ТОП просматриваемых книг сайта:
A Portrait of the Artist as a Young Man. Джеймс Джойс
Читать онлайн.Название A Portrait of the Artist as a Young Man
Год выпуска 0
isbn 9788075839220
Автор произведения Джеймс Джойс
Жанр Языкознание
Издательство Bookwire
— It’s a stinking mean thing, that’s what it is, said Fleming in the corridor as the classes were passing out in file to the refectory, to pandy a fellow for what is not his fault.
— You really broke your glasses by accident, didn’t you? Nasty Roche asked.
Stephen felt his heart filled by Fleming’s words and did not answer.
— Of course he did! said Fleming. I wouldn’t stand it. I’d go up and tell the rector on him.
— Yes, said Cecil Thunder eagerly, and I saw him lift the pandybat over his shoulder and he’s not allowed to do that.
— Did they hurt you much? Nasty Roche asked.
— Very much, Stephen said.
— I wouldn’t stand it, Fleming repeated, from Baldyhead or any other Baldyhead. It’s a stinking mean low trick, that’s what it is. I’d go straight up to the rector and tell him about it after dinner.
— Yes, do. Yes, do, said Cecil Thunder.
— Yes, do. Yes, go up and tell the rector on him, Dedalus, said Nasty Roche, because he said that he’d come in tomorrow again to pandy you.
— Yes, yes. Tell the rector, all said.
And there were some fellows out of second of grammar listening and one of them said:
— The senate and the Roman people declared that Dedalus had been wrongly punished.
It was wrong; it was unfair and cruel; and, as he sat in the refectory, he suffered time after time in memory the same humiliation until he began to wonder whether it might not really be that there was something in his face which made him look like a schemer and he wished he had a little mirror to see. But there could not be; and it was unjust and cruel and unfair.
He could not eat the blackish fish fritters they got on Wednesdays in Lent and one of his potatoes had the mark of the spade in it. Yes, he would do what the fellows had told him. He would go up and tell the rector that he had been wrongly punished. A thing like that had been done before by somebody in history, by some great person whose head was in the books of history. And the rector would declare that he had been wrongly punished because the senate and the Roman people always declared that the men who did that had been wrongly punished. Those were the great men whose names were in Richmal Magnall’s Questions. History was all about those men and what they did and that was what Peter Parley’s Tales about Greece and Rome were all about. Peter Parley himself was on the first page in a picture. There was a road over a heath with grass at the side and little bushes: and Peter Parley had a broad hat like a protestant minister and a big stick and he was walking fast along the road to Greece and Rome.
It was easy what he had to do. All he had to do was when the dinner was over and he came out in his turn to go on walking but not out to the corridor but up the staircase on the right that led to the castle. He had nothing to do but that: to turn to the right and walk fast up the staircase and in half a minute he would be in the low dark narrow corridor that led through the castle to the rector’s room. And every fellow had said that it was unfair, even the fellow out of second of grammar who had said that about the senate and the Roman people.
What would happen? He heard the fellows of the higher line stand up at the top of the refectory and heard their steps as they came down the matting: Paddy Rath and Jimmy Magee and the Spaniard and the Portuguese and the fifth was big Corrigan who was going to be flogged by Mr Gleeson. That was why the prefect of studies had called him a schemer and pandied him for nothing: and, straining his weak eyes, tired with the tears, he watched big Corrigan’s broad shoulders and big hanging black head passing in the file. But he had done something and besides Mr Gleeson would not flog him hard: and he remembered how big Corrigan looked in the bath. He had skin the same colour as the turfcoloured bogwater in the shallow end of the bath and when he walked along the side his feet slapped loudly on the wet tiles and at every step his thighs shook a little because he was fat.
The refectory was half empty and the fellows were still passing out in file. He could go up the staircase because there was never a priest or a prefect outside the refectory door. But he could not go. The rector would side with the prefect of studies and think it was a schoolboy trick and then the prefect of studies would come in every day the same, only it would be worse because he would be dreadfully waxy at any fellow going up to the rector about him. The fellows had told him to go but they would not go themselves. They had forgotten all about it. No, it was best to forget all about it and perhaps the prefect of studies had only said he would come in. No, it was best to hide out of the way because when you were small and young you could often escape that way.
The fellows at his table stood up. He stood up and passed out among them in the file. He had to decide. He was coming near the door. If he went on with the fellows he could never go up to the rector because he could not leave the playground for that. And if he went and was pandied all the same all the fellows would make fun and talk about young Dedalus going up to the rector to tell on the prefect of studies.
He was walking down along the matting and he saw the door before him. It was impossible: he could not. He thought of the baldy head of the prefect of studies with the cruel nocoloured eyes looking at him and he heard the voice of the prefect of studies asking him twice what his name was. Why could he not remember the name when he was told the first time? Was he not listening the first time or was it to make fun out of the name? The great men in the history had names like that and nobody made fun of them. It was his own name that he should have made fun of if he wanted to make fun. Dolan: it was like the name of a woman who washed clothes.
He had reached the door and, turning quickly up to the right, walked up the stairs and, before he could make up his mind to come back, he had entered the low dark narrow corridor that led to the castle. And as he crossed the threshold of the door of the corridor he saw, without turning his head to look, that all the fellows were looking after him as they went filing by.
He passed along the narrow dark corridor, passing little doors that were the doors of the rooms of the community. He peered in front of him and right and left through the gloom and thought that those must be portraits. It was dark and silent and his eyes were weak and tired with tears so that he could not see. But he thought they were the portraits of the saints and great men of the order who were looking down on him silently as he passed: saint Ignatius Loyola holding an open book and pointing to the words Ad Majorem Dei Gloriam in it, saint Francis Xavier pointing to his chest, Lorenzo Ricci with his berretta on his head like one of the prefects of the lines, the three patrons of holy youth—saint Stanislaus Kostka, saint Aloysius Gonzaga and Blessed John Berchmans—all with young faces because they died when they were young, and Father Peter Kenny sitting in a chair wrapped in a big cloak.
He came out on the landing above the entrance hall and looked about him. That was where Hamilton Rowan had passed and the marks of the soldiers’ slugs were there. And it was there that the old servants had seen the ghost in the white cloak of a marshal.
An old servant was sweeping at the end of the landing. He asked him where was the rector’s room and the old servant pointed to the door at the far end and looked after him as he went on to it and knocked.
There was no answer. He knocked again more loudly and his heart jumped when he heard a muffled voice say:
— Come in!
He