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once shock the universal prejudices of their age, or because they themselves were not altogether freed from the contagious influence of a prevailing superstition. Yet the result of his calculations in these two instances left so unpleasing an impression on his mind that, like Prospero, he mentally relinquished his art, and resolved, neither in jest nor earnest, ever again to practise judicial astrology.

      He hesitated a good deal what he should say to the Laird of Ellangowan concerning the horoscope of his first-born; and at length resolved plainly to tell him the judgment which he had formed, at the same time acquainting him with the futility of the rules of art on which he had proceeded. With this resolution he walked out upon the terrace.

      If the view of the scene around Ellangowan had been pleasing by moonlight, it lost none of its beauty by the light of the morning sun. The land, even in the month of November, smiled under its influence. A steep but regular ascent led from the terrace to the neighbouring eminence, and conducted Mannering to the front of the old castle. It consisted of two massive round towers projecting deeply and darkly at the extreme angles of a curtain, or flat wall, which united them, and thus protecting the main entrance, that opened through a lofty arch in the centre of the curtain into the inner court of the castle. The arms of the family, carved in freestone, frowned over the gateway, and the portal showed the spaces arranged by the architect for lowering the portcullis and raising the drawbridge. A rude farm-gate, made of young fir-trees nailed together, now formed the only safeguard of this once formidable entrance. The esplanade in front of the castle commanded a noble prospect.

      The dreary scene of desolation through which Mannering’s road had lain on the preceding evening was excluded from the view by some rising ground, and the landscape showed a pleasing alternation of hill and dale, intersected by a river, which was in some places visible, and hidden in others, where it rolled betwixt deep and wooded banks. The spire of a church and the appearance of some houses indicated the situation of a village at the place where the stream had its junction with the ocean. The vales seemed well cultivated, the little inclosures into which they were divided skirting the bottom of the hills, and sometimes carrying their lines of straggling hedgerows a little way up the ascent. Above these were green pastures, tenanted chiefly by herds of black cattle, then the staple commodity of the country, whose distant low gave no unpleasing animation to the landscape. The remoter hills were of a sterner character, and, at still greater distance, swelled into mountains of dark heath, bordering the horizon with a screen which gave a defined and limited boundary to the cultivated country, and added at the same time the pleasing idea that it was sequestered and solitary. The sea-coast, which Mannering now saw in its extent, corresponded in variety and beauty with the inland view. In some places it rose into tall rocks, frequently crowned with the ruins of old buildings, towers, or beacons, which, according to tradition, were placed within sight of each other, that, in times of invasion or civil war, they might communicate by signal for mutual defence and protection. Ellangowan Castle was by far the most extensive and important of these ruins, and asserted from size and situation the superiority which its founders were said once to have possessed among the chiefs and nobles of the district. In other places the shore was of a more gentle description, indented with small bays, where the land sloped smoothly down, or sent into the sea promontories covered with wood.

      

Carlaverock Castle Photo-Etching by John Andrew and Son

      A scene so different from what last night’s journey had presaged produced a proportional effect upon Mannering. Beneath his eye lay the modern house — an awkward mansion, indeed, in point of architecture, but well situated, and with a warm, pleasant exposure. ‘How happily,’ thought our hero, ‘would life glide on in such a retirement! On the one hand, the striking remnants of ancient grandeur, with the secret consciousness of family pride which they inspire; on the other, enough of modern elegance and comfort to satisfy every moderate wish. Here then, and with thee, Sophia!’

      We shall not pursue a lover’s day-dream any farther. Mannering stood a minute with his arms folded, and then turned to the ruined castle.

      She sate upon a broken corner-stone in the angle of a paved apartment, part of which she had swept clean to afford a smooth space for the evolutions of her spindle. A strong sunbeam through a lofty and narrow window fell upon her wild dress and features, and afforded her light for her occupation; the rest of the apartment was very gloomy. Equipt in a habit which mingled the national dress of the Scottish common people with something of an Eastern costume, she spun a thread drawn from wool of three different colours, black, white, and grey, by assistance of those ancient implements of housewifery now almost banished from the land, the distaff and spindle. As she spun, she sung what seemed to be a charm. Mannering, after in vain attempting to make himself master of the exact words of her song, afterwards attempted the following paraphrase of what, from a few intelligible phrases, he concluded to be its purport:—

      Twist ye, twine ye! even so

      Mingle shades of joy and woe,

      Hope, and fear, and peace, and strife,

      In the thread of human life.

      While the mystic twist is spinning,

      And the infant’s life beginning,

      Dimly seen through twilight bending,

      Lo, what varied shapes attending!

      Passions wild, and Follies vain,

      Pleasures soon exchanged for pain,

      Doubt, and Jealousy, and Fear

      In the magic dance appear.

      Now they wax, and now they dwindle,

      Whirling with the whirling spindle.

      Twist ye, twine ye! even so

      Mingle human bliss and woe.

      Ere our translator, or rather our free imitator, had arranged these stanzas in his head, and while he was yet hammering out a rhyme for dwindle, the task of the sibyl was accomplished, or her wool was expended. She took the spindle, now charged with her labours, and, undoing the thread gradually, measured it by casting it over her elbow and bringing each loop round between her forefinger and thumb. When she had measured it out, she muttered to herself — ‘A hank, but not a haill ane — the full years o’ three score and ten, but thrice broken, and thrice to oop (i.e. to unite); he’ll be a lucky lad an he win through wi’t.’

      Our hero was about to speak to the prophetess, when a voice, hoarse as the waves with which it mingled, hallooed twice, and with increasing impatience — ‘Meg, Meg Merrilies! Gipsy — hag — tausend deyvils!’

      ‘I am coming, I am coming, Captain,’ answered Meg; and in a moment or two the impatient

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