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MR. WYNDHAM'S WEDDING.

       CHAPTER XXIX.

       MR. WYNDHAM'S MOTHER.

       CHAPTER XXX.

       VERY MYSTERIOUS.

       CHAPTER XXXI.

       VAL'S DISCOVERY.

       CHAPTER XXXII.

       CHERRIE TELLS THE TRUTH.

       CHAPTER XXXIII.

       OVERTAKEN.

       CHAPTER XXXIV.

       THE VESPER HYMN.

       CHAPTER XXXV.

       "QUOTH THE RAVEN, 'NEVERMORE!'"

       CHAPTER XXXVI.

       DRIFTING OUT.

       CHAPTER XXXVII.

       DIES IRÆ, DIES ILLA.

       CHAPTER XXXVIII.

       OUT OF THE CROOKED WAYS.

       CHAPTER XXXIX.

       IN HOPE.

       THE END.

       Table of Contents

       Table of Contents

      It was a foggy night in Speckport. There was nothing uncommon in its being foggy this close May evening; but it was rather provoking and ungallant of the clerk of the weather, seeing that Miss McGregor particularly desired it to be fine. Miss Jeannette (she had been christened plain Jane, but scorned to answer to anything so unromantic)—Miss Jeannette McGregor was at home to-night to all the élite of Speckport; and as a good many of the élite owned no other conveyance than that which Nature had given them, it was particularly desirable the weather should be fine. But it wasn't fine; it was nasty and drizzly, and sultry and foggy; and sky and sea were blotted out; and the gas-lamps sprinkled through the sloppy streets of Speckport blinked feebly through the gloom; and people buttoned up to the chin and wrapped in cloaks flitted by each other like phantoms, in the pale blank of wet and fog. And half the year round that is the sort of weather they enjoy in Speckport.

      You don't know Speckport! There I have the advantage of you; for I know its whole history, past, present, and—future, I was going to say, though I don't set up for a prophet; but the future of Speckport does not seem hard to foretell. The Union-jack floats over it, the State of Maine is its next-door neighbor, and fish and fog are its principal productions. It also had the honor of producing Miss McGregor, who was born one other foggy night, just two-and-twenty years previous to this "At Home," to which you and I are going presently, in a dirty little black street, which she scorns to know even by name now. Two-and-twenty years ago, Sandy McGregor worked as a day-laborer in a shipyard, at three and sixpence per day. Now, Mr. Alexander McGregor is a ship-builder, and has an income of ten thousand gold dollars per year. Not a millionaire, you know; but very well off, and very comfortable, and very contented; living in a nice house, nicely furnished, keeping horses and carriage, and very much looked up to, and very much respected in Speckport.

      Speckport has its Fifth Avenue as well as New York. Not that they call it Fifth Avenue, you understand; its name is Golden Row, and the abiders therein are made of the porcelain of human clay. Great people, magnates and aristocrats to their finger-tips, scorning the pigmies who move in second and third society and have only the happiness of walking through Golden Row, never of dwelling there. The houses were not brown-stone fronts. Oh, no! there were half-a-dozen brick buildings, some pretty, little Gothic cottages, with green vines, and beehives, and bird-houses, about them, and all the rest were great painted palaces of wood. Some had green shutters, and some had not; some were painted white, and some brown, and some stone-color and drab, and they all had a glittering air of spickspan-newness about them, as if their owners had them painted every other week. And in one of these palaces Mr. McGregor lived.

      You drove down Golden Row through the fog and drizzle, between the blinking lamps, and you stop at a stone-colored house with a brown hall-door, and steps going up to it. The hall is brilliant with gas, so is the drawing-room, so are the two parlors, so is the dining-room, so are the dressing rooms; and the élite of Speckport are bustling and jostling one another about, and making considerable noise, and up in the gallery the band is in full blast at the "Lancers"—for they know how to dance the Lancers in Speckport—and the young ladies dipping and bowing through the intricacies of the dance, wear their dresses just as low in the neck and as short in the sleeves as any Fifth avenue belle dare to do.

      Very pretty girls they are, floating about in all the colors of the rainbow. There are no diamonds, perhaps, except glass ones; but there are gold chains and crosses, and bracelets, and lockets and things; and some of the young ladies have rings right up to the middle joint of their fingers. The young gentlemen wear rings, too, and glittering shirt-studs and bosom-pins, and are good looking and gentlemanly. While the young folks dance, the old folks play wallflower or cards, or take snuff or punch, or talk politics. All the juvenile rag-tag and bobtail of Speckport are outside, gaping up with open-mouthed admiration at the blazing front of the McGregor mansion, and swallowing the music that floats through the open windows.

      Sailing along Golden Row, with an umbrella up to protect her bonnet from the fog, comes a tall lady, unprotected and alone, and "There's Miss Jo, hurrah!" yells a shrill voice; and the tall lady receives her ovation with a gratified face, and bows as she steps over the McGregor threshold. Ten minutes later, she enters the drawing-room, divested of her wrappings; and you see she is elderly and angular, and prim and precise, and withal good-natured. She is sharp at the joints and shoulder-blades, and her black silk dress is hooked up behind in the fashion of twenty years ago. She wears no crinoline, and looks about as graceful as a lamp-post; but she is fearfully and wonderfully fine, with a massive gold chain about her neck that would have

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