LITMIR.BIZ

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of the man at the brick-kiln, and looked at it. Then there was silence; and eventually I spoke, for I wanted to know one thing.

      “Seen anybody?” I asked.

      “Yes. Why do you ask?”

      “Because I have also; the man in that picture.”

      Jack came and sat down near me.

      “It’s a ghost, you know,” he said. “He came down to the river about dusk and stood near me for an hour. At first I thought he was real—was real, and I warned him that he had better stand further off if he didn’t want to be hooked. And then it struck me he wasn’t real, and I cast, well, right through him, and about seven he walked up towards the house.”

      “Were you frightened?”

      “No. It was so tremendously interesting. So you saw him here too. Whereabouts?”

      “Just outside. I think he is in the house now.”

      Jack looked ’round.

      “Did you see him come in?” he asked.

      “No, but I felt him. There’s another queer thing too; the chimney of the brick-kiln is smoking.”

      Jack looked out of the window. It was nearly dark, but the wreathing smoke could just be seen.

      “So it is,” he said, “fat, greasy smoke. I think I’ll go up and see what’s on. Come too?”

      “I think not,” I said.

      “Are you frightened? It isn’t worth while. Besides, it is so tremendously interesting.”

      Jack came back from his little expedition still interested. He had found nothing stirring at the kiln, but though it was then nearly dark the interior was faintly luminous, and against the black of the sky he could see a wisp of thick white smoke floating northwards. But for the rest of the evening we neither heard nor saw anything of abnormal import, and the next day ran a course of undisturbed hours. Then suddenly a hellish activity was manifested.

      That night, while I was undressing for bed, I heard a bell ring furiously, and I thought I heard a shout also. I guessed where the ring came from, since Franklyn and his wife had long ago gone to bed, and went straight to Jack’s room. But as I tapped at the door I heard his voice from inside calling loud to me. “Take care,” it said, “he’s close to the door.”

      A sudden qualm of blank fear took hold of me, but mastering it as best I could, I opened the door to enter, and once again something pushed softly by me, though I saw nothing.

      Jack was standing by his bed, half-un—I saw him wipe his forehead with the back of his hand.

      “He’s been here again,” he said. “I was standing just here, a minute ago, when I found him close by me. He came out of the inner room, I think. Did you see what he had in his hand?”

      “I saw nothing.”

      “It was a knife; a great long carving knife. Do you mind my sleeping on the sofa in your room tonight? I got an awful turn then. There was another thing too. All ’round the edge of his clothes, at his collar and at his wrists, there were little flames playing, little white licking flames.” But next day, again, we neither heard nor saw anything, nor that night did the sense of that dreadful presence in the house come to us. And then came the last day. We had been out till it was dark, and as I said, had a wonderful day among the fish. On reaching home we sat together in the sitting-room, when suddenly from overhead came a tread of feet, a violent pealing of the bell, and the moment after yell after yell as of someone in mortal agony. The thought occurred to both of us that this might be Mrs. Franklyn in terror of some fearful sight, and together we rushed up and sprang into Jack’s bedroom.

      The doorway into the room beyond was open, and just inside it we saw the man bending over some dark huddled object. Though the room was dark we could see him perfectly, for a light stale and impure seemed to come from him. He had again a long knife in his hand, and as we entered he was wiping it on the mass that lay at his feet. Then he took it up, and we saw what it was, a woman with head nearly severed. But it was not Mrs. Franklyn.

      And then the whole thing vanished, and we were standing looking into a dark and empty room. We went downstairs without a word, and it was not till we were both in the sitting-room below that Jack spoke.

      “And he takes her to the brick-kiln,” he said rather unsteadily.

      “I say, have you had enough of this house? I have. There is hell in it.”

      About a week later Jack put into my hand a guide-book to Sussex open at the description of Trevor Major, and I read:

      “Just outside the village stands the picturesque manor house, once the home of the artist and notorious murderer, Francis Adam. It was here he killed his wife, in a fit, it is believed, of groundless jealousy, cutting her throat and disposing of her remains by burning them in a brick-kiln.”

      “Certain charred fragments found six months afterwards led to his arrest and execution.”

      So I prefer to leave the house with the brick-kiln and the pictures signed F. A. to others.

      The Terror by Night

       Table of Contents

      The transference of emotion is a phenomenon so common, so constantly witnessed, that mankind in general have long ceased to be conscious of its existence, as a thing worth our wonder or consideration, regarding it as being as natural and commonplace as the transference of things that act by the ascertained laws of matter. Nobody, for instance, is surprised, if when the room is too hot, the opening of a window causes the cold fresh air of outside to be transferred into the room, and in the same way no one is surprised when into the same room, perhaps, which we will imagine as being peopled with dull and gloomy persons, there enters some one of fresh and sunny mind, who instantly brings into the stuffy mental atmosphere a change analogous to that of the opened windows. Exactly how this infection is conveyed we do not know; considering the wireless wonders (that act by material laws) which are already beginning to lose their wonder now that we have our newspaper brought as a matter of course every morning in mid-Atlantic, it would not perhaps be rash to conjecture that in some subtle and occult way the transference of emotion is in reality material too. Certainly (to take another instance) the sight of definitely material things, like writing on a page, conveys emotion apparently direct to our minds, as when our pleasure or pity is stirred by a book, and it is therefore possible that mind may act on mind by means as material as that.

      Occasionally, however, we come across phenomena which, though they may easily be as material as any of these things, are rarer, and therefore more astounding. Some people call them ghosts, some conjuring tricks, and some nonsense. It seems simpler to group them under the head of transferred emotions, and they may appeal to any of the senses. Some ghosts are seen, some heard, some felt, and though I know of no instance of a ghost being tasted, yet it will seem in the following pages that these occult phenomena may appeal at any rate to the senses that perceive heat, cold, or smell. For, to take the analogy of wireless telegraphy, we are all of us probably “receivers” to some extent, and catch now and then a message or part of a message that the eternal waves of emotion are ceaselessly shouting aloud to those who have ears to hear, and materialising themselves for those who have eyes to see. Not being, as a rule, perfectly tuned, we grasp but pieces and fragments of such messages, a few coherent words it may be, or a few words which seem to have no sense. The following story, however, to my mind, is interesting, because it shows how different pieces of what no doubt was one message were received and recorded by several different people simultaneously. Ten years have elapsed since the events recorded took place, but they were written down at the time.

      Jack Lorimer and I were very old friends before he married, and his marriage to a first cousin of mine did not make, as so often happens, a slackening in our intimacy. Within a few months after, it was found out that his wife had consumption, and,

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