The Memoirs of Casanova (Illustrated Edition) - Giacomo Casanova

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I finally consented to accept, as a substitute for mine, a text offered by the abbe, although it did not suit in any way the spirit of my production; and in order to get an opportunity for a visit to his niece, I gave him my manuscript, saying that I would call for it the next day. My vanity prompted me to send a copy to Doctor Gozzi, but the good man caused me much amusement by returning it and writing that I must have gone mad, and that if I were allowed to deliver such a sermon from the pulpit I would bring dishonour upon myself as well as upon the man who had educated me.

      I cared but little for his opinion, and on the appointed day I delivered my sermon in the Church of the Holy Sacrament in the presence of the best society of Venice. I received much applause, and every one predicted that I would certainly become the first preacher of our century, as no young ecclesiastic of fifteen had ever been known to preach as well as I had done. It is customary for the faithful to deposit their offerings for the preacher in a purse which is handed to them for that purpose.

      The sexton who emptied it of its contents found in it more than fifty sequins, and several billets-doux, to the great scandal of the weaker brethren. An anonymous note amongst them, the writer of which I thought I had guessed, let me into a mistake which I think better not to relate. This rich harvest, in my great penury, caused me to entertain serious thoughts of becoming a preacher, and I confided my intention to the parson, requesting his assistance to carry it into execution. This gave me the privilege of visiting at his house every day, and I improved the opportunity of conversing with Angela, for whom my love was daily increasing. But Angela was virtuous. She did not object to my love, but she wished me to renounce the Church and to marry her. In spite of my infatuation for her, I could not make up my mind to such a step, and I went on seeing her and courting her in the hope that she would alter her decision.

      The priest, who had at last confessed his admiration for my first sermon, asked me, some time afterwards, to prepare another for St. Joseph's Day, with an invitation to deliver it on the 19th of March, 1741. I composed it, and the abbe spoke of it with enthusiasm, but fate had decided that I should never preach but once in my life. It is a sad tale, unfortunately for me very true, which some persons are cruel enough to consider very amusing.

      Young and rather self-conceited, I fancied that it was not necessary for me to spend much time in committing my sermon to memory. Being the author, I had all the ideas contained in my work classified in my mind, and it did not seem to me within the range of possibilities that I could forget what I had written. Perhaps I might not remember the exact words of a sentence, but I was at liberty to replace them by other expressions as good, and as I never happened to be at a loss, or to be struck dumb, when I spoke in society, it was not likely that such an untoward accident would befall me before an audience amongst whom I did not know anyone who could intimidate me and cause me suddenly to lose the faculty of reason or of speech. I therefore took my pleasure as usual, being satisfied with reading my sermon morning and evening, in order to impress it upon my memory which until then had never betrayed me.

      The 19th of March came, and on that eventful day at four o'clock in the afternoon I was to ascend the pulpit; but, believing myself quite secure and thoroughly master of my subject, I had not the moral courage to deny myself the pleasure of dining with Count Mont-Real, who was then residing with me, and who had invited the patrician Barozzi, engaged to be married to his daughter after the Easter holidays.

      I was still enjoying myself with my fine company, when the sexton of the church came in to tell me that they were waiting for me in the vestry. With a full stomach and my head rather heated, I took my leave, ran to the church, and entered the pulpit. I went through the exordium with credit to myself, and I took breathing time; but scarcely had I pronounced the first sentences of the narration, before I forgot what I was saying, what I had to say, and in my endeavours to proceed, I fairly wandered from my subject and I lost myself entirely. I was still more discomforted by a half-repressed murmur of the audience, as my deficiency appeared evident. Several persons left the church, others began to smile, I lost all presence of mind and every hope of getting out of the scrape.

      I could not say whether I feigned a fainting fit, or whether I truly swooned; all I know is that I fell down on the floor of the pulpit, striking my head against the wall, with an inward prayer for annihilation.

      Two of the parish clerks carried me to the vestry, and after a few moments, without addressing a word to anyone, I took my cloak and my hat, and went home to lock myself in my room. I immediately dressed myself in a short coat, after the fashion of travelling priests, I packed a few things in a trunk, obtained some money from my grandmother, and took my departure for Padua, where I intended to pass my third examination. I reached Padua at midnight, and went to Doctor Gozzi's house, but I did not feel the slightest temptation to mention to him my unlucky adventure.

      I remained in Padua long enough to prepare myself for the doctor's degree, which I intended to take the following year, and after Easter I returned to Venice, where my misfortune was already forgotten; but preaching was out of the question, and when any attempt was made to induce me to renew my efforts, I manfully kept to my determination never to ascend the pulpit again.

      On the eve of Ascension Day M. Manzoni introduced me to a young courtezan, who was at that time in great repute at Venice, and was nick-named Cavamacchia, because her father had been a scourer. This named vexed her a great deal, she wished to be called Preati, which was her family name, but it was all in vain, and the only concession her friends would make was to call her by her Christian name of Juliette. She had been introduced to fashionable notice by the Marquis de Sanvitali, a nobleman from Parma, who had given her one hundred thousand ducats for her favours. Her beauty was then the talk of everybody in Venice, and it was fashionable to call upon her. To converse with her, and especially to be admitted into her circle, was considered a great boon.

      As I shall have to mention her several times in the course of my history, my readers will, I trust, allow me to enter into some particulars about her previous life.

      Juliette was only fourteen years of age when her father sent her one day to the house of a Venetian nobleman, Marco Muazzo, with a coat which he had cleaned for him. He thought her very beautiful in spite of the dirty rags in which she was dressed, and he called to see her at her father's shop, with a friend of his, the celebrated advocate, Bastien Uccelli, who; struck by the romantic and cheerful nature of Juliette still more than by her beauty and fine figure, gave her an apartment, made her study music, and kept her as his mistress. At the time of the fair, Bastien took her with him to various public places of resort; everywhere she attracted general attention, and secured the admiration of every lover of the sex. She made rapid progress in music, and at the end of six months she felt sufficient confidence in herself to sign an engagement with a theatrical manager who took her to Vienna to give her a 'castrato' part in one of Metastasio's operas.

      The advocate had previously ceded her to a wealthy Jew who, after giving her splendid diamonds, left her also.

      In Vienna, Juliette appeared on the stage, and her beauty gained for her an admiration which she would never have conquered by her very inferior talent. But the constant crowd of adorers who went to worship the goddess, having sounded her exploits rather too loudly, the august Maria-Theresa objected to this new creed being sanctioned in her capital, and the beautiful actress received an order to quit Vienna forthwith.

      Count Spada offered her his protection, and brought her back to Venice, but she soon left for Padua where she had an engagement. In that city she kindled the fire of love in the breast of Marquis Sanvitali, but the marchioness having caught her once in her own box, and Juliette having acted disrespectfully to her, she slapped her face, and the affair having caused a good deal of noise, Juliette gave up the stage altogether. She came back to Venice, where, made conspicuous by her banishment from Vienna, she could not fail to make her fortune. Expulsion from Vienna, for this class of women, had become a title to fashionable favour, and when there was a wish to depreciate a singer or a dancer, it was said of her that she had not been sufficiently prized to be expelled from Vienna.

      After her return, her first lover was Steffano Querini de Papozzes, but in the spring of 1740, the Marquis de Sanvitali came to Venice and soon carried her off. It was indeed difficult to resist this delightful marquis! His first present to the fair lady was a sum of one hundred thousand ducats, and, to prevent

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