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The Orchard of Tears. Sax Rohmer
Читать онлайн.Название The Orchard of Tears
Год выпуска 0
isbn 4057664611604
Автор произведения Sax Rohmer
Жанр Языкознание
Издательство Bookwire
"Good day, sir," said Fawkes, again momentarily relieved apparently from the sense of impending harm. "Good day, sir." He raised the peak of his cap, turned and resumed his slinking progress.
"A strange coincidence," commented Don, taking Paul's arm.
"You are pursuing your fancy about the nymph visible and invisible?"
"Not entirely, Paul. But you may remember, if the incident has not banished the fact from your mind, that you are at present conducting me, at my request, to Something-or-other Cottage, which I had failed to find unassisted."
"Quite so. We are almost there. Yonder is Babylon Lane, which I understand is part of my legacy. Dovelands Cottage, I believe, is situated about half-way along it."
"Babylon Lane," mused Don. "Why so named?"
"That I cannot tell you. The name of Babylon invariably conjures up strange pictures of pagan feasts, don't you find? The mere sound of the word is sufficient to transport us to the great temple of Ishtar, and to dazzle our imagination with processions of flower-crowned priestesses. Heaven alone knows by what odd freak this peaceful lane was named after the city of Semiramis. But you were speaking of a coincidence."
"Yes, it is the mother of the nymph, Flamby, that I am going to visit; the Widow Duveen."
"Then this girl with the siren hair is she of whom you spoke?"
"Evidently none other. I told you, Paul, that I bore a message from her father, given to me under pledge of secrecy as he lay dying, to her mother. Paul, the man's life was a romance—a tragic romance. I cannot divulge his secrets, but his name was not Duveen; he was a cadet of one of the oldest families in Ireland."
"You interest me intensely. He seems to have been a wild fellow."
"Wild, indeed; and drink was his ruin. But he was a man, and by birth a gentleman. I am anxious to meet his widow."
"Of course, she knows of his death?"
"Oh, you need fear no distressing scenes, Paul. I remember how the grief of others affects you. He died six months ago."
"It affects me, Don, when I can do nothing to lessen it. Before helpless grief I find myself abashed, afraid, as before a great mystery—which it is. Only one day last week, passing through a poor quarter of South London, my cab was delayed almost beside a solitary funeral coach which followed a hearse. The coffin bore one poor humble little wreath. In the coach sat a woman, a young woman, alone—and hers was the wreath upon the coffin, her husband's coffin. He had died after discharge from a military hospital; so much I learned from the cabman, who had known the couple. She sat there dry-eyed and staring straight before her. No one took the slightest notice of the hearse, or of the lonely mourner. Don, that woman's face still haunts me. Perhaps he had been a blackguard—I gathered that he had; but he was her man, and she had lost him, and the world was empty for her. No pompous state funeral could have embodied such tragedy as that solitary figure following the spectre of her vanished joy."
Don turned impulsively to the speaker. "You dear old sentimentalist," he said; "do you really continue to believe in the faith of woman?"
Paul glanced aside at him. "Had I ever doubted it, Yvonne would have reassured me. Wait until you meet a Yvonne, old man; then I shall ask you if you really continue to believe in the faith of woman. Here we are."
IV
A trellis-covered path canopied with roses led up to the door of Dovelands Cottage. On the left was a low lichened wall, and on the right a bed of flowers bordering a trimly kept lawn, which faced the rustic porch. Dovelands Cottage was entirely screened from the view of anyone passing along Babylon Lane by a high and dense privet hedge, which carried on its unbroken barrier to the end of the tiny orchard and kitchen-garden flanking the bungalow building on the left.
As Paul opened the white gate a cattle-bell attached to it jangled warningly, and out into the porch Mrs. Duveen came to meet them. She was a tiny woman, having a complexion like a shrivelled pippin, and the general appearance of a Zingari, for she wore huge ear-rings and possessed shrewd eyes of Oriental shape and colour. There was a bluish tinge about her lips, and she had a trick of pressing one labour-gnarled hand to her breast. She curtsied quaintly.
Paul greeted her with the charming courtesy which he observed towards everyone.
"Mrs. Duveen, I believe? I am Paul Mario, and this is Captain Courtier, who has a message to give to you. I fear we may have come at an awkward hour, but Captain Courtier's time is unfortunately limited."
Mrs. Duveen repeated the curtsey. "Will it please you to step in, sirs," she said, her eyes fixed upon Don's face in a sort of eager scrutiny. "It is surely kind of you to come, sir"—to Don.
They entered a small living room, stuffy because of the characteristically closed windows, but marked by a neatness of its appointments for which the gipsy appearance of Mrs. Duveen had not prepared them. There were several unframed drawings in pastel and water-colour, of birds and animals, upon the walls, and above the little mantelshelf hung a gleaming German helmet, surmounted by a golden eagle. On the mantelshelf itself were fuses, bombs and shell-cases, a china clock under a glass dome, and a cabinet photograph of a handsome man in the uniform of a sergeant of Irish Guards. Before the clock, and resting against it so as to occupy the place of honour, was a silver cigarette case.
Don's eyes, as his gaze fell on this last ornament, grew unaccountably misty, and he turned aside, staring out of the low window. Mrs. Duveen, who throughout the time that she had been placing chairs for her visitors (first dusting the seats with her apron) had watched the captain constantly, at the same moment burst into tears.
"God bless you for coming, sir," she sobbed. "Michael loved the ground you walked on, and he'd have been a happy man to-day to have seen you here in his own house."
Don made no reply, continuing to stare out of the window, and Mrs. Duveen cried, silently now. Presently Paul caught his friend's eye and mutely conveying warning of his intention, rose.
"Your grief does you honour, Mrs. Duveen," he said. "Your husband was one I should have been proud to call my friend, and I envy Captain Courtier the memory of such a comrade. There are confidences upon which it is not proper that I should intrude; therefore, with your permission, I am going to admire your charming garden until you wish me to rejoin you."
Bareheaded, he stepped out through the porch and on to the trim lawn, noting in passing that the home-made bookshelf beside the door bore copies of Shakespeare, Homer, Horace and other volumes rarely found in a workman's abode. Lémpriére's Classical Dictionary was there, and Kipling's Jungle Book, Darwin's Origin of Species, and Selous' Romance of Insect Life. Assuredly, Sergeant Duveen had been a strange man.
Some twenty minutes later the widow came out, followed by Don. Mrs. Duveen's eyes were red, but she had recovered her composure, and now held in her hand the silver cigarette case from the mantelpiece.
"May I show you this, sir," she said, repeating her quaint curtsey to Paul. "Michael valued it more than anything he possessed."
Paul took the case from her hand and examined the inscription:
To Sergeant Michael Duveen,
—Company, Irish Guards,
from Captain Donald Courtier,
in memory of February 9th, 1916.
Opening the case, he found it to contain a photograph of Don. The latter, who was watching him, spoke:
"My affairs would have terminated on February the ninth, Paul, if Duveen had not been there. He was pipped twice."