LITMIR.BIZ

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in each fair stranger he sees the possible heroine of a romance in which he may play the agreeable part of hero. So it was that Sylvia Bailey and Anna Wolsky both had their silent admirers among those who lunched and dined in the narrow green and white dining-room of the Hôtel de l'Horloge.

      Only a Frenchman would have given a second look at the Polish lady while Sylvia was by, but a Frenchman, being both a philosopher and a logician by nature, is very apt to content himself with the second-best when he knows the best is not for him.

      The two friends were in entire contrast to one another. Madame Wolsky was tall, dark, almost swarthy; there was a look of rather haughty pride and reserve on her strong-featured face. She dressed extremely plainly, the only ornament ever worn by her being a small gold horseshoe, in the centre of which was treasured—so, not long ago, she had confided to Sylvia, who had been at once horrified and thrilled—a piece of the rope with which a man had hanged himself at Monte Carlo two years before! For Madame Wolsky—and she made no secret of the fact to her new friend—was a gambler.

      Anna Wolsky was never really happy, she did not feel more than half alive, when away from the green cloth. She had only left Monte Carlo when the heat began to make the place unbearable to one of her northern temperament, and she was soon moving on to one of the French watering-places, where gambling of sorts can be indulged in all the summer through.

      Different in looks, in temperament, and in tastes were the two young widows, and this, perhaps, was why they got on so excellently well together.

      Sylvia Bailey was the foreign ideal of a beautiful Englishwoman. Her hair was fair, and curled naturally. Her eyes were of that blue which looks violet in the sunlight; and she had a delicate, rose leaf complexion.

      Married when only nineteen to a man much older than herself, she was now at twenty-five a widow, and one without any intimate duties or close ties to fill her existence. Though she had mourned George Bailey sincerely, she had soon recovered all her normal interest and pleasure in life.

      Mrs. Bailey was fond of dress and able to indulge her taste; but, even so, good feeling and the standard of propriety of the English country town of Market Dalling where she had spent most of her life, perhaps also a subtle instinct that nothing else would ever suit her so well, made her remain rigidly faithful to white and black, pale grey, and lavender. She also wore only one ornament, but it was a very becoming and an exceedingly costly ornament, for it consisted of a string of large and finely-matched pearls.

      As the two friends went upstairs after luncheon Madame Wolsky said earnestly, "If I were you, Sylvia, I would certainly leave your pearls in the office this afternoon. Where is the use of wearing them on such an expedition as that to a fortune-teller?"

      "But why shouldn't I wear them?" asked Sylvia, rather surprised.

      "Well, in your place I should certainly leave anything as valuable as your pearls in safe keeping. After all, we know nothing of this Madame Cagliostra, and Montmartre is what Parisians call an eccentric quarter."

      Sylvia Bailey disliked very much taking off her pearls. Though she could not have put the fact into words, this string of pearls was to her a symbol of her freedom, almost of her womanhood.

      As a child and young girl she had been under the close guardianship of a stern father, and it was to please him that she had married the rich, middle-aged man at Market Dalling whose adoration she had endured rather than reciprocated. George Bailey also had been a determined man—determined that his young wife should live his way, not hers. During their brief married life he had heaped on her showy, rather than beautiful, jewels; nothing of great value, nothing she could wear when in mourning.

      And then, four months after her husband's death, Sylvia's own aunt had died and left her a thousand pounds. It was this legacy—which her trustee, a young solicitor named William Chester, who was also a friend and an admirer of hers, as well as her trustee, had been proposing to invest in what he called "a remarkably good thing"—Mrs. Bailey had insisted on squandering on a string of pearls!

      Sylvia had become aware, in the subtle way in which Women become aware of such things, that pearls were the fashion—in fact, in one sense, "the only wear." She had noticed that most of the great ladies of the neighbourhood of Market Dalling, those whom she saw on those occasions when town and county meet, each wore a string of pearls. She had also come to know that pearls seem to be the only gems which can be worn with absolute propriety by a widow, and so, suddenly, she had made up her mind to invest—she called it an "investment," while Chester called it an "absurd extravagance"—in a string of pearls.

      Bill Chester had done his very best to persuade her to give up her silly notion, but she had held good; she had shown herself, at any rate on this one occasion, and in spite of her kindly, yielding nature, obstinate.

      This was why her beautiful pearls had become to Sylvia Bailey a symbol of her freedom. The thousand pounds, invested as Bill Chester had meant to invest it, would have brought her in £55 a year, so he had told her in a grave, disapproving tone.

      In return she had told him, the colour rushing into her pretty face, that after all she had the right to do what she chose with her legacy, the more so that this thousand pounds was in a peculiar sense her own money, as the woman who had left it her was her mother's sister, having nothing to do either with her father or with the late George Bailey!

      And so she had had her way—nay, more; Chester, at the very last, had gone to great trouble in order that she might not be cheated over her purchase. Best of all, Bill—Sylvia always called the serious-minded young lawyer "Bill"—had lived to admit that Mrs. Bailey had made a good investment after all, for her pearls had increased in value in the two years she had had them.

      Be that as it may, the young widow often reminded herself that nothing she had ever bought, and nothing that had ever been given her, had caused her such lasting pleasure as her beloved string of pearls!

      But on this pleasant June afternoon, in deference to her determined friend's advice, she took off her pearls before starting out for Montmartre, leaving the case in the charge of M. Girard, the genial proprietor of the Hôtel de l'Horloge.

      Chapter II

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      With easy, leisurely steps, constantly stopping to look into the windows of the quaint shops they passed on the way, Sylvia Bailey and Anna Wolsky walked up the steep, the almost mountainous byways and narrow streets which lead to the top of Montmartre.

      The whole population seemed to have poured itself out in the open air on this sunny day; even the shopkeepers had brought chairs out of their shops and sat on the pavement, gaily laughing and gossiping together in the eager way Parisians have. As the two foreign ladies, both young, both in their very different fashion good-looking, walked past the sitting groups of neighbours—men, women, and children would stop talking and stare intently at them, as is also a Parisian way.

      At first Sylvia had disliked the manner in which she was stared at in Paris, and she had been much embarrassed as well as a little amused by the very frank remarks called forth in omnibuses as well as in the street by the brilliancy of her complexion and the bright beauty of her fair hair. But now she was almost used to this odd form of homage, which came quite as often from women as from men.

      "The Rue Jolie?" answered a cheerful-looking man in answer to a question. "Why, it's ever so much further up!" and he vaguely pointed skywards.

      And it was much further up, close to the very top of the great hill! In fact, it took the two ladies a long time to find it, for the Rue Jolie was the funniest, tiniest little street, perched high up on what might almost have been a mountain side.

      As for No. 5, Rue Jolie, it was a queer miniature house more like a Swiss châlet than anything else, and surrounded by a gay, untidy little garden full of flowers, the kind of half-wild, shy, and yet hardy flowers that come up, year after year, without being tended or watered.

      "Surely a fortune-teller can't live here?" exclaimed

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