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but beneath its influence they cannot remain merely passive. Even now the straight free lashing of Fors Clavigera seems to descend far too often for our comfort upon the skin of our own backs.

      It is hard not to regret that so much of his force went into satire and attempts at reformation for which, as he knew well, he was not well-equipped by nature. It is hard too not to wish that he had lived in an age which did not isolate its great men with adulation, but encouraged them to use the best of their powers. As it is, if we want to get unalloyed good from Ruskin, we take down not Modern Painters, or the Stones of Venice, or Sesame and Lilies, but Praeterita. There he has ceased to preach or to teach or to scourge. He is writing for the last time before he enters the prolonged season of death, and his mood is still perfectly clear, more sustained than usual, and unfailingly benignant. Compared with much of his writing, it is extremely simple in style; but the simplicity is the flower of perfect skill. The words lie like a transparent veil upon his meaning. And the passage with which the book ends, though it was written when he could hardly write, is surely more beautiful than those more elaborate and gilded ones which we are apt to cut out and admire:

      “Fonte Branda I last saw with Charles Norton under the same arches where Dante saw it. We drank of it together, and walked together that evening in the hills above, where the fireflies among the scented thickets shone fitfully in the still undarkened air. How they shone! moving like fine-broken starlight through the purple leaves. How they shone! through the sunset that faded into thunderous night as I entered Siena three days before, the white edges of the mountainous clouds still lighted from the west, and the openly golden sky calm behind the Gate of Siena’s heart, with its still golden words, Cor magis tibi Sena pandit, and the fireflies everywhere in sky or cloud rising and falling, mixed with the lightning, and more intense than the stars.”

      [written ca. 1928]

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