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Docherty. William McIlvanney
Читать онлайн.Название Docherty
Год выпуска 0
isbn 9781782111795
Автор произведения William McIlvanney
Жанр Контркультура
Серия Canons
Издательство Ingram
One solitary memory, the persistence of which suggested that it might not be as fortuitous as it seemed, stayed with her as a clue to the chaos that had overrun the serenity and order of her early life. It had happened in childhood: a family breakfast, herself, her mother, father and two brothers. The room, above her father’s bakery, was brightly warm, although a November drizzle retarded the daylight outside. The table was heavy with food. They were talking and the boys were laughing a lot when she noticed her father glance at his watch. He sent a question downstairs to the bakehouse. The answer that came back pursed his lips.
Ten minutes later there was a knock at the door and a boy of fourteen or so was pushed into the room. He pressed against the door, as if he was trying to stand behind himself. The old jacket he wore was a man’s, the cuffs turned up to show the lining, the pockets bumping the knees of his frayed trousers. His boots were a mockery, ridiculously big and curling up at the toes and misshapen by other people’s feet. His scalp showed in white streaks through the hair where the rain had battered it. Hurry seemed to have sharpened every bone of his face to a cutting edge, and had left him hiccoughing for breath. In the warmth of the room he steamed slightly, the smell of him mixing unpleasantly with the fresh cooking odours of the food. The boys giggled.
‘Ah’m sorry, sur. Ah’m awfu’ sorry. Whit it . . .’
Her father’s raised hand stopped him. They all waited while her father chewed his mouthful of food.
‘So you are late again.’
The boys were quiet now. The moment had acquired a terrible solemnity.
‘Ah’m awfu’ sorry, sur. It’s ma wee brither. He’s that no’ weel. An’ ma mither
‘Excuses aren’t reasons.’ Her father was sadly shaking his head. ‘This makes three times in less than a fortnight. I’ve warned you twice before. When you’re late, my deliveries are delayed. When my deliveries are delayed, my customers complain. Then they take their custom somewhere else. And my business suffers. You’ll have to learn responsibility to other people. Until you do, I can’t afford to employ you. You’re dismissed.’
Why had that small scene stayed with her? All it had meant to her at the time was the authority of her father -and the kindness of her mother, who had prevailed against her father’s better judgement to let the boy have a full week’s wages, which came to a shilling, she remembered. Yet compulsively that morning came back to her from time to time, tormentingly, as if that one skinny boy had been the cause of everything that had happened afterwards, as if his unhealthy presence had infected their lives like a microbe. Dimly she sensed herself being nearer to the solution of the enigmatic equation that morning had presented to her: the boy’s misdemeanour plus her father’s punishment was somehow equal to the disintegration that had taken place in their lives afterwards, was somehow a formula for the kind of chaos she had learned to live in, but not with. And that was as far as rationalisation took her - a vague feeling, not one that she tried to examine, but one that she preferred to smother.
Faced with it, as she was now, her method was always the same. She took a dose of nostalgia, like a drug. In the special atmosphere of this room, she could indulge in a sort of retrospective trance like a religious ecstasy. There were certain passages of her life that she went over again and again, her personal beatitudes. Tonight she thought of the long walled garden at the back of their house, re-creating it flower by flower. It was as something of hallucinatory inconsequence that she was aware of Mr Docherty returning along the dark street with the doctor. The gas-lamp identified them for a moment, and then the close-mouth swallowed them.
Mr Docherty led the doctor up the dark stairway, knocked gently at the door of his house and let the doctor in. Then he himself crossed to Buff Thompson’s and went in without knocking, in case he would waken his sons. Mick and Angus had been moved through to Buff’s to sleep in the set-in bed nearer the door. Buff, on the chair by the fire, stirred and opened his eyes. Aggie Thompson must have gone back through to help Mrs Ritchie.
‘It’s yerself, Tam,’ Buff said, sat up, coughed quietly, and put a spittle on the fire to fry. ‘He’s here, then?’
‘That’s him in noo.’ Tam Docherty hung his jacket over a chair and sat down on the stool. ‘Hoo’s Jenny been?’
‘The same, jist much the same. Aggie went through a wee while past.’
They sat watching the fire as if it were a lantern show. The wind was plaintive. One of the boys wrestled briefly with a dream. Water boiled in the kettle Aggie had put on the hotplate. Tam reached across and laid it on the hearth.
‘It’ll be fine, Tam,’ Buff said quietly. ‘Don’t fash yerself. If it’s like the world, that’s everything.’
‘Aye. As long as it’s no’ too like.’
Their silence was listening.
In the room across the lobby, the scene that met Dr Allan was like a tableau of all that High Street meant to him. Though the address might have been different, he had come into this room more often than he remembered, to find the same place, the same women, the same secret ceremony happening timelessly in an aura of urgency. It was as if everything else was just an interruption.
The gas-mantle putted like a sick man’s heart. Dimmed to a bead of light, it made the room mysterious as a chapel. The polished furniture, enriched by darkness, entombed fragments of the firelight that moved like tapers in a tunnel. The brasses glowed like ikons. Even in this half-light the cleanliness of the room proclaimed itself. Jenny Docherty had scrubbed her house against the birth as if the child might die of a speck of dust. Beside the fire, where the moleskins lay ready for the morning, Aggie Thompson was standing, watching the water boiling, saying to herself, ‘Goad bliss ye, dochter. Ye’ll be a’ richt, noo. Goad bliss you this nicht,’ with the monotony of a Gregorian chant. Mrs Ritchie was leaning over the set-in bed, which was as shadowed as a cave, and was translating Aggie’s sentiments into practical advice. Over the bedclothes an old sheet had been laid for Jenny to lie on, and under her thighs newspapers had been spread. Her gown was rumpled above her waist. Legs and belly, wearing a skin of sweat, were an anonymous heave of flesh, a primeval argument of pain against muscles.
Turn up the light,’ Dr Allan said.
‘Oh, dochter. Thank Goad ye’re here.’
‘I’ll want to wash my hands,’ he said pointedly, hoping to soothe Aggie Thomspson’s nerves with work. ‘How long since the waters broke?’
‘A good ‘oor past, dochter,’ Mrs Ritchie said, ‘An she’s had a show o’ bluid. Ah hope ye don’t mind comin’ oot. But ye couldny put a wink between ‘er pains. An it’s still no’ showin’. An’ knowin’ the times she’s had afore.’
‘I wouldn’t miss it.’ His jacket was off.