LITMIR.BIZ

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As disgust becomes analyzed, and as self-respect tends to increased physical purity, so the factor of disgust in modesty is minimized. The factor of ceremonial uncleanness, again, which plays so urgent a part in modesty at certain stages of culture, is to-day without influence except in so far as it survives in etiquette. In the same way the social-economic factor of modesty, based on the conception of women as property, belongs to a stage of human development which is wholly alien to an advanced civilization. Even the most fundamental impulse of all, the gesture of sexual refusal, is normally only imperative among animals and savages. Thus civilization tends to subordinate, if not to minimize, modesty, to render it a grace of life rather than a fundamental social law of life. But an essential grace of life it still remains, and whatever delicate variations it may assume we can scarcely conceive of its disappearance.

In the art of love, however, it is more than a grace; it must always be fundamental. Modesty is not indeed the last word of love, but it is the necessary foundation for all love's most exquisite audacities, the foundation which alone gives worth and sweetness to what Sénancour calls its "delicious impudence."^[74] Without modesty we could not have, nor rightly value at its true worth, that bold and pure candor which is at once the final revelation of love and the seal of its sincerity.

      Even Hohenemser—who argues that for the perfect man there could be no shame, because shame rests on an inner conflict in one's own personality, and "the perfect man knows no inner conflict"—believes that, since humanity is imperfect, modesty possesses a high and, indeed, symptomatic value, for "its presence shows that according to the measure of a man's ideal personality, his valuations are established."

      Dugas goes further, and asserts that the ideals of modesty develop with human development, and forever take on new and finer forms. "There is," he declares, "a very close relationship between naturalness, or sincerity, and modesty, for in love, naturalness is the ideal attained, and modesty is only the fear of coming short of that ideal. Naturalness is the sign and the test of perfect love. It is the sign of it, for, when love can show itself natural and true, one may conclude that it is purified of its unavowable imperfections or defects, of its alloy of wretched and petty passions, its grossness, its chimerical notions, that it has become strong and healthy and vigorous. It is the ordeal of it, for to show itself natural, to be always true, without shrinking, it must have all the lovable qualities, and have them without seeking, as a second nature. What we call 'natural,' is indeed really acquired; it is the gift of a physical and moral evolution which it is precisely the object of modesty to keep. Modesty is the feeling of the true, that is to say, of the healthy, in love; it long exists as a vision, not yet attained; vague, yet sufficiently clear for all that deviates from it to be repelled as offensive and painful. At first, a remote and seemingly inaccessible ideal, as it comes nearer it grows human and individual, and emerges from the region of dream, ceasing not to be loved as ideal, even when it is possessed as real.

      "At first sight, it seems paradoxical to define modesty as an aspiration towards truth in love; it seems, on the contrary, to be an altogether factitious feeling. But to simplify the problem, we have to suppose modesty reduced to its normal functions, disengaged from its superstitions, its variegated customs and prejudices, the true modesty of simple and healthy natures, as far removed from prudery as from immodesty. And what we term the natural, or the true in love, is the singular mingling of two forms of imaginations, wrongly supposed to be incompatible: ideal aspiration and the sense for the realities of life. Thus defined, modesty not only repudiates that cold and dissolving criticism which deprives love of all poetry, and prepares the way for a brutal realism; it also excludes that light and detached imagination which floats above love, the mere idealism of heroic sentiments, which cherishes poetic illusions, and passes, without seeing it, the love that is real and alive. True modesty implies a love not addressed to the heroes of vain romances, but to living people, with their feet on the earth. But on the other hand, modesty is the respect of love; if it is not shocked by its physical necessities, if it accepts physiological and psychological conditions, it also maintains the ideal of those moral proprieties outside of which, for all of us, love cannot be enjoyed. When love is really felt, and not vainly imagined, modesty is the requirement of an ideal of dignity, conceived as the very condition of that love. Separate modesty from love, that is, from love which is not floating in the air, but crystallized around a real person, and its psychological reality, its poignant and tragic character, disappears." (Dugas, "La Pudeur," Revue Philosophique, Nov., 1903.) So conceived, modesty becomes a virtue, almost identical with the Roman modestia.

[72] Freud remarks that one may often hear, concerning elderly ladies, that in their youth in the country, they suffered, almost to collapse, from hæmorrhages from the genital passage, because they were too modest to seek medical advice and examination; he adds that it is extremely rare to find such an attitude among our young women to-day. (S. Freud, Zur Neurosenlehre, 1906, p. 182.) It would be easy to find evidence of the disappearance of misplaced signs of modesty formerly prevalent, although this mark of increasing civilization has not always penetrated to our laws and regulations.

[73] "Disgust," he remarks, "is a sort of synthesis which attaches to the total form of objects, and which must diminish and disappear as scientific analysis separates into parts what, as a whole, is so repugnant."

[74] Sénancour, De l'Amour, 1834, vol. i, p. 316. He remarks that a useless and false reserve is due to stupidity rather than to modesty.

      THE PHENOMENA OF SEXUAL PERIODICITY.

       Table of Contents

I.

       Table of Contents

      The Various Physiological and Psychological Rhythms—Menstruation—The Alleged Influence of the Moon—Frequent Suppression of Menstruation among Primitive Races—Mittelschmerz—Possible Tendency to a Future Intermenstrual Cycle—Menstruation among Animals—Menstruating Monkeys and Apes—What is Menstruation—Its Primary Cause Still Obscure—The Relation of Menstruation to Ovulation—The Occasional Absence of Menstruation in Health—The Relation of Menstruation to "Heat"—The Prohibition of Intercourse during Menstruation—The Predominance of Sexual Excitement at and around the Menstrual Period—Its Absence during the Period Frequently Apparent only.

      Throughout the vegetable and animal worlds the sexual functions are periodic. From the usually annual period of flowering in plants, with its play of sperm-cell and germ-cell and consequent seed-production, through the varying sexual energies of animals, up to the monthly effervescence of the generative organism in woman, seeking not without the shedding of blood for the gratification of its reproductive function, from first to last we find unfailing evidence of the periodicity of sex. At first the sun, and then, as some have thought, the moon, have marked throughout a rhythmic impress on the phenomena of sex. To understand these phenomena we have not only to recognize the bare existence of that periodic fact, but to realize its implications.

Rhythm, it is scarcely necessary to remark, is far from characterizing sexual activity alone. It is the character of all biological activity, alike on the physical and the psychic sides. All the organs of the body appear to be in a perpetual process of rhythmic contraction and expansion. The heart is rhythmic, so is the respiration. The spleen is rhythmic, so also the bladder. The uterus constantly undergoes regular rhythmic contractions at brief intervals. The vascular system, down to the smallest capillaries, is acted on by three series of vibrations, and every separate fragment of muscular tissue possesses rhythmic contractility. Growth itself is rhythmic, and, as Malling-Hansen and subsequent observers have found, follows a regular annual course as well as a larger cycle. On the

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