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with New Mexico or Arizona.

      Legends of Mexican Migration

      The Toltec Upheaval

      Like nearly all legendary immigrants, the Toltecs did not set out to colonise distant countries from any impulse of their own, but were the victims of internecine dissension in the homeland, and were expelled from the community to seek their fortunes elsewhere. Thus thrust forth, they set their faces southward, and reached Tlapallan in the year 1 Tecpatl (A.D. 387). Passing the country of Xalisco, they effected a landing at Huatulco, and journeyed down the coast until they reached Tochtepec, whence they pushed inland to Tollantzinco. To enable them to make this journey they required no less than 104 years. Ixtlilxochitl furnishes another account of the Toltec migration in his Relaciones, a work dealing with the early history of the Mexican races. In this he recounts how the chiefs of Tlapallan, who had revolted against the royal power, were banished from that region in A.D. 439. Lingering near their ancient territory for the space of eight years, they then journeyed to Tlapallantzinco, where they halted for three years before setting out on a prolonged pilgrimage, which occupied the tribe for over a century, and in the course of which it halted at no less than thirteen different resting-places, six of which can be traced to stations on the Pacific coast, and the remainder to localities in the north of Mexico.

      Artificial Nature of the Migration Myths

      It is plain from internal evidence that these two legends of the Toltec migrations present an artificial aspect. But if we cannot credit them in detail, that is not to say that they do not describe in part an actual pilgrimage. They are specimens of numerous migration myths which are related concerning the various branches of the Mexican races. Few features of interest are presented in them, and they are chiefly remarkable for wearisome repetition and divergence in essential details.

      Myths of the Toltecs

      But we enter a much more fascinating domain when we come to peruse the myths regarding the Toltec kingdom and civilisation, for, before entering upon the origin or veritable history of the Toltec race, it will be better to consider the native legends concerning them. These exhibit an almost Oriental exuberance of imagination and colouring, and forcibly remind the reader of the gorgeous architectural and scenic descriptions in the Arabian Nights. The principal sources of these legends are the histories of Zumarraga and Ixtlilxochitl. The latter is by no means a satisfactory authority, but he has succeeded in investing the traditions of his native land with no inconsiderable degree of charm. The Toltecs, he says, founded the magnificent city of Tollan in the year 566 of the Incarnation. This city, the site of which is now occupied by the modern town of Tula, was situated north-west of the mountains which bound the Mexican valley. Thither were the Toltecs guided by the powerful necromancer Hueymatzin (Great Hand), and under his direction they decided to build a city upon the site of what had been their place of bivouac. For six years they toiled at the building of Tollan, and magnificent edifices, palaces, and temples arose, the whole forming a capital of a splendour unparalleled in the New World. The valley wherein it stood was known as the “Place of Fruits,” in allusion to its great fertility. The surrounding rivers teemed with fish, and the hills which encircled this delectable site sheltered large herds of game. But as yet the Toltecs were without a ruler, and in the seventh year of their occupation of the city the assembled chieftains took counsel together, and resolved to surrender their power into the hands of a monarch whom the people might elect. The choice fell upon Chalchiuh Tlatonac (Shining Precious Stone), who reigned for fifty-two years.

      Legends of Toltec Artistry

      Happily settled in their new country, and ruled over by a king whom they could regard with reverence, the Toltecs made rapid progress in the various arts, and their city began to be celebrated far and wide for the excellence of its craftsmen and the beauty of its architecture and pottery. The name of “Toltec,” in fact, came to be regarded by the surrounding peoples as synonymous with “artist,” and as a kind of hall-mark which guaranteed the superiority of any article of Toltec workmanship. Everything in and about the city was eloquent of the taste and artistry of its founders. The very walls were encrusted with rare stones, and their masonry was so beautifully chiselled and laid as to resemble the choicest mosaic. One of the edifices of which the inhabitants of Tollan were most justly proud was the temple wherein their high-priest officiated. This building was a very gem of architectural art and mural decoration. It contained four apartments. The walls of the first were inlaid with gold, the second with precious stones of every description, the third with beautiful sea-shells of all conceivable hues and of the most brilliant and tender shades encrusted in bricks of silver, which sparkled in the sun in such a manner as to dazzle the eyes of beholders. The fourth apartment was formed of a brilliant red stone, ornamented with shells.

      The House of Feathers

      Still more fantastic and weirdly beautiful was another edifice, “The House of Feathers.” This also possessed four apartments, one decorated with feathers of a brilliant yellow, another with the radiant and sparkling hues of the Blue Bird. These were woven into a kind of tapestry, and placed against the walls in graceful hangings and festoons. An apartment described as of entrancing beauty was that in which the decorative scheme consisted of plumage of the purest and most dazzling white. The remaining chamber was hung with feathers of a brilliant red, plucked from the most beautiful birds.

      Huemac the Wicked

      A succession of more or less able kings succeeded the founder of the Toltec monarchy, until in A.D. 994 Huemac II ascended the throne of Tollan. He ruled first with wisdom, and paid great attention to the duties of the state and religion. But later he fell from the high place he had made for himself in the regard of the people by his faithless deception of them and his intemperate and licentious habits. The provinces rose in revolt, and many signs and gloomy omens foretold the downfall of the city. Toveyo, a cunning sorcerer, collected a great concourse of people near Tollan, and by dint of beating upon a magic drum until the darkest hours of the night, forced them to dance to its sound until, exhausted by their efforts, they fell headlong over a dizzy precipice into a deep ravine, where they were turned into stone. Toveyo also maliciously destroyed a stone bridge, so that thousands of people fell into the river beneath and were drowned. The neighbouring volcanoes burst into eruption, presenting a frightful aspect, and grisly apparitions could be seen among the flames threatening the city with terrible gestures of menace.

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