LITMIR.BIZ

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was the most inappropriate thing that could be conceived. Poor Nelly with her life ended, so soon—come back with all gaieties and gladness for ever shut out, the music silenced, the very sight of a man (Miss Bampton felt) made painful to her—to a life much more subdued and quiet than old-maidenhood, she who had always been such a bright little thing, full of fun and nonsense! Good Julia figured her cousin to herself in a widow's cap (which, however, whatever people may say, is a most becoming head-dress to a young woman), pale, smiling quietly when her sympathy was called upon, shrinking aside a little from a laugh, thinking of nothing but her two little children, in whom she would, no doubt, poor thing, begin to live a subdued life by proxy—and whom she had called, in that very touching letter, the sole consolations of her life. Poor little Nelly! who would no doubt break down altogether when she came in to this old place, which she had known in the brightness of her youth—and who ought, at least, to be received by her relations alone, not in a stranger's presence. Miss Bampton grew very restless and unhappy as the time went on. She heard the pony carriage drive out, which May ought to have driven down to the station to meet her cousin. May had found time to run out to tell Johnson that he must go himself, that she could not be ready, and the sound of the wheels upon the gravel felt like a reproach to Julia, who was not in the least to blame. How dreadful to send only a servant to meet her—considering how much had come and gone since she last stopped at that station! When the carriage had gone, Miss Bampton, who felt it her duty, though she was not in the least wanted, to remain in the drawing-room while all this practising was going on, could not keep still. She went and came into the inner drawing-room, she took out books from the shelves and put them back again, she laid down her knitting and took it up, she looked at the clock first in one room, then in another, and compared them with her watch. Finally, she came up to the performers just as they came to the end of a song.

      "That was very nice," Miss Bampton said. "I think you have it perfect. May, poor Nelly may be here at any moment; don't you think you should shut the piano before she comes in?"

      "Why?" said May, swinging round upon her stool to look her sister in the face.

      "Oh! well, dear, I don't know that I can explain. Nelly, that used to be so fond of all these things herself, coming home a widow, deprived of everything—I think that explains itself, dear."

      "Is this lady, then, a statue of woe, covered with crape and white caps and streamers?" said Fitzroy.

      "I think I see Nelly like that," cried May, with her fingers running up and down the keys. "We can manage this trio when Nelly comes. You know, Julia, she was always the merriest little thing, ready for any fun. What nonsense to try to make us frightened of Nelly!"

      "In the first place, she is much older than you are," said Miss Bampton, with something as nearly like anger as she ever showed to her sister, "so how you can speak so confidently—I can't tell, I am sure, whether she may wear a widow's cap. They don't, I believe, in India; but I am very certain, May, that you should have gone down to the station to meet her, and that it will be a painful thing for her, poor dear, though I hope the feeling may not last—to come back to this house after her trouble, she that has been so happy here."

      "Why does she come, then?" said May, with a pout. "If I had thought we were to give up everything to Nelly, and go sighing through all the house——"

      "Weep upon her shoulder," suggested the young man, in a low tone.

      "I must say," cried Miss Bampton, fluttering her feathers like a dove enraged, "that though this sort of talk may be funny and fashionable and all that, I find it in very bad taste. There is the carriage coming back, and if you have no real sympathy for your cousin, I hope you'll at least shut down the piano and meet her without a song on your lips and a grin on your face!"

      This tremendous Parthian shaft Miss Bampton discharged as she hurried out, with an almost pleased consciousness, soon to be changed into remorse, of the force of the dart. A grin on May's face! To think that her laugh, which Mr Fitzroy compared to silver bells and all manner of pretty things, should be spoken of as a grin! May closed the piano with a noise like a blow.

      "We shall have to stop, I suppose," she said, impatiently, "though I did want so much to try over that last again."

      "And I suppose I ought to fly," said Fitzroy. "Must I? I should like to have one peep at this wonderful widow before I leave you, dissolved in tears——"

      "Oh, don't talk nonsense!" said May, with the faintest little frown upon her forehead. It is one thing to laugh or jeer in your own person at your family arrangements, and quite another thing to have your laugh echoed by a stranger. "I suppose I must go and meet her," she added, quickly, and hurried out, leaving him alone by the piano.

      If Mr Fitzroy had been a young man of delicate feelings, it is probable that he would have disappeared by the window, and delivered his friends from his unnecessary presence at such a moment. But his feelings were quite robust so far as other people were concerned, and his curiosity was piqued. He stood calmly, therefore, and waited till the party returned. He listened to Miss Bampton's little cries and exclamations, subdued by the distance but yet distinguishable. "Dear Nelly! dear Nelly! So glad, so glad to see you! Welcome back to us all! Welcome! oh, my dear, my dear!" Then a little sound of crying, then "Oh, Nelly, dear!" from May; and kisses, and a note or two of a new voice, "Dear old Ju! dear Maysey," different, not like the tones of the sisters, which resembled, much unlike as their personalities were. Then there sounded old Mr Bampton's tremulous bass. "Well, Nelly, my dear; glad to see you back again." To all this commotion Percy Fitzroy listened, amused at the self-revelation in the different tones. It was highly impertinent on his part to stay, and without reason; but his mind was not much disturbed by that.

      Then the little procession streamed in, May first, pushing open the door, Miss Bampton after, with the new-comer's arm affectionately and tightly drawn through hers, Mr Bampton lumbering behind, with his heavy tread. The new-comer—ah! she was certainly worth a second look. She was covered with crape, with a long veil falling almost to her feet; but it was apparent to Fitzroy's very sharp and experienced eyes that the crape was rusty and brown, and probably d'occasion, put on for her first appearance and to impress her relations. I don't know what it was in Mrs Brunton's face which gave the young man of the world this impression. There are people who understand each other without a word, at a glance. Mrs Brunton's face was a very pretty one, much prettier than May's, who had not much more than the beauté de diable, the first freshness and bloom of a country girl, to recommend her. The young widow had better features; she had a lurking something in the corners of her mouth, which looked like "a spice of wickedness" to the audacious stranger. She lifted her eyes with a little sentiment to survey "the dear old room," prepared to sigh; but caught, with a lightning glance, the unknown young man in it, with the faintest elevation of her eyebrows, postponing for a moment that "suspiration of forced breath," which, however, followed all the same, with only an infinitesimal delay. "The dear old room," said Nelly; "nothing changed except——" and then came the round, full, long-drawn sigh. Mr Fitzroy felt that he had done well to wait; there was fun to be anticipated here. He caught May's eyes slightly dubious, and elevated his own brows with a look that called back the smile to her face. Then he crossed the room to the door, under shadow of Mr Bampton's back, and giving a little pressure to her hand in parting, whispered "To-morrow?" as if it were for that question he had stayed. May gave him a smile and a nod, and he hastened away. What could be more discreet? Even Miss Bampton, full of wrath against him for his lingering, opened her mouth in surprise when she found he had disappeared so unobtrusively, and had nothing to say.

CHAPTER II.

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      When Mrs Brunton's bonnet with the long veil was taken off, and her long cloak, which was half covered with crape, she presented a very agreeable figure in a well-fitting dress, which indeed was black, but in no special way gloomy, and pleasantly "threw up" her light brown hair and pretty complexion. The crape, which was rather shabby, was indeed more or less worn—if not for effect as Percy Fitzroy supposed—at least by way of response to a natural prejudice in favour of "deep" mourning,

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