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Аннотация
Аннотация
To the River is the story of the Ouse, the Sussex river in which Virginia Woolf drowned in 1941. One midsummer week over sixty years later, Olivia Laing walked Woolf's river from source to sea. The result is a passionate investigation into how history resides in a landscape – and how ghosts never quite leave the places they love.
Along the way, Laing explores the roles rivers play in human lives, tracing their intricate flow through literature and mythology alike. To the River excavates all sorts of stories from the Ouse's marshy banks, from the brutal Barons' War of the thirteenth century to the 'Dinosaur Hunters', the nineteenth-century amateur naturalists who first cracked the fossil code. Central among these ghosts is, of course, Virginia Woolf herself: her life, her writing and her watery death.
Along the way, Laing explores the roles rivers play in human lives, tracing their intricate flow through literature and mythology alike. To the River excavates all sorts of stories from the Ouse's marshy banks, from the brutal Barons' War of the thirteenth century to the 'Dinosaur Hunters', the nineteenth-century amateur naturalists who first cracked the fossil code. Central among these ghosts is, of course, Virginia Woolf herself: her life, her writing and her watery death.
Аннотация
Аннотация
The Bachelors displays the best of Sparkian satire, placing her at the heart of a great literary tradition alongside Waugh and Trollope, Wilde and Wodehouse. It demands rediscovery.
'It's easy to see why Waugh admired The Bachelors. On one level, it is a blithely carnivorous satire in the Waugh mould. The bachelors of the title – almost the only men we meet in the narrative – are the thirty-something male barristers, teachers, journalists and museum attendants of a small patch of West London. They lead inturned, doddery, superannuated lives, pottering between grocers, coffee-houses, bedsits and the houses of their mothers and aunts. But the comedy here is serious in a way that Waugh's satanically energetic comedies of misery rarely are . . . comedies of English manners have seldom been darker' Daily Telegraph
'Completely, searingly original' Independent
'My admiration for Spark's contribution to world literature knows no bounds. She was peerless, sparkling, inventive and intelligent – the crème de la crème' Ian Rankin
'Muriel Spark's novels linger in the mind as brilliant shards, decisive as a smashed glass is decisive' John Updike, New Yorker
'It's easy to see why Waugh admired The Bachelors. On one level, it is a blithely carnivorous satire in the Waugh mould. The bachelors of the title – almost the only men we meet in the narrative – are the thirty-something male barristers, teachers, journalists and museum attendants of a small patch of West London. They lead inturned, doddery, superannuated lives, pottering between grocers, coffee-houses, bedsits and the houses of their mothers and aunts. But the comedy here is serious in a way that Waugh's satanically energetic comedies of misery rarely are . . . comedies of English manners have seldom been darker' Daily Telegraph
'Completely, searingly original' Independent
'My admiration for Spark's contribution to world literature knows no bounds. She was peerless, sparkling, inventive and intelligent – the crème de la crème' Ian Rankin
'Muriel Spark's novels linger in the mind as brilliant shards, decisive as a smashed glass is decisive' John Updike, New Yorker
