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Essential Novelists - Frank Norris. Frank Norris
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isbn 9783966102384
Автор произведения Frank Norris
Жанр Языкознание
Серия Essential Novelists
Издательство Bookwire
“Oh, what's to become of us NOW?” wailed Trina. “What's to become of us now? We're paupers, beggars—and all so sudden.” And once, in a quick, inexplicable fury, totally unlike anything that McTeague had noticed in her before, she had started up, with fists and teeth shut tight, and had cried, “Oh, if you'd only KILLED Marcus Schouler that time he fought you!”
McTeague had continued his work, acting from sheer force of habit; his sluggish, deliberate nature, methodical, obstinate, refusing to adapt itself to the new conditions.
“Maybe Marcus was only trying to scare us,” Trina had said. “How are they going to know whether you're practising or not?”
“I got a mould to make to-morrow,” McTeague said, “and Vanovitch, that plumber round on Sutter Street, he's coming again at three.”
“Well, you go right ahead,” Trina told him, decisively; “you go right ahead and make the mould, and pull every tooth in Vanovitch's head if you want to. Who's going to know? Maybe they just sent that notice as a matter of form. Maybe Marcus got that paper and filled it in himself.”
The two would lie awake all night long, staring up into the dark, talking, talking, talking.
“Haven't you got any right to practise if you've not been to a dental college, Mac? Didn't you ever go?” Trina would ask again and again.
“No, no,” answered the dentist, “I never went. I learnt from the fellow I was apprenticed to. I don' know anything about a dental college. Ain't I got a right to do as I like?” he suddenly exclaimed.
“If you know your profession, isn't that enough?” cried Trina.
“Sure, sure,” growled McTeague. “I ain't going to stop for them.”
“You go right on,” Trina said, “and I bet you won't hear another word about it.”
“Suppose I go round to the City Hall and see them,” hazarded McTeague.
“No, no, don't you do it, Mac,” exclaimed Trina. “Because, if Marcus has done this just to scare you, they won't know anything about it there at the City Hall; but they'll begin to ask you questions, and find out that you never HAD graduated from a dental college, and you'd be just as bad off as ever.”
“Well, I ain't going to quit for just a piece of paper,” declared the dentist. The phrase stuck to him. All day long he went about their rooms or continued at his work in the “Parlors,” growling behind his thick mustache: “I ain't going to quit for just a piece of paper. No, I ain't going to quit for just a piece of paper. Sure not.”
The days passed, a week went by, McTeague continued his work as usual. They heard no more from the City Hall, but the suspense of the situation was harrowing. Trina was actually sick with it. The terror of the thing was ever at their elbows, going to bed with them, sitting down with them at breakfast in the kitchen, keeping them company all through the day. Trina dared not think of what would be their fate if the income derived from McTeague's practice was suddenly taken from them. Then they would have to fall back on the interest of her lottery money and the pittance she derived from the manufacture of the Noah's ark animals, a little over thirty dollars a month. No, no, it was not to be thought of. It could not be that their means of livelihood was to be thus stricken from them.
A fortnight went by. “I guess we're all right, Mac,” Trina allowed herself to say. “It looks as though we were all right. How are they going to tell whether you're practising or not?”
That day a second and much more peremptory notice was served upon McTeague by an official in person. Then suddenly Trina was seized with a panic terror, unreasoned, instinctive. If McTeague persisted they would both be sent to a prison, she was sure of it; a place where people were chained to the wall, in the dark, and fed on bread and water.
“Oh, Mac, you've got to quit,” she wailed. “You can't go on. They can make you stop. Oh, why didn't you go to a dental college? Why didn't you find out that you had to have a college degree? And now we're paupers, beggars. We've got to leave here—leave this flat where I've been—where WE'VE been so happy, and sell all the pretty things; sell the pictures and the melodeon, and—Oh, it's too dreadful!”
“Huh? Huh? What? What?” exclaimed the dentist, bewildered. “I ain't going to quit for just a piece of paper. Let them put me out. I'll show them. They—they can't make small of me.”
“Oh, that's all very fine to talk that way, but you'll have to quit.”
“Well, we ain't paupers,” McTeague suddenly exclaimed, an idea entering his mind. “We've got our money yet. You've got your five thousand dollars and the money you've been saving up. People ain't paupers when they've got over five thousand dollars.”
“What do you mean, Mac?” cried Trina, apprehensively.
“Well, we can live on THAT money until—until—until—” he broke off with an uncertain movement of his shoulders, looking about him stupidly.
“Until WHEN?” cried Trina. “There ain't ever going to be any 'until.' We've got the INTEREST of that five thousand and we've got what Uncle Oelbermann gives me, a little over thirty dollars a month, and that's all we've got. You'll have to find something else to do.”
“What will I find to do?”
What, indeed? McTeague was over thirty now, sluggish and slow-witted at best. What new trade could he learn at this age?
Little by little Trina made the dentist understand the calamity that had befallen them, and McTeague at last began cancelling his appointments. Trina gave it out that he was sick.
“Not a soul need know what's happened to us,” she said to her husband.
But it was only by slow degrees that McTeague abandoned his profession. Every morning after breakfast he would go into his “Parlors” as usual and potter about his instruments, his dental engine, and his washstand in the corner behind his screen where he made his moulds. Now he would sharpen a “hoe” excavator, now he would busy himself for a whole hour making “mats” and “cylinders.” Then he would look over his slate where he kept a record of his appointments.
One day Trina softly opened the door of the “Parlors” and came in from the sitting-room. She had not heard McTeague moving about for some time and had begun to wonder what he was doing. She came in, quietly shutting the door behind her.
McTeague had tidied the room with the greatest care. The volumes of the “Practical Dentist” and the “American System of Dentistry” were piled upon the marble-top centre-table in rectangular blocks. The few chairs were drawn up against the wall under the steel engraving of “Lorenzo de' Medici” with more than usual precision. The dental engine and the nickelled trimmings of the operating chair had been furbished till they shone, while on the movable rack in the bay window McTeague had arranged his instruments with the greatest neatness and regularity. “Hoe” excavators, pluggers, forceps, pliers, corundum disks and burrs, even the boxwood mallet that Trina was never to use again, all were laid out and ready for immediate use.
McTeague himself sat in his operating chair, looking stupidly out of the windows, across the roofs opposite, with an unseeing gaze, his red hands lying idly in his lap. Trina came up to him. There was something in his eyes that made her put both arms around his neck and lay his huge head with its coarse blond hair upon her shoulder.
“I—I got everything fixed,” he said. “I got everything fixed an' ready. See, everything ready an' waiting, an'—an'—an' nobody comes, an' nobody's ever going to come any more. Oh, Trina!” He put his arms about her and drew her down closer to him.
“Never