LITMIR.BIZ

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ran after her, clapping their hands—they could not bear to lose sight of her for a moment.

      "Caroline," said Mrs. Merton, affectionately, "are you not well? You have seemed pale lately, and not in your usual spirits."

      "Oh, yes, I'm well enough," answered Caroline, rather peevishly; "but this place is so dull now; very provoking that Lady Elizabeth does not go to London this year."

      "My dear, it will be gayer, I hope, in July, when the races at Knaresdean begin; and Lord Vargrave has promised to come."

      "Has Lord Vargrave written to you lately?"

      "No, my dear."

      "Very odd."

      "Does Evelyn ever talk of him?"

      "Not much," said Caroline, rising and quitting the room.

      It was a most cheerful exhilarating day—the close of sweet May; the hedges were white with blossoms; a light breeze rustled the young leaves; the butterflies had ventured forth, and the children chased them over the grass, as Evelyn and Caroline, who walked much too slow for her companion (Evelyn longed to run), followed them soberly towards Burleigh.

      They passed the glebe-fields; and a little bridge, thrown over a brawling rivulet, conducted them into a wood.

      "This stream," said Caroline, "forms the boundary between my uncle's estates and those of Mr. Maltravers. It must be very unpleasant to so proud a man as Mr. Maltravers is said to be, to have the land of another proprietor so near his house. He could hear my uncle's gun from his very drawing-room. However, Sir John takes care not to molest him. On the other side, the Burleigh estates extend for some miles; indeed, Mr. Maltravers is the next great proprietor to my uncle in this part of the county. Very strange that he does not marry! There, now you can see the house."

      The mansion lay somewhat low, with hanging woods in the rear: and the old-fashioned fish-ponds gleaming in the sunshine and overshadowed by gigantic trees increased the venerable stillness of its aspect. Ivy and innumerable creepers covered one side of the house; and long weeds cumbered the deserted road.

      "It is sadly neglected," said Caroline; "and was so, even in the last owner's life. Mr. Maltravers inherits the place from his mother's uncle. We may as well enter the house by the private way. The front entrance is kept locked up."

      Winding by a path that conducted into a flower-garden, divided from the park by a ha-ha, over which a plank and a small gate, rusting off its hinges, were placed, Caroline led the way towards the building. At this point of view it presented a large bay window that by a flight of four steps led into the garden. On one side rose a square, narrow turret, surmounted by a gilt dome and quaint weathercock, below the architrave of which was a sun-dial, set in the stonework; and another dial stood in the garden, with the common and beautiful motto—

      "Non numero horas, nisi serenas!"*

       * "I number not the hours, unless sunny."

      On the other side of the bay window a huge buttress cast its mass of shadow. There was something in the appearance of the whole place that invited to contemplation and repose—something almost monastic. The gayety of the teeming spring-time could not divest the spot of a certain sadness, not displeasing, however, whether to the young, to whom there is a luxury in the vague sentiment of melancholy, or to those who, having known real griefs, seek for an anodyne in meditation and memory. The low lead-coloured door, set deep in the turret, was locked, and the bell beside it broken. Caroline turned impatiently away. "We must go round to the other side," said she, "and try to make the deaf old man hear us."

      "Oh, Carry!" cried Cecilia, "the great window is open;" and she ran up the steps.

      "That is lucky," said Caroline; and the rest followed Cecilia.

      Evelyn now stood within the library of which Mrs. Merton had spoken. It was a large room, about fifty feet in length, and proportionably wide; somewhat dark, for the light came only from the one large window through which they entered; and though the window rose to the cornice of the ceiling, and took up one side of the apartment, the daylight was subdued by the heaviness of the stonework in which the narrow panes were set, and by the glass stained with armorial bearings in the upper part of the casement. The bookcases, too, were of the dark oak which so much absorbs the light; and the gilding, formerly meant to relieve them, was discoloured by time.

      The room was almost disproportionably lofty; the ceiling, elaborately coved, and richly carved with grotesque masks, preserved the Gothic character of the age in which it had been devoted to a religious purpose. Two fireplaces, with high chimney-pieces of oak, in which were inserted two portraits, broke the symmetry of the tall bookcases. In one of these fireplaces were half-burnt logs; and a huge armchair, with a small reading-desk beside it, seemed to bespeak the recent occupation of the room. On the fourth side, opposite the window, the wall was covered with faded tapestry, representing the meeting of Solomon and the Queen of Sheba; the arras was nailed over doors on either hand—the chinks between the door and the wall serving, in one instance, to cut off in the middle his wise majesty, who was making a low bow; while in the other it took the ground from under the wanton queen, just as she was descending from her chariot.

      Near the window stood a grand piano, the only modern article in the room, save one of the portraits, presently to be described. On all this Evelyn gazed silently and devoutly: she had naturally that reverence for genius which is common to the enthusiastic and young; and there is, even to the dullest, a certain interest in the homes of those who have implanted within us a new thought. But here there was, she imagined, a rare and singular harmony between the place and the mental characteristics of the owner. She fancied she now better understood the shadowy and metaphysical repose of thought that had distinguished the earlier writings of Maltravers—the writings composed or planned in this still retreat.

      But what particularly caught her attention was one of the two portraits that adorned the mantelpieces. The further one was attired in the rich and fanciful armour of the time of Elizabeth; the head bare, the helmet on a table on which the hand rested. It was a handsome and striking countenance; and an inscription announced it to be a Digby, an ancestor of Maltravers.

      But the other was a beautiful girl of about eighteen, in the now almost antiquated dress of forty years ago. The features were delicate, but the colours somewhat faded, and there was something mournful in the expression. A silk curtain, drawn on one side, seemed to denote how carefully it was prized by the possessor.

      Evelyn turned for explanation to her cicerone.

      "This is the second time I have seen that picture," said Caroline; "for it is only by great entreaty and as a mysterious favour that the old housekeeper draws aside the veil. Some touch of sentiment in Maltravers makes him regard it as sacred. It is the picture of his mother before she married; she died in giving him birth."

      Evelyn sighed; how well she understood the sentiment which seemed to Caroline so eccentric! The countenance fascinated her; the eye seemed to follow her as she turned.

      "As a proper pendant to this picture," said Caroline, "he ought to have dismissed the effigies of yon warlike gentleman, and replaced it by one of poor Lady Florence Lascelles, for whose loss he is said to have quitted his country: but, perhaps, it was the loss of her fortune."

      "How can you say so?—fie!" cried Evelyn, with a burst of generous indignation.

      "Ah, my dear, you heiresses have a fellow-feeling with each other! Nevertheless, clever men are less sentimental than we deem them. Heigho! this quiet room gives me the spleen, I fancy."

      "Dearest Evy," whispered Cecilia, "I think you have a look of that pretty picture, only you are much prettier. Do take off your bonnet; your hair just falls down like hers."

      Evelyn shook her head gravely; but the spoiled child hastily untied the ribbons and snatched away the hat, and Evelyn's sunny ringlets fell down in beautiful disorder. There was no resemblance between Evelyn and the portrait, except in the colour of the hair, and the careless fashion it now by chance assumed. Yet Evelyn was pleased to think that a likeness did exist, though Caroline declared it was a most unflattering

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