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across a range of scales and timeframes. In a career that has focussed on delivering complex, small projects to public and private clients within the arts and architecture, he specialises in working with local government teams and navigating the relationships that develop around site and place.

       Joshua Bolchover

      Joshua Bolchover is an Associate Professor at the University of Hong Kong (HKU) and an Adjunct Professor at Columbia Graduate School of Architecture, Planning and Preservation. With John Lin, he leads the nonprofit research lab Rural Urban Framework (RUF) at HKU. They specialise in sensitive, calculated projects in rural areas. Joshua has published widely with John Lin and others, and has previously taught at the Architectural Association and Cambridge University.

       Kevin Jones

      Kevin Jones, AIA is an architect and Visiting Assistant Professor in the School of Architecture + Design at Virginia Polytechnic Institute and State University, where he teaches Integrative Design Lab and Professional Practice. His experience includes numerous adaptive re-use projects as well as housing, institutional, community and cultural works. He has worked with urban and rural communities internationally on student–led design projects. He prefers white trace paper over yellow.

       Michael Thorpe

      Michael Thorpe graduated with a Master of Architecture from the University of Melbourne and now predominantly works on rail infrastructure and micro housing at Grimshaw Architects. He is interested in the interface with industrial design and architecture, and has exhibited his design work in Finland, the UK, Italy and Australia. His work has featured in publications such as The New York Times, ArchDaily and Dezeen.

       Millie Cattlin

      Millie Cattlin is a co-founder of These Are The Projects We Do Together. She is fascinated with buildings and infrastructure, as opposed to architecture, and is driven to design projects that support and enable creativity and accessibility. Her first building as an architect was a temporary public toilet at Testing Grounds—leveraging an existing budget allocation for 12 months of Portaloo hire. It is a humble structure, defined by generosity and softness in public space. Six years later it’s still there.

       Olivia Potter

      Olivia Potter is a Master of Architecture student at the University of Melbourne and a current editor of Inflection. In 2017 she received a Dean’s Award for her studies. Her work was displayed in Federation Square after her team was short-listed for Melbourne’s Backyard Ideas Competition. She is heavily left-handed and her hair currently hosts the winning cut of the Melbourne Hair Expo Mullet Competition.

       Nicole Lambrou

      Nicole Lambrou is a practicing architect, urban designer and researcher. Her practice tinkercraft attempts to reveal and question the relationship between people, institutions and the makings of natures through design and research. Her writing and projects focus on how the politics of climate shape urban environmental transformations. She documents the work of design and planning professionals and everyday urban dwellers in making new natures in their cities and explores the values that drive their efforts.

       Nicholas Gervasi

      Nicholas Gervasi is an architect at Terreform ONE. Nicholas earned his Master of Architecture from Tulane University in 2012. He received a Master of Science in Historic Preservation from the Columbia University Graduate School of Architecture, Planning & Preservation. Together with Alexander Ford, he was awarded the Cleo and James Marston Fitch Prize for their joint studio project.

       Sarah Hirschman

      Sarah Hirschman is an architect and researcher based in California. She is the 2017–18 Howard E. LeFevre Emerging Practitioner Fellow at the Knowlton School of Architecture at the Ohio State University, where she has recently opened Paranomasiac. She received a Master of Architecture from MIT and a Master of Arts in Modern Culture and Media from Brown University. She has taught design studios at MIT, UC Berkeley and the Ohio State University, and her work has been published in Clog, Thresholds, Architect Magazine and Future Anterior.

       William Ward

      William Ward is a Master of Architecture student at the University of Melbourne and a current editor of Inflection. He holds a Bachelor of Architectural Design from the University of Queensland. In the past, he has worked for Twohill and James in Brisbane. His current area of interest is design knowledge, which he plans to continue researching into the future.

      CONTENTS

       Editorial

       Olivia Potter Notes on Point Clouds

       Sarah Hirschman Harold as Feedback’s Foil: Improvisational Comedy and Architecture

       Jack Self With Great Power…

       Kevin Jones Territories of Feedback: Process, Project and Pedagogy in the Design of a New University Library in Malawi, Africa

       Curtis Roth Ten Outsourced Interiors: On the Disentanglement of Creative Expression from Productive Labour

       Alice Schenk-Green and Michael Thorpe 200 Years of Identity

       William Ward A Red Wine Cheers: To the Intimacies of Industry

       Joshua Bolchover On Frameworks

       Hamish Lonergan Fuck Yeah Hume: Architectural Taste on Social Media

       Joseph Norster and Millie Cattlin Analogue Loop: These Are The Projects We Do Together

       Nicole Lambrou Making Landscapes Legible: An Ecology of Feedback Loops

       Isabella Ascenzo How to Survive Aleppo image

       Jil Raleigh Treeplayer: Reconnecting People and Trees Through Sound

       Greg Lynn The Future of Craft

       Christine Wamsler On Resilience and Natural Disasters

       James Bowman Fletcher Boiling Water: Contemporary Society’s Misplaced Preoccupation With Time-Saving Devices

       Alexander Ford and Nicholas Gervasi Experimental Preservation: Architectural Assimilation of an Ephemeral Monument Through Experimental Preservation

      EDITORIAL

       Lucia Amies, Samuel Chesbrough, Sarah Mair, Olivia Potter and William Ward

      Inanimate data can never speak for themselves, and we always bring to bear some conceptual framework, either intuitive and ill-formed, or tightly and formally structured, to the task of investigation, analysis, and interpretation. —Rob Kitchin, The

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