The Son of Clemenceau - Александр Дюма-сын

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wind, a tight-fitting tunic of dark green cloth, caught in by a broad buff leather belt with the clasp of a University, admirably defined the shapeliness of a slight but manly form. His hair, black as the raven's wing, was worn long and came curling down on his shoulders; his complexion was dark but clear. But the whole appearance was of a marvel in physical excellencies; a physiologist would have pointed to him as a model and result of the combination of all desirable traits in both his progenitors. His attitude, checked in the advance, denoted this perfection. The young woman, set at ease by her glances and that peace which true symmetry inspires, continued her way, averting her head with calculation, but he felt sure that she was not offended.

      He could laugh at the mistake he had made for, at this close encounter, he perceived that what in the tragic mood originated by the review of beggars in the shades of night, he had taken to be a child's casket, was a violin-case. The girl—she was perhaps but sixteen—had the artist's eye, black, fiery, deep and winning, while haughty for the vulgar worshiper; her hair was treated in a fantastic fashion as unlike that of the staid German maiden as its hue of black was the opposite of the traditional flaxen. Even in the feeble street-lamplight, she appeared, with her finely chiseled features of an Oriental type, handsome enough to melt an anchorite, and in the beholder a flood of passion gushed up and expanded his heart—devoid of such a mastering emotion before. He believed this was love! Perhaps it was love—real, true, indubitable love—but there is a mock-love with so much to advance in its favor that it has won many a battle where the genuine feeling has fought long in vain.

      Sharing some shock not unlike his own in extent and sharpness, the girl with the violin-case had paused just perceptibly in an unconscious attitude which kept in the lamplight her bust, tightly encased in a faded but elegant Genoa brocade jacket, with copper lace ornamentation, coming down upon a promising curve, clothed in a similarly theatrical skirt of flowered satin and China silk braid. On her wrists were bracelets and on her ungloved hands many rings, with stones rather too large to be taken for genuine on a woman promenading alone at such an hour. Conjoined with the musical instrument, the attire confirmed the student in his first impression after the tragic one, that this was a performer in one of the numerous dance-houses of the popular region, bordering the fashionable one.

      He almost regretted this conclusion, for the girl's forehead was so high, her eyes so lofty and her delicate mouth so impressed with a proud and energetical curl that no ambition would seem beyond the flight of one thus beautiful and high-spirited.

      Whatever the revolution she had exercised over him, he dared not avow it, such respect did she inspire, and on her recovering from her fleeting emotion, he let her resume her way without a word to detain her.

      She had not reached the first plank of the bridge before he suddenly remembered the officer, like himself, in ambush; and in the same manner as love—if that were love—had clutched his heart with the swiftness of an eagle seizing its quarry, another sentiment, as fierce and overpowering, jealousy, stung him to the quick.

      As he glanced—but he had not taken his eyes off her, not even to look if the military officer were still at his post—she had swept her worsted wrapper round to set her foot on the first board of the bridge; and he caught a glimpse, delightful and bewildering, of a foot, long but slim and delicately modeled, and of a faultless ankle, in a vermilion silk stocking and low-cut cordovan leather slipper—as theatrical as the rest of her attire. Something innately aesthetical in the student, which made him adore the exquisitely wrought, impelled him now to be the slave—the devotee—the worshiper of this masterpiece of Nature.

      Perhaps she stood in need of a defender?

      CHAPTER II.

       SOLDIER'S SWORD AND WANDER-STAFF.

       Table of Contents

      The place was historically favored for adventures. In 1543, the riot of Knights and Knaves had begun here. On the bridge which preceded this structure, a band of young noblemen had taken possession of the passage more important then, as this now foul and noisome channel, into which the effluvia of the breweries and tanneries was discharged, was a strong and pellucid tributary of the Isar. They levied tribute on the burghers, kissing the comely women and not scrupling to cut the purses of the master-tradesmen; in this, imitating the mode of operation of their country cousins, the robber barons in the mountains to the south, or over the river in the opposite direction.

      But, as for the third or fourth time, the student was on the verge of quitting his haven, another interrupter arose. Pausing at the head of the bridge, prompted by natural caution or instinct, for the officer remained prudently invisible to her, the girl, with the violin-case, looked over her shoulder and beckoned to some one on the further side of the astonished student.

      The desert was becoming animated, indeed, as he had wished, for, in the hazy opening, a man appeared, carrying under one arm what seemed a musket or blunderbuss, while leaning the other hand on a staff which might be the one to rest the firearm on. He had a flat felt hat on, with wide shaggy margins, ornamented with a yellow cord in contrast with its inky dye, and a dingy, often mended old cavalry-soldier's russet cloak, covering him from a long, full grey beard to the feet, encased in patched shoes. The aspect of a Jew peddler in the pictures of the Dutch school, who had armed himself to defend his pack of thread and needles on the highway.

      But, as before, nearness dispelled the romantic conceit: the supposed gun resolved itself into a Turko-phone, or Oriental flute, while, on the other hand, the bright eye and well-shaped features, with the venerable impression suggested by the beard, lifted the wearer into a high place for reverence. Just as the girl was unrivaled for beauty, this man, a near relative, perhaps her father, would have few equals in the councils of his tribe.

      While not old, spite of the grey in his beard, illness had enfeebled him, for he needed the walking-staff. The brisk pace of his daughter had left him far behind and it cost him an effort to make up for the delay. But in parental love he found the force, and quite nimbly he passed the student without observing him in his haste to join his daughter.

      At the sight of him coming, she had not waited for his arm, but retaken her course. She was half way over the bridge when he began to ascend the gentle slope, and when he was arduously following with the summit well before him, the officer emerged abruptly from his covert. He must have been calculating on this moment and this separation to which Baboushka had no doubt contributed. She now loomed into view. Repulsed by the Jew in his detestation of beggars—for while the Christian accepts poverty as a misfortune to which resignation is one remedy, he regards it as an affliction to be violently removed—she hesitated to continue her annoyance. The bridge was so narrow that he had no difficulty, thanks to the length of his arms, in placing a hand on each rail, so that, as he bent his broad, smiling face forward between them, he effectively barred the way. With a tone which he intended to be winning and tender, but which nature had not allowed him to modulate very sweetly, he said:

      "Divine songstress of Freyer Brothers' Brewery Harmonista Cellars!" She stopped quickly and faced half round, so as to be in a better position for retreat if he made an advance toward her. "In the hall on Thursday—when you made the circuit with the cup for the collection after your delightful ballad—you refused me even a reply to my request for an interview. That was for the favor of a salute from those somewhat thin but honeyed lips! Now, there is nobody by and I mean to be rewarded for the bouquets I have nightly sent you!"

      "Father!" cried the Jewess, too frightened by the position of her assailant to flee.

      "Your father? Bah!" with a contemptuous glance at the old man approaching only too slowly. "I repeat, there is no one by! That I arranged for."

      The speaker had red curly hair like his whiskers; his brow was not narrow but his eyebrows overhung; his face was flushed with animation and carnal desire—perhaps by potations, though his large lower jaw denoted ample animal courage. He was powerful enough in the long arms and strong hands to have mastered the girl and her father, but it was not the dread of his prowess physically which awed the daughter of the race still proscribed in this part of Germany.

      Frederick

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