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the illustration of the faggots of Aesop: but Mr. Tom Breeks had either taken in too much air, or the ale that had hitherto successfully prompted him was antipathetic to the nice delicacy of an apologue; for now his arm began to work and his forehead had to be mopped, and he lashed the words “Union and Harmony” right and left, until, coming on a sentence that sounded in his ears like the close of his speech, he stared ahead, with a dim idea that he had missed a point. “Bundle o' sticks,” lustily shouted, revived his apprehension; but the sole effect was to make him look on the ground and lift his hat on the point of a perplexed finger. He could not conceive how the bundle of sticks was to be brought in now; or what to say concerning them. Union and Harmony:—what more could be said? Mr. Tom Breeks tried a remonstrance with his backers. He declared to them that he had finished, and had brought in the Bundle. They replied that they had not heard it; that the Bundle was the foundation—sentiment of the Club; the first toast, after the Crown; and that he must go on until the Bundle had been brought in. Hereat, the unhappy man faced Squire Pole again. It was too abject a position for an Englishman to endure. Tom Breeks cast his hat to earth. “I'm dashed if I can bring in the bundle!”

      There was no telling how conduct like this might have been received by the Yellow-and-Blues if Mr. Barrett had not spoken. “You mean everything when you say 'Union,' and you're quite right not to be tautological. You can't give such a blow with your fingers as you can with your fists, can you?”

      Up went a score of fists. “We've the fists: we've the fists,” was shouted.

      Cornelia, smiling on Mr. Barrett, asked him why he had confused the poor people with the long word “tautological.”

      “I threw it as a bone,” said he. “I think you will observe that they are already quieter. They are reflecting on what it signifies, and will by-and-by quarrel as to the spelling of it. At any rate it occupies them.”

      Cornelia laughed inwardly, and marked with pain that his own humour gave him no merriment.

      At the subsiding of the echoes that coupled Squire Pole and the Junction Club together, Squire Pole replied. He wished them well. He was glad to see them, and sorry he had not ale enough on the premises to regale every man of them. Clubs were great institutions. One fist was stronger than a thousand fingers—“as my friend here said just now.” Hereat the eyelids of Cornelia shed another queenly smile on the happy originator of the remark.

      Squire Pole then descended to business. He named the amount of his donation. At this practical sign of his support, heaven heard the gratitude of the good fellows. The drum awoke from its torpor, and summoned its brethren of the band to give their various versions of the National Anthem.

      “Can't they be stopped?” Emilia murmured, clenching her little hands.

      The patriotic melody, delivered in sturdy democratic fashion, had to be endured. It died hard, but did come to an end, piecemeal. Tom Breeks then retired from the front, and became a unit once more. There were flourishes that indicated a termination of the proceedings, when another fellow was propelled in advance, and he, shuffling and ducking his head, to the cries of “Out wi' it, Jim!” and, “Where's your stomach?” came still further forward, and showed a most obsequious grin.

      “Why, it's Jim!” exclaimed Emilia, on whom Jim's eyes were fastened. Stepping nearer, she said, “Do you want to speak to me?”

      Jim had this to say: which, divested of his petition for pardon on the strength of his perfect knowledge that he took a liberty, was, that the young lady had promised, while staying at Wilson's farm, that she would sing to the Club-fellows on the night of their feast.

      “I towl'd 'em they'd have a rare treat, miss,” mumbled Jim, “and they're all right mad for 't, that they be—bain't ye, boys?”

      That they were! with not a few of the gesticulations of madness too.

      Emilia said: “I promised I would sing to them. I remember it quite well. Of course I will keep my promise.”

      A tumult of acclamation welcomed her words, and Jim looked immensely delighted.

      She was informed by several voices that they were the Yellow-and-Blues, and not the Blues: that she must not go to the wrong set: and that their booth was on Ipley Common: and that they, the Junction Club, only would honour her rightly for the honour she was going to do them: all of which Emilia said she would bear in mind.

      Jim then retired hastily, having done something that stout morning ale would alone have qualified him to perform. The drum, in the noble belief that it was leading, announced the return march, and with three cheers for Squire Pole, and a crowning one for the ladies, away trooped the procession.

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      Hardly had the last sound of the drum passed out of hearing, when the elastic thunder of a fresh one claimed attention. The truth being, that the Junction Club of Ipley and Hillford, whose colours were yellow and blue, was a seceder from the old-established Hillford Club, on which it had this day shamefully stolen a march by parading everywhere in the place of it, and disputing not only its pasture-grounds but its identity.

      There is no instrument the sound of which proclaims such a vast internal satisfaction as the drum. I know not whether it be that the sense we have of the corpulency of this instrument predisposes us to imagine it supremely content: as when an alderman is heard snoring the world is assured that it listens to the voice of its own exceeding gratulation. A light heart in a fat body ravishes not only the world but the philosopher. If monotonous, the one note of the drum is very correct. Like the speaking of great Nature, what it means is implied by the measure. When the drum beats to the measure of a common human pulsation it has a conquering power: inspiring us neither to dance nor to trail the members, but to march as life does, regularly, and in hearty good order, and with a not exhaustive jollity. It is a sacred instrument.

      Now the drum which is heard to play in this cheerful fashion, while at the same time we know that discomfiture is cruelly harrying it: that its inmost feelings are wounded, and that worse is in store for it, affects the contemplative mind with an inexpressibly grotesque commiseration. Do but listen to this one, which is the joint corporate voice of the men of Hillford. Outgeneraled, plundered, turned to ridicule, it thumps with unabated briskness. Here indeed might Sentimentalism shed a fertile tear!

      Anticipating that it will eventually be hung up among our national symbols, I proceed. The drum of Hillford entered the Brookfield grounds as Ipley had done, and with a similar body of decorated Clubmen; sounding along until it faced the astonished proprietor, who held up his hand and requested to know the purpose of the visit. One sentence of explanation sufficed.

      “What!” cried Mr. Pole, “do you think you can milk a cow twice in ten minutes?”

      Several of the Hillford men acknowledged that it would be rather sharp work.

      Their case was stated: whereupon Mr. Pole told them that he had just been 'milked,' and regretted it, but requested them to see that he could not possibly be equal to any second proceeding of the sort. On their turning to consult together, he advised them to bear it with fortitude. “All right, sir!” they said: and a voice from the ranks informed him that their word was 'Jolly.' Then a signal was given, and these indomitable fellows cheered the lord of Brookfield as lustily as if they had accomplished the feat of milking him twice in an hour. Their lively hurrahs set him blinking in extreme discomposure of spirit, and he was fumbling at his pocket, when the drum a little precipitately thumped: the ranks fell into order, and the departure was led by the tune of the 'King of the Cannibal islands:' a tune that is certain to create a chorus on the march. On this occasion, the line:—

      “Oh! didn't you know you were done, sir?”

      became general at the winding up of the tune. Boys with their elders frisked as they chimed it, casting an emphasis of infinite relish on the declaration 'done';

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