LITMIR.BIZ

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and after the usual courtesies proceeded to make his toilette. He sent for his finest garments and costliest "leg gear," girded on his weapons, and then led the way into his "interior," which was as bare and unfurnished as any Connemara peasant's cabin, the only objects visible being a saddle, a few vessels, and a divan covered with reed matting. His guests having rested for a few minutes, the prince introduced them to his wife and daughter, who had been apprised of their arrival, and were anxious to see them.

      These ladies occupied a hut of their own, consisting, like the prince's, of a single room. They rose at the entrance of their visitors, and saluted them with much grace; then, motioning them to be seated, the mother sat down in the Turkish fashion on her divan, while her daughter reclined against the couch on which the strangers had taken their places. They, when the reception was over, remarked with surprise that the prince had not crossed the threshold, but had simply put his head in at the door to answer their questions and converse with his wife. The explanation afforded was, that a Circassian officer cannot, consistently with honour, enter his wife's apartment during the day, and it seems that in all families with the slightest pretension to distinction this rule is rigorously observed.

      A greater appearance of comfort was observable in the princess's apartment than in her husband's, as might well be the case. It contained two large divans, the silk cushions of which were gay with gold and silver embroidery, carpets of painted felt, several trunks, and a very pretty work-basket. A small Russian mirror and the prince's armorial trophies formed the decoration of the walls. But the floor was not boarded, the walls were rough plastered, and the only provision for light and air were two little holes furnished with shutters. The princess, a woman apparently between five-and-thirty and forty years of age, was by no means fitted to sustain the Circassian reputation for beauty. Her dress had a character of its own: under a brocaded pelisse, with short sleeves and laced seams, she wore a silk chemise, which displayed more of the bosom than European notions of decorum would approve. A velvet cap, trimmed with silver, smooth plaits of hair, cut heart-shape on the forehead, a white veil falling from the top of the head and covering over the bosom, and finally, a red shawl thrown carelessly over the lap—voilà tout! As for the daughter, she was charming. She wore a white robe fastened round the waist by a red kazavek. Her features were delicate; she had a complexion of exquisite fairness, revealing the play of "the pure and eloquent blood" which "spoke in her cheek, and so distinctly wrought that one might almost say her body thought;" and a profusion of glossy raven tresses escaped from under her cap.

      Beyond all praise was the geniality of the two ladies. About the country of their visitors, their calling, and the objects of their journey, they put a thousand questions. The European costume, and especially the straw hats, interested them greatly. Yet there was a certain air of coldness and impassiveness about them, and not once did the princess smile, until a long curtain accidentally fell, and shut her out for a moment from her guests. After a short but rapid conversation the visitors asked the princess's permission to take her portrait and sketch the interior of her abode. She offered no objection. When the drawings were finished, a collation was served, consisting of fruits and cheese-cakes. In the evening, the strangers took their leave, and, on coming out of the hut, they found all the inhabitants of the aoul assembled to witness their departure and do them honour.

      We must resume our narrative of Madame de Hell's journey. On their way to Stavropol, they experienced a mountain-storm, one of the grandest and most terrible they had ever witnessed. The roar of the thunder, repeated by every echo in cavern and ravine, mingled with the groaning and jarring of the great trees, with the loud gusts of the furious wind, with all those mysterious voices of the tempest which come we know not whence, but deeply stir the heart, and have so potent a harmony and such a sublimity and force of sound that the least superstitious mind involuntarily awaits some supernatural manifestation, some message from the other world. We have ourselves listened to a storm in a Highland glen—the wind sweeping down the rugged declivities with terrible impetuosity, and the thunder-peals reverberating from peak to peak, while the clouds

      "From many a horrid rift abortive poured

       Fierce rain with lightning mixed, water with fire,"

      until the sense of an eerie and mysterious Presence has forced itself upon our mind, and we have been able to understand the emotions in which originated the visions of wraith and phantom of the bards of old. Our travellers, however, passed through the gale unhurt. A tremendous outburst of rain, the final effort of the tempest, cleared the sky, which towards the west was gradually lighted up with gleams of purple light, contrasting gloriously with the darkness of the rest of the firmament. A gorgeous rainbow, one foot of which rested on the highest peak of the Caucasus, while the other was enveloped in the mists of evening, rose before them for a few moments, like an image of hope, and then slowly faded into thin air. At length they reached the station, but in an unpleasant condition—wet, weary, dazed, and not a little surprised to find themselves safe and sound after the adventures of the day.

      Descending the last spurs of the Caucasus, our travellers next day entered upon the region of the plains. The road was thronged with vehicles of all kinds, horsemen, and pedestrians, all hurrying to the great fair of Stavropol, and every variety of type which characterizes the peoples of the Caucasus: Circassians, Cossacks, Turcomans, Tartars, Georgians—some in brilliant costumes, caracolling on their high-bred Persian horses, others huddled up with their families in hide-covered carts, others again driving before them immense herds of sheep and swine, and others gravely leading a train of loaded camels. Madame de Hell particularly noticed a handsome young Circassian, mounted on a richly caparisoned horse, who rode constantly by the side of an unusually elegant pavosk (a kind of litter), the curtains of which were kept down. This carriage stimulated her curiosity, and, in such a country, was well adapted to suggest to a lively fancy the outlines of a romance. No doubt, she thought, the pavosk contained a young and beautiful Circassian, whose charms would fascinate some Oriental prince, and place a queen's diadem upon her brow. At an inn, in Stavropol, Madame de Hell again fell in with the Circassian and his mysterious charge, but the latter was veiled from head to foot "The young mountaineer," she says, "prepared a divan with cushions and pillows very like our own, and, a few moments afterwards, returned, carrying in his arms a woman completely shrouded in her veil; he placed her very delicately upon the divan, and seated himself by her side with every mark of tenderness. Occasionally he lifted the young girl's veil to question her in the most respectful manner. The whole scene was invested with a poetic charm which I vainly endeavour to express. In the attitudes, the costume, the physiognomy of this little group, there was an Oriental grace which would have impressed a painter. Not only was the picture pleasant to the eye, but it was suggestive to the imagination. Unfortunately, the delightful vision disappeared like a dream. A few minutes, and in came our host in search of the mysterious couple, to conduct them to a private apartment. Infinite precautions were taken in the removal of the unknown lady, who seemed to be on the brink of the grave. Next morning we questioned our host in reference to the incident, but he replied very vaguely, and all we could gather was, that the young girl had come to Stavropol to consult a famous physician respecting her condition, which offered but little hope. We could gain no information from them as to the relations existing between her and the young chief, the moral causes of her malady, or, in a word, the interesting part of the story."

      FOOTNOTES:

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      [4] George Eliot.

MADAME HOMMAIRE DE HELL.

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II.

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