insight into the nature of all living things and his manipulative capacity, he was himself God’s eye and God’s hand. These convictions were expressed over and over again in the religions of the Third Men by the image of the deity as a composite animal, with wings of the albatross, jaws of the great wolf-fox, feet of the deer, and so on. For the human element was represented in this deity by the hands, the eyes, and the sexual organs of man. And between the divine hands lay the world, with all its diverse population. Often the world was represented as being the fruit of God’s primitive potency, but also as in process of being drastically altered and tortured into perfection by the hands.

      Most of the cultures of the Third Men were dominated by this obscure worship of Life as an all-pervading spirit, expressing itself in myriad diverse individuals. And at the same time the intuitive loyalty to living things and to a vaguely conceived life-force was often complicated by sadism. For in the first place it was recognized, of course, that what is valued by higher beings may be intolerable to lower; and, as has been said, pain itself was thought to be a superior excellence of this kind. And again in a second manner sadism expressed itself. The worship of Life, as agent or subject, was complemented by worship of environment, as object to life’s subjectivity, as that which remains ever foreign to life, thwarting its enterprises, torturing it, yet making it possible, and, by its very resistance, goading it into nobler expressions. Pain, it was said, was the most vivid apprehension of the sacred and universal Object.

      The thought of the third human species was never systematic. But in some such manner as the foregoing it strove to rationalize its obscure intuition of the beauty which includes at once Life’s victory and defeat.

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      Such, in brief, was the physical and mental nature of the third human species. In spite of innumerable distractions, the spirit of the Third Men kept on returning to follow up the thread of biological interest through a thousand variegated cultures. Again and again folk after folk would clamber out of savagery and barbarism into relative enlightenment; and mostly, though not always, the main theme of this enlightenment was some special mood either of biological creativeness or of sadism, or of both. To a man born into such a society, no dominant characteristic would be apparent. He would be impressed rather by the many-sidedness of human activities in his time. He would note a wealth of personal intercourse, of social organization and industrial invention, of art and speculation, all set in that universal matrix, the private struggle to preserve or express the self. Yet the historian may often see in a society, over and above this multifarious proliferation, some one controlling theme.

      Again and again, then, at intervals of a few thousand or a few hundred thousand years, man’s whim was imposed upon the fauna and flora of the earth, and at length directed to the task of remaking man himself. Again and again, through a diversity of causes, the effort collapsed, and the species sank once more into chaos. Sometimes indeed there was an interlude of culture in some quite different key. Once, early in the history of the species, and before its nature had become fixed, there occurred a non-industrial civilization of a genuinely intellectual kind, almost like that of Greece. Sometimes, but not often, the third human species fooled itself into an extravagantly industrial world civilization, in the manner of the Americanized First Men. In general its interest was too much concerned with other matters to become entangled with mechanical devices. But on three occasions at least it succumbed. Of these civilizations one derived its main power from wind and falling water, one from the tides, one from the earth’s internal heat. The first, saved from the worst evils of industrialism by the limitations of its power, lasted some hundred thousand years in barren equilibrium, until it was destroyed by an obscure bacterium. The second was fortunately brief; but its fifty thousand years of unbridled waste of tidal energy was enough to interfere appreciably with the orbit of the moon. This world-order collapsed at length in a series of industrial wars. The third endured a quarter of a million years as a brilliantly sane and efficient world organization. Throughout most of its existence there was almost complete social harmony with scarcely as much internal strife as occurs in a bee-hive. But once more civilization came at length to grief, this time through the misguided effort to breed special human types for specialized industrial pursuits.

      Industrialism, however, was never more than a digression, a lengthy and disastrous irrelevance in the life of this species. There were other digressions. There were for instance cultures, enduring sometimes for several thousand years, which were predominantly musical. This could never have occurred among the First Men; but, as was said, the third species was peculiarly developed in hearing, and in emotional sensitivity to sound and rhythm. Consequently, just as the First Men at their height were led into the wilderness by an irrational obsession with mechanical contrivances, just as the Third Men themselves were many times undone by their own interest in biological control, so, now and again, it was their musical gift that hypnotized them.

      Of these predominantly musical cultures the most remarkable was one in which music and religion combined to form a tyranny no less rigid than that of religion and science in the remote past. It is worth while to dwell on one of these episodes for a few moments.

      The Third Men were very subject to a craving for personal immortality. Their lives were brief, their love of life intense. It seemed to them a tragic flaw in the nature of existence that the melody of the individual life must either fade into a dreary senility or be cut short, never to be repeated. Now, music had a special significance for this race. So intense was their experience of it, that they were ready to regard it as in some manner the underlying reality of all things. In leisure hours, snatched from a toilful and often tragic life, groups of peasants would seek to conjure about them by song or pipe or viol a universe more beautiful, more real, than that of daily labour. Concentrating their sensitive hearing upon the inexhaustible diversity of tone and rhythm, they would seem to themselves to be possessed by the living presence of music, and to be transported thereby into a lovelier world. No wonder they believed that every melody was a spirit, leading a life of its own within the universe of music. No wonder they imagined that a symphony or chorus was itself a single spirit inhering in all its members. No wonder it seemed to them that when men and women listened to great music, the barriers of their individuality were broken down, so that they became one soul through communion with the music.

      The prophet was born in a highland village where the native faith in music was intense, though quite unformulated. In time he learnt to raise his peasant audiences to the most extravagant joy and the most delicious sorrow. Then at last he began to think, and to expound his thoughts with the authority of a great bard. Easily he persuaded men that music was the reality, and all else illusion, that the living spirit of the universe was pure music, and that each individual animal and man, though he had a body that must die and vanish for ever, had also a soul that was music and eternal. A melody, he said, is the most fleeting of things. It happens and ceases. The great silence devours it, and seemingly annihilates it. Passage is essential to its being. Yet though for a melody, to halt is to die a violent death, all music, the prophet affirmed, has also eternal life. After silence it may occur again, with all its freshness and aliveness. Time cannot age it; for its home is in a country outside time. And that country, thus the young musician earnestly preached, is also the homeland of every man and woman, nay of every living thing that has any gift of music. Those who seek immortality, must strive to waken their tranced souls into melody and harmony. And according to their degree of musical originality and proficiency will be their standing in the eternal life.

      The doctrine, and the impassioned melodies of the prophet, spread like fire. Instrumental and

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