LITMIR.BIZ

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are those of animals which by inhibition feign death when they are attacked—so as not to suffer too keenly in this place, with which my total unfamiliarity was made all the more evident to me when I saw the familiarity that seemed at the same moment to be enjoyed by a smartly dressed lady for whom the manager shewed his respect by taking liberties with the little dog that followed her across the hall, the young 'blood' with a feather in his hat who asked, as he came in, 'Any letters?'—all these people to whom it was an act of home-coming to mount those stairs of imitation marble. And at the same time the triple frown of Minos, Æacus and Rhadamanthus (beneath which I plunged my naked soul as into an unknown element where there was nothing now to protect it) was bent sternly upon me by a group of gentlemen who, though little versed perhaps in the art of receiving, yet bore the title 'Reception Clerks,' while beyond them again, through a closed wall of glass, were people sitting in a reading-room for the description of which I should have had to borrow from Dante alternately the colours in which he paints Paradise and Hell, according as I was thinking of the happiness of the elect who had the right to sit and read there undisturbed, or of the terror which my grandmother would have inspired in me if, in her insensibility to this sort of impression, she had asked me to go in there and wait for her by myself.

      My sense of loneliness was further increased a moment later: when I had confessed to my grandmother that I did not feel well, that I thought that we should be obliged to return to Paris, she had offered no protest, saying merely that she was going out to buy a few things which would be equally useful whether we left or stayed (and which, I afterwards learned, were all for my benefit, Françoise having gone off with certain articles which I might need); while I waited for her I had taken a turn through the streets, packed with a crowd of people who imparted to them a sort of indoor warmth, streets in which were still open the hairdresser's shop and the pastry-cook's, the latter filled with customers eating ices, opposite the statue of Duguay-Trouin. This crowd gave me just about as much pleasure as a photograph of it in one of the 'illustrateds' might give a patient who was turning its pages in the surgeon's waiting-room. I was astonished to find that there were people so different from myself that this stroll through the town had actually been recommended to me by the manager as a distraction, and also that the torture chamber which a new place of residence is could appear to some people a 'continuous amusement,' to quote the hotel prospectus, which might, it was true, exaggerate, but was, for all that, addressed to a whole army of clients to whose tastes it must appeal. True, it invoked, to make them come to the Grand Hotel, Balbec, not only the 'exquisite fare' and the 'fairy-like view across the Casino gardens,' but also the 'ordinances of her Majesty Queen Fashion, which no one may break with impunity, or without being taken for a Bœotian, a charge that no well-bred man would willingly incur.' The need that I now had of my grandmother was enhanced by my fear that I had shattered another of her illusions. She must be feeling discouraged, feeling that if I could not stand the fatigue of this journey there was no hope that any change of air could ever do me good. I decided to return to the hotel and to wait for her there: the manager himself came forward and pressed a button, and a person whose acquaintance I had not yet made, labelled 'LIFT' (who at that highest point in the building, which corresponded to the lantern in a Norman church, was installed like a photographer in his darkroom or an organist in his loft) came rushing down towards me with the agility of a squirrel, tamed, active, caged. Then, sliding upwards again along a steel pillar, he bore me aloft in his train towards the dome of this temple of Mammon. On each floor, on either side of a narrow communicating stair, opened out fanwise a range of shadowy galleries, along one of which, carrying a bolster, a chambermaid came past. I lent to her face, which the gathering dusk made featureless, the mask of my most impassioned dreams of beauty, but read in her eyes as they turned towards me the horror of my own nonentity. Meanwhile, to dissipate, in the course of this interminable assent, the mortal anguish which I felt in penetrating thus in silence the mystery of this chiaroscuro so devoid of poetry, lighted by a single vertical line of little windows which were those of the solitary water-closet on each landing, I addressed a few words to the young organist, artificer of my journey and my partner in captivity, who continued to manipulate the registers of his instrument and to finger the stops. I apologised for taking up so much room, for giving him so much trouble, and asked whether I was not obstructing him in the practice of an art to which, so as to flatter the performer, I did more than display curiosity, I confessed my strong attachment. But he vouchsafed no answer, whether from astonishment at my words, preoccupation with what he was doing, regard for convention, hardness of hearing, respect for holy ground, fear of danger, slowness of understanding, or by the manager's orders.

      There is perhaps nothing that gives us so strong an impression of the reality of the external world as the difference in the positions, relative to ourselves, of even a quite unimportant person before we have met him and after. I was the same man who had taken, that afternoon, the little train from Balbec to the coast, I carried in my body the same consciousness But on that consciousness, in the place where, at six o'clock, there had been, with the impossibility of forming any idea of the manager, the Grand Hotel or its occupants, a vague and timorous impatience for the moment at which I should reach my destination, were to be found now the pustules excised from the face of the cosmopolitan manager (he was, as a matter of fact, a naturalised Monegasque, although—as he himself put it, for he was always using expressions which he thought distinguished without noticing that they were incorrect—'of Rumanian originality'), his action in ringing for the lift, the lift-boy himself, a whole frieze of puppet-show characters issuing from that Pandora's box which was the Grand Hotel, undeniable, irremovable, and, like everything that is realised, sterilising. But at least this change, which I had done nothing to bring about, proved to me that something had happened which was external to myself—however devoid of interest that thing might be—and I was like a traveller who, having had the sun in his face when he started, concludes that he has been for so many hours on the road when he finds the sun behind him. I was half dead with exhaustion, I was burning with fever; I would gladly have gone to bed, but I had no night-things. I should have liked at least to lie down for a little while on the bed, but what good would that have done me, seeing that I should not have been able to find any rest there for that mass of sensations which is for each of us his sentient if not his material body, and that the unfamiliar objects which encircled that body, forcing it to set its perceptions on the permanent footing of a vigilant and defensive guard, would have kept my sight, my hearing, all my senses in a position as cramped and comfortless (even if I had stretched out my legs) as that of Cardinal La Balue in the cage in which he could neither stand nor sit. It is our noticing them that puts things in a room, our growing used to them that takes them away again and clears a space for us. Space there was none for me in my bedroom (mine in name only) at Balbec; it was full of things which did not know me, which flung back at me the distrustful look that I had cast at them, and, without taking any heed of my existence, shewed that I was interrupting the course of theirs. The clock—whereas at home I heard my clock tick only a few seconds in a week, when I was coming out of some profound meditation—continued without a moment's interruption to utter, in an unknown tongue, a series of observations which must have been most uncomplimentary to myself, for the violet curtains listened to them without replying, but in an attitude such as people adopt who shrug their shoulders to indicate that the sight of a third person irritates them. They gave to this room with its lofty ceiling a semi-historical character which might have made it a suitable place for the assassination of the Duc de Guise, and afterwards for parties of tourists personally conducted by one of Messrs. Thomas Cook and Son's guides, but for me to sleep in—no. I was tormented by the presence of some little bookcases with glass fronts which ran along the walls, but especially by a large mirror with feet which stood across one corner, for I felt that until it had left the room there would be no possibility of rest for me there. I kept raising my eyes—which the things in my room in Paris disturbed no more than did my eyelids themselves, for they were merely extensions of my organs, an enlargement of myself—towards the fantastically high ceiling of this belvedere planted upon the summit of the hotel which my grandmother had chosen for me; and in that region more intimate than those in which we see and hear, that region in which we test the quality of odours, almost in the very heart of my inmost self, the smell of flowering grasses next launched its offensive against my last feeble line of trenches, where I stood up to it, not without tiring myself still further, with the futile incessant defence of an anxious sniffing. Having no world, no room, no body now that was not menaced by the enemies thronging round

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