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The Lost World Classics - Ultimate Collection. Жюль Верн
Читать онлайн.Название The Lost World Classics - Ultimate Collection
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isbn 9788027248254
Автор произведения Жюль Верн
Жанр Языкознание
Издательство Bookwire
These are the gross figures of warfare. But War Pictures devotes three volumes, perhaps the most horrible of all, to the presentation of various details of the fighting in which these vast multitudes suffered and perished. These three volumes are like the microscopic slides in a specimen book of anatomy, which show us from a selected scrap of tissue the texture of the whole. Little figures stand out enlarged, chosen by the hazard that they wrote or talked or carried a camera, to represent the nameless millions who have left no record. We have accounts of men who were left to lie out for days between the lines, tortured by thirst and stifled by the stench of their own corruption, and yet who survived to tell the tale. We have the stories of men who fell into heaps of rotting dead, and lay there choking, and of men who were gassed. The tortures of gas were already many and various, and most of the mixtures then used left tormenting weaknesses in the system for the rest of life. We have descriptions of the rude surgery of the time and abstracts of the mental disorders through which minds fled from reality. There are also some dreadful pictures of mutilated men, faceless, crippled, grotesquely distorted, and an autobiography of one of the blinded (Outstaying My Welcome, by Fritz Schiff, 1923). Scores of thousands of unhappy fragments of humanity had to be hidden away in special institutions until they died, they were at once so terrifying and so pitiful and hopeless. The world forgot them even while they lived.
The distortion of souls was even more dreadful than the distortion of bodies. One of the most lurid items in that dreadful assemblage of realities is a lecture on the use of the bayonet, which chanced to be printed, reprinted later by anti-war propagandists and so preserved for us, delivered by a certain Sergeant-Major Franklin to some English cadets in London. To us he is incredible in his ferocity; we are almost forced to believe he was drunk or mad, until we realize from the “laughter” that punctuated his utterances, from the hearty thanks of his commanding officer, and the “three cheers” which rewarded him at the conclusion of his discourse, that he was merely expressing the spirit of war service as it was then understood.
“If you see a wounded German,” he said, “shove him out and have no nonsense about it.”
He was all against taking prisoners — and for murdering them after surrender. He told with sympathy and approval of how a corporal under him butchered a group of German boys. “Can I do these blokes in, sir?” asked the corporal, pointing to a bunch of disarmed enemies.
“Please yourself,” said the sergeant-major. . . .
When they had been “done in”, the honest corporal, a released convict from Dartmoor prison, came back to the sergeant-major very gratified and honoured, and, still in favour, discussed the technical difficulties of withdrawing a bayonet quickly in order to be ready for the “next fellow”.
That was, that is, the spirit to which war brings a human being. Sergeant-Major Franklin had his abundant equivalents in every army engaged. We are able to quote an English document, freely published. Participants in many other countries had less freedom. On the whole the English were as gentle as any other soldiers. But fear and bloodlust, it is plain, wipe out all the slowly acquired restraints and tolerance of social order very quickly and completely from any breed of men. History must not be written in pink and gilt. Prisoners and wounded were not simply neglected and ill-treated and “shoved out”. Many were actually tortured to death — either by way of reprisals or in sheer wanton cruelty. There is also a series of photographs of foully mutilated bodies, mutilated and indecently displayed while they were dying or immediately after they were dead. Those millions marched indeed right out of civilization, right out of any sort of human life as we know it to-day, marched down to something viler than mere bestiality, when they marched into the war zone.
After the summer of 1918, which brought with it the certainty of ultimate defeat, the combatant energy of Germany evaporated. Everywhere there was distress and hunger due to a rigorous blockade. The discipline of the land relaxed; the country behind the front was infested by stragglers; the Higher German Command found itself now, like its antagonists, unable to rely upon the men to advance, found itself unable to rely upon their resistance to an enemy attack. They became eager to surrender — taking the off-chance of meeting experimental corporals from Dartmoor on the way.
Wherever there was still loyalty and obedience, however, men were still callously sacrificed by the Higher Command. War Pictures (vol. xxvii, 23842 et seq,) show the German machine-gunners in their pits, on the defensive against advancing British and American troops. These men allowed themselves to be drugged and chained to their weapons, and so continued to fire and kill until the attack came up to them. Then they found small mercy. They were bayoneted or their brains were beaten out. They paid for the inventions of their masters. They paid for the hatred of Germany the introduction of poison gas had evoked in every attacking army. Such residues of senseless devotion availed nothing against the massive pressures that were at last exhausting Germany. In November the Kaiser, the War Lord, was in flight; a humiliating Armistice had been concluded and the German armies were streaming home in disorder, incoherently revolutionary.
Upon that phrase, “incoherently revolutionary”, our account of the main war may very well end. Here we will only allude to the defeat and demoralization of the Italian armies after the battle of Caporetto, when 800,000 were either killed, wounded, taken prisoner, or (sensible fellows) “went home”. Nor will we describe the naval battles, of which the chief and last was Jutland. It was the last, because afterwards the German admirals were faced by the threat of mutiny if they essayed another fight. Whether it was or was not a victory for the British was never exactly determined. The controversy died out during the Polish wars.
The War Pictures volumes give many photographs and accounts of these naval encounters. We have, for example, a whole series of snapshots of a British cruiser in the Battle of Jutland, the Defence steaming at full-speed-ahead to attack and finish up a smashed and sinking German battleship, the Wiesbaden. The onrush of that fierce mechanism is terrific. It seems invincible and overpowering. It has an undeniable splendour. Then suddenly a series of blinding flashes show the Defence has been hit by the fire of some other German battleship coming to the help of her sister ship, and in a moment she has blown up and gone; she is no more than a mounting unfolding column of smoke and flying fragments, including, we realize with an effort, the torn and scalded bodies of eight hundred men. Then a welter of littered tumbled water. . . .
There is no end to the multitude of such pictures.
But let us return to our phrase “incoherently revolutionary”. That is the key to the whole human situation at that time. The distaste for the war throughout the world was enormous, if not in its opening phases, then certainly before the second year was reached. It bored; it disgusted. Its events had none of the smashing decisiveness that seizes the imagination. Even the great naval battle of Jutland was, from the point of view of spectacle, a complete failure. None the less, for a very simple reason a comparatively small minority of resolutely belligerent persons was able to keep this vast misery going. On the one hand the war was in accordance with the ruling ideas of the time, while on the other the hundreds of millions whose astonishment and dismay deepened daily, as horror unfolded beyond horror, had no conception of any alternative pattern of life to which they could turn as a refuge from its relentless sequences.
To cry “End the war” ended nothing, because it gave no intimations of what had to replace belligerent governments in the control of human affairs. The peace the masses craved for was as yet only a featureless negative. But peace must be a positive thing, designed and sustained, for peace is less natural than warfare. We who have at last won through to the Pax Mundi know how strong and resolute, how powerfully equipped and how vigilant, the keepers of the peace must be.
8. The Impulse to Abolish War; The Episode of the Ford Peace Ship