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to show her, and then tossed the slice across the table so accurately that it fell exactly into its proper place by her plate. He had a habit of tossing things in that way.

      "Why ever couldn't you pass it on the tray?" said Mrs. Iden. "Flinging in that manner! I hate to see it."

      Amaryllis, as in duty bound, in appearance took the lesson in bread-cutting to heart, as she had done twenty times before. But she knew she should still cut a loaf in the same dangerous style when out of his sight. She could not do it in the safe way—it was so much easier in the other; and if she did cut her hand she did not greatly care.

      "Now perhaps you'll remember," said the master, getting up with his plate in his hand.

      "Whatever are you going to do now?" asked Mrs. Iden, who knew perfectly well.

      "Going to warm the plate." He went out into the kitchen, sat down by the fire, and carefully warmed his plate for a second helping.

      "I should think you couldn't want any more," said Mrs. Iden when he came back. "You had enough the first time for three."

      But Iden, who had the appetite of a giant, and had never ruined his digestion with vinegar or sauces, piled another series of thick slices on his plate, now hot to liquefy the gravy, and added to the meat a just proportion of vegetables. In proportion and a just mixture the secret of eating successfully consisted, according to him.

      First he ate a piece of the dark brown mutton, this was immediately followed by a portion of floury potato, next by a portion of swede tops, and then, lest a too savoury taste should remain in the mouth, he took a fragment of bread, as it were to sweeten and cleanse his teeth. Finally came a draught of strong ale, and after a brief moment the same ingredients were mixed in the same order as before. His dinner was thus eaten in a certain order, and with a kind of rhythm, duly exciting each particular flavour like a rhyme in its proper position, and duly putting it out with its correct successor. Always the savour of meat and gravy and vegetables had to be toned down by the ultimate bread, a vast piece of which he kept beside him. He was a great bread eater—it was always bread after everything, and if there were two courses then bread between to prepare the palate, and to prevent the sweets from quarrelling with the acids. Organization was the chief characteristic of his mind—his very dinner was organized and well planned, and any break or disturbance was not so much an annoyance in itself as destructive of a clever design, like a stick thrust through the web of a geometrical spider.

      This order of mouthfuls had been explained over and over again to the family, and if they felt that he was in a more than usually terrible mood, and if they felt his gaze upon them, the family to some extent submitted. Neither Mrs. Iden nor Amaryllis, however, could ever educate their palates into this fixed sequence of feeding; and, if Iden was not in a very awful and Jovelike mood, they wandered about irregularly in their eating. When the dinner was over (and, indeed, before it began) they had a way of visiting the larder, and "picking" little fragments of pies, or cold fowl, even a cold potato, the smallest mug—a quarter of a pint of the Goliath ale between them, or, if it was to be had, a sip of port wine. These women were very irrational in their feeding; they actually put vinegar on cold cabbage; they gloated over a fragment of pickled salmon about eleven o'clock in the morning. They had a herring sometimes for tea—the smell of it cooking sent the master into fits of indignation, he abominated it so, but they were so hardened and lost to righteousness they always repeated the offence next time the itinerant fish-dealer called. You could not drum them into good solid, straightforward eating.

      They generally had a smuggled bit of pastry to eat in the kitchen after dinner, for Mr. Iden considered that no one could need a second course after first-rate mutton and forty-folds. A morsel of cheese if you liked—nothing more. In summer the great garden abounded with fruit; he would have nothing but rhubarb, rhubarb, rhubarb, day after day, or else black-currant pudding. He held that black currants were the most wholesome fruit that grew; if he fancied his hands were not quite clean he would rub them with black-currant leaves to give them a pleasant aromatic odour (as ladies use scented soap). He rubbed them with walnut-leaves for the same purpose.

      Of salad in its season he was a great eater, cucumber especially, and lettuce and celery; but a mixed salad (oil and a flash, as it were, of Worcester sauce) was a horror to him. A principle ran through all his eating—an idea, a plan and design.

      I assure you it is a very important matter this eating, a man's fortune depends on his dinner. I should have been as rich as Crœsus if I could only have eaten what I liked all my time; I am sure I should, now I come to look back.

      The soundest and most wholesome food in the world was set on Mr. Iden's table; you may differ from his system, but you would have enjoyed the dark brown mutton, the floury potatoes, the fresh vegetables and fruit and salad, and the Goliath ale.

      When he had at last finished his meal he took his knife and carefully scraped his crumbs together, drawing the edge along the cloth, first one way and then the other, till he had a little heap; for, eating so much bread, he made many crumbs. Having got them together, he proceeded to shovel them into his mouth with the end of his knife, so that not one was wasted. Sometimes he sprinkled a little moist sugar over them with his finger and thumb. He then cut himself a slice of bread and cheese, and sat down with it in his arm-chair by the fire, spreading his large red-and-yellow silk handkerchief on his knee to catch the fragments in lieu of a plate.

      "Why can't you eat your cheese at the table, like other people?" said Mrs. Iden, shuffling her feet with contemptuous annoyance. A deep grunt in the throat was the answer she received; at the same time he turned his arm-chair more towards the fire, as much as to say, "Other people are nothing to me."

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      HIS arm-chair, of old-fashioned make, had lost an arm—the screw remained sticking up, but the woodwork on that side was gone. It had been accidentally broken some ten years since; yet, although he used the chair every day, the arm had never been mended. Awkward as it was, he let it alone.

      "Hum! where's The Standard, then?" he said presently, as he nibbled his cheese and sipped the ale which he had placed on the hob.

      "Here it is, Pa," said Amaryllis, hastening with the paper.

      "Thought you despised the papers?" said Mrs. Iden. "Thought there was nothing but lies and rubbish in them, according to you?"

      "No more thur bean't."

      "You always take good care to read them, though."

      "Hum!" Another deep grunt, and another slight turn of the chair. He could not answer this charge of inconsistency, for it was a fact that he affected to despise the newspaper and yet read it with avidity, and would almost as soon have missed his ale as his news.

      However, to settle with his conscience, he had a manner of holding the paper half aslant a good way from him, and every now and then as he read uttered a dissentient or disgusted grunt.

      The master's taking up his paper was a signal for all other persons to leave the room, and not to return till he had finished his news and his nap.

      Mrs. Iden and Amaryllis, as they went out, each took as many of the dishes as they could carry, for it was uncertain when they could come in again to clear the table. The cloth must not be moved, the door opened, or the slightest sound heard till the siesta was over.

      "Can't clear the dinner things till four o'clock," said Mrs. Iden as she went, "and then you want your tea—senseless!" Amaryllis shut the door, and the master was left to himself.

      By-and-by,

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