LITMIR.BIZ

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“the god of the silver bow” who is sending his swift shafts of death amongst them. The poet’s vision even sees the dread Archer in bodily shape. It is a fine picture; the English reader will lose little of its beauty in Lord Derby’s version:—

      “Along Olympus’ heights he passed, his heart

       Burning with wrath; behind his shoulders hung

       His bow and ample quiver; at his back

       Rattled the fateful arrows as he moved.

       Like the night-cloud he passed, and from afar

       He bent against the ships, and sped the bolt;

       And fierce and deadly twanged the silver bow.

       First on the mules and dogs, on man the last,

       Was poured the arrowy storm; and through the camp

       Constant and numerous blazed the funeral-fires.”

      In their misery the Greeks appeal to their soothsayer Calchas, to divine for them the cause of the god’s displeasure. The Mantis or soothsayer, whose skill was in most cases supposed to be hereditary, accompanied a Greek force on all its expeditions; and no prudent general would risk a battle, or engage in any important enterprise, without first ascertaining from this authority the will of the gods, as shadowed out in certain appearances of the sacrifice, or some peculiarity in the flight of birds, or some phenomena of the heavens. In this particular expedition it would appear that Calchas had turned the last branch of his art to good purpose; it must have been his knowledge of the stars which had enabled him, as Homer tells us, to pilot the great fleet from their own shores to Troy. He confesses that he can read the secret of Apollo’s present wrath; but he hesitates to tell it, dreading, he says, lest he should thereby anger the “great chief whom the whole host obeys.” Achilles charges him to speak out boldly without fear or favour; none shall harm him—not even if he should denounce Agamemnon himself as the cause of this visitation, adds the hero, gladly seizing the opportunity of hurling a defiance at his great rival. Thus supported, the seer speaks out; Agamemnon is indeed the guilty cause. In a late foray he had taken captive the maiden daughter of Chryses, a priest of the Sun-god, and the father had come to the camp of the invaders as a suppliant, pleading the sanctity of his office, and offering a fitting ransom. The great king had refused to listen, had sent him away with bitter words and threats; and the priest had prayed to his god to punish the insult: hence the pestilence. Immediately the popular voice—expressed loudly through Achilles—demands the maiden’s instant restitution to her father. Agamemnon, though burning with indignation alike against the seer and his champion, dares not refuse. His prerogative, however generally admitted and respected by the confederate army, is dependent in such extremities on the popular will. He promises at once to send back the daughter of Chryses unharmed and without ransom. But at the same time, after a stormy and bitter dispute with Achilles, he announces his intention to insist on that chief resigning, by way of exchange, a fair captive named Briseis, carried off in some similar raid, who had been awarded to him as his share of the public spoil. To this insolent demand the majority of the council of chiefs, content with their victory on the main question, appear to raise no objection. But Achilles—his impetuous nature roused to madness by the studied insult—leaps up and half unsheathes his sword. Even then—such is the Greek’s reverence for authority—he hesitates; and as he stands with his hand upon the hilt, there sweeps down from Olympus[10] Pallas Athene (Minerva), the goddess of wisdom, sent by Here (Juno) Queen of Heaven to check this fatal strife between her favourite Greeks. The celestial messenger is visible to Achilles alone. She calms the hero’s wrath so far as to restrain him from any act of violence; but, as she disappears, he turns on his enemy, and swears a mighty oath—the royal oath of kings—by the golden-studded staff, or “sceptre,” which was borne by king, priest, and judge as the emblem of their authority. Pope’s rendering has all the fire of the original, and the additional touches which he throws in are at least in a kindred spirit:—

      “By this I swear, when bleeding Greece again

       Shall call Achilles, she shall call in vain:

       When flushed with slaughter Hector comes to spread

       The purpled shore with mountains of the dead,

       Then shalt thou mourn th’ affront thy madness gave,

       Forced to deplore, when impotent to save;

       Then rage in bitterness of soul, to know

       This act has made the bravest Greek thy foe.”

      He dashes his sceptre on the ground, and sits down in savage silence. Agamemnon is ready enough to return the taunt, when there rises in the assembly a venerable figure, whose grey hairs and tried sagacity in council command at once the respect of all. It is Nestor, the hoary-headed chieftain of the rocky Pylos in the Peloponnese—known in his more vigorous days as “the horse-tamer,” and, in sooth, not a little proud of his past exploits. Two generations of men he has already outlived in his own dominions, and is now loved and respected by the third. He has joined the great armament still sound in wind and limb; but he is valued now not so much for his

      “Red hand in the foray,”

      as for his

      “Sage counsel in cumber.”

      He can clothe this counsel, too, in winning words. The stream of eloquence that flowed from his lips, says the poet, was “sweeter than honey.” He gently reproves both disputants for their unseemly strife—a shame to the Greeks, a triumph to the enemy. His words ring like the lament of David over the suicide of Saul—“Tell it not in Gath, publish it not in the streets of Askelon, lest the daughters of the Philistines rejoice.”

      “Alas, deep sorrow on our land doth fall!

       Yet shall on Priam and his sons alight

       Hope, and a great joy on the Trojans all,

       Hearing ye waste in bitter feud your might,

       Ye twain, our best in counsel and in fight.” (W.)

      He proceeds to tell them something of his own long experience, by way of claim on their attention—with something also, as critics have noticed, of an old man’s garrulity. But the reader, it should be remembered, really wants to know something about him, even if the Greeks may have been supposed to have heard his story before.

      “In times past

       I lived with men—and they despised me not—

       Abler in counsel, greater than yourselves.

       Such men I never saw and ne’er shall see,

       As Pirithous and Dryas, wise and brave,

       And Theseus, Œgeus’ more than mortal son.

       The mightiest they among the sons of men,

       The mightiest they, and of the forest beasts

       Strove with the mightiest, and their rage subdued.

       With them I played my part; with them, not one

       Would dare to fight of mortals now on earth.

       Yet they my counsels heard, my voice obeyed;

       And hear ye also—for my words are wise.” (D.)

      The angry chiefs do hear him so far, that after the interchange of a few more passionate words they leave the council. Achilles stalks off gloomily to his tent, accompanied by his faithful friend and henchman, Patroclus (of whom we shall hear more), and followed by his retinue. Agamemnon proceeds at once to carry out his resolution. He despatches a galley with a trusty crew, under the command of the sage Ulysses, to the island of Chrysa, to restore the old priest’s daughter to him in all honour, with expiatory presents, and the offer of a hecatomb to the Sun-god. They make the voyage quickly, and arrive safely at the island. The rapid movement here of Homer’s verse has rarely been more happily rendered than in the English hexameters of Mr. Landon:—

      “Out were the anchors cast, and the ropes made fast to the steerage;

       Out did the sailors leap on the foaming beach of the ocean;

       Out

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