LITMIR.BIZ

V.

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      He shunned Madeleine for days after this. He was morose and unhappy, and brooded darkly over the baseness of wagging tongues. For the first time in his life he had come into touch with slander, that invisible Hydra, and straightway it seized upon the one person to whom he was not indifferent. In this mood it was a relief to him that certain three windows in the BRUDERSTRASSE remained closed and shuttered; with the load of malicious gossip fresh on his mind, he chose rather not to see her; he must first accustom himself to it, as to the scar left by a wound.

      He did not, of course, believe what Madeleine, with her infernal frankness, had told him; but the knowledge that such a report was abroad, depressed him unspeakably: it took colour from the sky and light from the sun. Sometimes in these days, as he sat at his piano, he had a sudden fit of discouragement, which made it seem not worth while to continue playing. It was unthinkable that she could be aware how busy scandal was with her name, and how her careless acts were spied on and misrepresented; and he turned over in his mind ways and means by which she might be induced to take more thought for herself in future.

      He did not believe it; but hours of distracting uncertainty came, none the less, when small things which his memory had stored up made him go so far as to ask himself, what if it should be true?—what then? But he had not courage enough to face an answer; he put the possibility away from him, in the extreme background of his mind, refused to let his brain piece its observations together. The mere suspicion was a blasphemy, a blasphemy against her dignified reserve, against her sweet pale face, her supreme disregard of those about her. Not thus would guilt have shown itself.

      Schilsky, who was the origin of all the evil, he made wide circuits to avoid. He thought of him, at this time, with what he believed to be a feeling of purely personal antipathy. In his most downcast moments, he had swift and foolish visions publicly executing vengeance on him; but if, a moment later, he saw the violinist's red hair or big hat before him in the street, he turned aside as though the other had been plague-struck. Once, however, when he was going up the steps of the Conservatorium, and Schilsky, in leaping down, pushed carelessly against him, he returned the knock so rudely and swore with such downrightness that, in spite of his hurry, Schilsky stopped and fixed him, and with equal vehemence damned him for a fool of an Englishman.

      His despondency spread like a weed. A furious impatience overcame him, too, at the thought of the innumerable hours he would be forced to spend at the piano, day in, day out, for months to come, before the result could be compared with the achievements even of many a fellow-student. As the private lessons Schwarz gave were too expensive for him, he decided, as a compromise, to take a course of extra lessons with Furst, who prepared pupils for the master, and was quite willing to come to terms, in other words, who taught for what he could get.

      Once a week, then, for the rest of the summer, Maurice climbed the steep, winding stair of the house in the BRANDVORWERKSTRASSE where Furst lived with his mother. It was so dark on this stair that, in dull weather, ill-trimmed lamps burnt all day long on the different landings. To its convolutions, in its unaired corners, clung what seemed to be the stale, accumulated smells of years; and these were continually reinforced; since every day at dinnertime, the various kitchen-windows, all of which gave on the stair, were opened to let the piercing odours of cooking escape. The house, like the majority of its kind in this relatively new street, was divided into countless small lodgings; three families, with three rooms apiece, lived on each storey, and on the fifth floor, at the top of the house, the same number of rooms was let out singly. Part of the third storey was occupied by a bird-fancier; and between him and the Fursts above waged perpetual war, one of those petty, unending wars that can only arise and be kept up when, as here, such heterogeneous elements are forced to live side by side, under one roof. The fancier, although his business was nominally in the town, had enough of his wares beside him to make his house a lively, humming kind of place, and the strife dated back to a day when, the door standing temptingly ajar, Peter, the Fursts' lean cat, had sneaked stealthily in upon this, to him, enchanted ground, and, according to the fancier, had caused the death, from fright, of a delicate canary, although the culprit had done nothing more than sit before the cage, licking his lips. This had happened several years ago, but each party was still fertile in planning annoyances for the other, and the females did not bow when they met. On the fourth floor, next the Fursts, lived a pale, harassed teacher, with a family which had long since outgrown its accommodation; for the wife was perpetually in childbed, and cots and cradles were the chief furniture of the house. As the critical moments of her career drew nigh, the "Frau Lehrer" complained, with an aggravated bitterness, of the unceasing music that went on behind the thin partition; and this grievance, together with the racy items of gossip left behind the midwife's annual visit, like a trail of smoke, provided her and Furst's mother with infinite food for talk. They were thick friends again a few minutes after a scene so lively that blows seemed imminent, and they met every morning on the landing, where, with broom or child in hand, they stood gossiping by the hour.

      When Maurice rang, Frau Furst opened the door to him herself, having first cautiously examined him through the kitchen window. Drying her hands on her apron, she ushered him through the tiny entry—a place of dangers, pitch-dark as it was, and lumbered with chests and presses—into Franz's room, the "best room" of the house. Here were collected a red plush suite, which was the pride of Frau Furst's heart, and all the round, yellowing family photographs; here, too, stood the well-used Bechstein, pile upon pile of music, a couple of music-stands, a bust of Schubert, a faded, framed diploma. For years, assuredly, the windows had never been thrown wide open; the odours of stale coffee and forgotten dinners, of stove and warmed wood, of piano, music and beeswax: all these lay as it were in streaks in the atmosphere, and made it heavy and thought-benumbing.

      A willing listener was worth more than gold to Frau Furst and here, the first time he came, while waiting for Franz, Maurice heard in detail the history of the family. The father had been an oboist in the Gewandhaus orchestra, and had died a few years previously, of a chill incurred after a performance of DIE MEISTERSINGER. At his death, it had fallen on Franz to support the family; and, thanks to Schwarz's aid and influence, Franz was able to get as many pupils as he had time to teach. It was easy to see that this, her eldest son, was the apple of Frau Furst's eye; her other children seemed to be there only to meet his needs; his lightest wish was law. Each additional pupil that sought him out, was a fresh tribute to his genius, each one that left him, no matter after how long, was unthankful and a traitor. For the nights on which his quartet met at the

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